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Articles by Janne
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Absolutely! Here's your **American-style pitch** for the AI Game Show concept, with a bold call to action and a clear, entertaining tone: --- ## 🎤
Absolutely! Here's your **American-style pitch** for the AI Game Show concept, with a bold call to action and a clear, entertaining tone: --- ## 🎤
🎤 Who Wants to Join the First-Ever AI Game Show? Are you a creative technologist, comedian, voice actor, AI…
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AI, Predictive Nostalgia, and Museums: Preserving True History in the Age of Generative AIFeb 20, 2025
AI, Predictive Nostalgia, and Museums: Preserving True History in the Age of Generative AI
The rise of artificial intelligence (AI) presents both opportunities and profound challenges for museums and cultural…
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Embracing the Extended Reality Revolution: Transforming Museums and Cultural Heritage in the Digital AgeFeb 19, 2025
Embracing the Extended Reality Revolution: Transforming Museums and Cultural Heritage in the Digital Age
In today's digital era, Extended Reality (XR)—an umbrella term for Virtual Reality (VR), Augmented Reality (AR), and…
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Elämä ei pääty eläkkeelle: miten museot antavat lisävuosia elämään (eikä vain vuosia elämään!)Jan 24, 2025
Elämä ei pääty eläkkeelle: miten museot antavat lisävuosia elämään (eikä vain vuosia elämään!)
Mitä tarkoittaa "aktiivinen ikääntyminen"? Ei, se ei ole mikään uusi fitness-buumi senioreille (vaikka liikunta onkin…
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The 70% Horizon: Navigating the AI-Driven Skills RevolutionJan 24, 2025
The 70% Horizon: Navigating the AI-Driven Skills Revolution
Davos Dispatch: When the Ground Shifts Beneath Our Skills The crisp mountain air of Davos in 2025 wasn't just filled…
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Davos 2025: Työelämä Uusiksi – Tekoäly Muuttaa 70% Taidoista Vuoteen 2030 MennessäJan 24, 2025
Davos 2025: Työelämä Uusiksi – Tekoäly Muuttaa 70% Taidoista Vuoteen 2030 Mennessä
Davos 2025 – paikka, jossa maailman johtajat kokoontuvat pohtimaan tulevaisuutta. Tänä vuonna ykköspuheenaihe ei ollut…
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Kulttuuriperintö Herää Elämään: Miten AI Ja Tarinat Muuttavat TurismiaJan 19, 2025
Kulttuuriperintö Herää Elämään: Miten AI Ja Tarinat Muuttavat Turismia
Hei kaikki LinkedIn-verkostoni! Oletteko miettineet, miten kulttuuriperintö ja turismi voisivat yhdessä luoda jotain…
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Kulttuurin Digitaalinen PolkuNov 1, 2024
Kulttuurin Digitaalinen Polku
Miksi kulttuurimme digitalisaatio on nyt enemmän kuin ajankohtaista. Suomen hallitus on viime aikoina toteuttanut…
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Viking Geeks Documentary ProjectSep 30, 2015
Viking Geeks Documentary Project
The Norse colonization of the Americas began as early as the 10th century AD, when Vikings explored and settled areas…
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13K followers
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Janne Tamminen shared thisEvery company is now a media company. 📺 The only question is: are you acting like one? In 2026, you’re not just competing on product and price. You’re competing on attention, trust, and story, and that battle is happening on YouTube and social feeds, not in PDFs and press releases. That’s why I believe every serious organization should have an active YouTube channel and a simple, repeatable way to create content in-house. Here’s what happens when you do: - You become findable. Your expertise and solutions are visible 24/7 to people who are literally searching for them. - You build trust before the first meeting. Customer stories, explainers, and behind-the-scenes content make you feel familiar and credible. - You save time and money. One good recording session can turn into demos, shorts, onboarding content, internal training and more. - You own your narrative. Instead of letting others define you, you show who you are, how you think, and how you solve problems. I’ve just recorded a new video where I explain: - Why every company should think like a media house - Why YouTube is a “must-have” channel, not a nice bonus - How a one-person virtual studio can replace a traditional production crew and make content creation fast, flexible and affordable If you’re a founder, leader, or work in marketing/comms and you’re still treating video as an occasional “campaign thing” instead of an ongoing capability, this is especially for you. Curious how this could work for your organization? Drop a comment or DM me, happy to brainstorm.
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Janne Tamminen shared thisUusi Juttu on Suomen ainoa järkevä uutismedia. Hesarit ja muut kohutabloidit ei tarvii sun rahoja.Janne Tamminen shared thisOlemme tänä syksynä jännässä tilanteessa. Meiltä puuttuu noin 5000 jäsentä, jotta seisoisimme taloudellisesti omilla jaloillamme. Katamme siis 80 prosenttia Uuden Jutun tekemisen kuluista omilla tuloillamme. Vuosi sitten se tuntui kaukaiselta haaveelta, mutta nyt se tuntuu jo ihan mahdolliselta! Olemme riippuvaisia vain jäsenistämme, sillä meillä ei ole muita tuloja. Siksi tänään aloitimme kampanjan, jossa pyydämme nykyisten jäsentemme apua uusien jäsenten hankinnassa. Näin siksi, että jäsenemme pitävät journalismistamme kovasti ja uudet jäsenet löytävät meidät useimmiten suosittelujen kautta. Muutamassa tunnissa jo yli 400 uutta jäsentä on liittynyt. Jos et ole vielä liittynyt Uuden Jutun jäseneksi, voit nyt tehdä sen itse valitsemaasi hintaan (linkki löytyy kommenteista). Kyllä, siis vaikka ilmaiseksi. Jos et vielä riittävän vakuuttunut maksaaksesi, otamme mielellämme haasteen vastaan: uskomme että kokeiltuasi pystymme vakuuttamaan sinut siitä, että jäsenyydestä maksaminenkin kannattaa.
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Janne Tamminen shared thisMeet Janne Tamminen, a versatile filmmaker offering services from content strategy to audio visual production. He leverages UE5 and a unique virtual studio setup to deliver top-notch results. Hire him for your next film making project or virtual reality experience! http://jannetamminen.com Available for meaningful video production work remotely.
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Janne Tamminen shared thisMost teams already know they need studio-quality video. What slows everything down isn’t strategy, it’s production. With XArena, we focused on removing the friction you’ve likely run into: Record on your phone. No green screen, no crew. We deliver a polished, on-brand 3D virtual studio look, consistent every time. For training and onboarding, we can create a digital twin of your host so updates don’t require reshoots. This has been especially useful for executive updates, internal comms, and course content where the message changes often but the standard of quality can’t. If you’d like to see how this would look with your existing footage, send me a note and I’ll share a quick walkthrough. #CorporateTraining #InternalComms #eLearning #VirtualStudio #VideoProduction
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Janne Tamminen shared thisI just shot a quick demo to show a simple upgrade path for your NotebookLM video overview presentations. Step 1: record a straightforward Google NotebookLM video overview. Step 2: drop that same video into the XArena virtual studio. Now your message is delivered by an avatar (yours or a stand-in) inside a fully branded 3D environment. Colors, logos, stage layout. Everything can match your identity. The result looks sharper, feels more premium, and instantly boosts credibility without changing your core content. Who is this for? Teams that teach, onboard, sell, or brief stakeholders and want to stand out without renting a studio or hiring a crew. If you want your next presentation to look like this, visit XArena.tv or send me a message here on LinkedIn and I’ll walk you through it. #NotebookLM #VirtualStudio #PresentationDesign #BrandStory #AIVideo #Education #Training #B2BMarketing
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Janne Tamminen shared thisWho wants to join me? 😆
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Janne Tamminen reposted thisJanne Tamminen reposted this🚀 Your Speed Date with Nordic Innovations: Bite-Sized, Big Insights. Excited to feature NROC Security in our latest podcast episode! 👏 Huge congratulations to the team #NROCSecurity, winners of the Fintech and Security track at Maria 01 NOW 2025. We've created a special bite-sized episode so you can discover what sets them apart — and why they’re capturing so much attention 🚀 Listen here: Apple Podcasts: https://lnkd.in/dwKQTgKy Spotify: https://lnkd.in/dCyKx8iv Amazon Music: https://lnkd.in/dyCnBnYh YouTube Music: https://lnkd.in/dcanzb5u cc: Markus Melin, Antti Reijonen, Ville Mattila, Luna Ansari Don't miss their inspiring journey! If you enjoyed the episode, we'd greatly appreciate you sharing it with your network and exploring more about their incredible journey Please - Follow, Share, and Repost! #StartupsToWatch #Entrepreneurship #Innovation #Startups #TheNordicVentureShow #NordicInnovations #TheNordicVenture
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Janne Tamminen reposted thisJanne Tamminen reposted thisAt least twice a day on LinkedIn, I see someone confidently announce that a piece of writing must be AI-generated — because it contains em dashes. I find this both hilarious and infuriating. I've been using em dashes since high school AP English. They're a legitimate tool in a writer's utility belt. They create rhythm. They let you interrupt yourself for effect. They add emphasis and give sentences room to breathe. But now, because some AI-generated text leans on em dashes, a new breed of "AI spotters" has decided that any piece of writing that contains one must be fake. It's important to remember that these folks aren't editors or stylists. Some aren't particularly thoughtful readers. In many cases, I doubt they've spent much time writing anything longer than a LinkedIn post. But they believe they're on to something, and now they're eager to call balls and strikes — based solely on punctuation. To be honest, it took me a while to understand why their unearned knowledge bothers me so much. I use ChatGPT to brainstorm, to summarize long documents, to rephrase — much the same way I used to crack a thesaurus or talk to a colleague over the wall of their cubicle. But I don't outsource my writing. And I certainly don't let a LLM dictate my creative choices. So yes, you will find em dashes in my work — because I put them there! And frankly, if the sum total of your editorial instinct is "oh no, an em dash — this must be Gen AI," you're not critiquing anyone's writing. You're exposing how little you know about it.
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Janne Tamminen shared thisThis. Podcasts are on tv now. Do not create zoom calls and call it a show.Janne Tamminen shared thisSome people love the audio only aspect of podcasts, but it seems to be evolving into a format that not only is video based, but one that is watched in the family TV. And that becomes a challenge as there are commercial opportunities in that format which audio only content can't take advantage of. No one really wants to watch a podcast that looks like a podcast right? #podcasting #brandmarketing #HETV Goalhanger, Live Nation Entertainment, Netflix, YouTube, Riverside.fm, BBC Studios, Lower Street, Spotify, TYXstudios, Sony Music Entertainment, Platform Media,No One Wants to Watch a Podcast That Looks Like a PodcastNo One Wants to Watch a Podcast That Looks Like a PodcastRob Chandler
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Janne Tamminen liked thisJanne Tamminen liked thisProtect your reputation and your revenue with rock-solid internet built for trade shows and exhibitions. Rent high-performance, plug-and-play WiFi with all-inclusive packages starting under $900. Set up in seconds and monitored 24/7 by real network engineers. No dropouts, no slowdowns, and no surprise data limits halfway through your show. Each PopUp WiFi unit delivers unlimited, unthrottled high-speed data bonded from all major carriers at once, so your booth stays connected even during peak convention traffic. From lead capture and POS to HD streaming, AI demos, and staff WiFi, PopUp WiFi keeps your booth running smoothly anywhere in the USA. Fully secure. Fully independent of venue internet. Get a custom quote and Speedtest Insights report for your venue today at popup-wifi.com.
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Janne Tamminen liked this🚨 HIRING ALERT: 16 companies actively hiring! In October we saw 153k jobs cut. The highest since 2003 (22 years) for an October. To support I'm sharing opportunities that come across my feed to help those impacted. Please consider liking this post and sharing to help others impacted. 1. Apex - Spacecraft Manufacturing - Mass-manufacturing productized satellite platforms to accelerate deployment of critical, next-generation constellations Hiring: Interns + Everything - https://bit.ly/4nwHQUn 2. Bead AI - The AI agents that execute grunt work in SOX testing, so you can focus on navigating the risk Hiring: Founding team (AI Engineer, Engineer) - https://bit.ly/beadai-sr 3. Canopy Labs - Virtual humans indistinguishable from real ones Hiring: ML Researcher, Research Engineer, Software/ Data Engineer, Forward Deploy Engineer - https://bit.ly/canopy-sr 4. Chainguard - Safe source for open source Hiring: Everything - https://lnkd.in/gGkAgHSn 5. ClickHouse - ClickHouse is an open-source, column-oriented OLAP database management system Hiring: Everything - https://lnkd.in/gBW9G-dx 6. Counsel Health - AI-enabled, physician-supervised virtual care Hiring: Engineering, Clinical, Finance, Marketing - https://lnkd.in/gJEwq5RY 7. Coverstar - Creativity, Not Toxicity - The Safe Social Platform for Gen Alpha Hiring: AI Enigneer, Product Manager, Product Designer, Growth Marketing Lead - https://lnkd.in/ggSrZpCA 8. Cursor - The best way to code with AI Hiring: Everything - https://bit.ly/cursor-a16z 9. Daylight - The decentralized energy company Hiring: Engineering, Marketing, Energy, BD - https://bit.ly/4jWahK0 10. Deel - Deel is the all-in-one Global People Platform that simplifies and streamlines every aspect of managing an international workforce Hiring: Everything - https://bit.ly/4gcr6j6 11. EliseAI - Fixing housing and healthcare with agentic AI to improve how we live Hiring: Everything - https://lnkd.in/g_GWXCkd 12. fal - Generative media platform for developers. Hiring: Engineering, Marketing, Sales, Security - https://bit.ly/fal-a16z 13. favorited - hypersocial gamified livestreaming Hiring: Design, Engineering, Product - https://lnkd.in/gX5DAciV 14. FLORA - FLORA is an applied AI HCI company building the world’s most powerful creative tools Hiring: Product Engineer, Agent Engineer, Growth Engineer, GTM & Ops and more - https://bit.ly/flora-sr 15. FurtherAI - FurtherAI is a domain-specific AI for the insurance industry Hiring: Engineering, Product, Founding Recruiter, Sales, Customer Success - https://lnkd.in/gxw3mBqW 16. Harvey - Harvey is domain-specific AI for legal and professional services Hiring: Engineering, Product, HR, IT, Customer Success, Everything - https://bit.ly/47FiON4 If you're interested in seeing more opportunities I come across comment "more" and I'll create another batch of job opportunities like this one. Shout out to Jordan Mazer, Jordan Carver, Bella Nazzari for helping job seekers find opportunities!
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Janne Tamminen liked thisJanne Tamminen liked thisScanning real day time location and turning it a night time crime scene. It can be done with Volinga Unreal Engine Plugin. Check the full video in here: https://lnkd.in/dvDM5GwA
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Video Production Manager
TEDx Milpitas
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Helped local high school students with their TEDx event.
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In capcut, The audio tab's "Isolate Voice" feature can significantly improve audio quality. Even "Reduce Noise" and "Enhance Voice" offer powerful AI tools. These tools are so effective that they can even help clarify voices in noisy environments, like near traffic. While results vary, the potential for clearer audio is substantial. This means that important messages can be delivered more impactfully, regardless of background distractions. #AudioEditing #VoiceIsolation #NoiseReduction #AudioEnhancement
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Christian Mietke
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I made a video comparing a (simple) sample mockup and the live recording of a recent piece by me. A "problem" I ran into is "how do you make a mockup of extended techniques?". In this excerpt there are a few things I just don't have samples for: arco battuto and other percussive sounds on the strings (like slapping), "wrong" harmonics, air sounds for the brass and others. How would you do it? Leave it out or record some similar sounds yourself (I guess that would also depend on the time budget). Hope you enjoy it nonetheless! #GameAudio #FilmScoring #OrchestralMusic #SoundtrackComposer #VideoGameMusic #MusicComposition #ScoreProduction #CinematicMusic #GameSoundtrack #FilmComposer
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Shalabh Agarwal
Enveu • 4K followers
The AI integrations in Enveu Flow aren't add-ons. They're first-class workflow nodes. Here's what each one does in a real media pipeline: Gladia — Speech to text. 100+ languages. Word-level timestamps. SRT + VTT output. Used in Live to VoD and Auto Multi-Audio workflows. ElevenLabs — AI audio dubbing. 29+ languages. Voice cloning support. Used in Auto Multi-Audio & Subtitles. AWS Translate — Metadata translation at scale. 75+ languages. Custom glossary for brand protection. Used in Multilingual Metadata Translation. OpenAI — Caption generation, content classification, hashtag writing. Used in Clips & Highlights and Social Publishing. Each plugin is schema-driven. Configure once. Runs automatically. → See all integrations: https://lnkd.in/gzdaga2Q #aiautomation #mediaops #ottplatform #gladia #elevenlabs #openai #enveuflow
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😈 M. Edward Borasky
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When you look under the hood of AIs, they're just big 'ol constrained nonlinear optimizers. I'm convinced there are better ways to do that than massive dot product engines emulating poorly understood biological processes that evolved over billions of years in exactly one place that we know of.
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Stephen Brevig
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"100% of my code is written by Claude Code. I run around 100 agents at one time." -Boris Cherny, Creator of Claude Code. At a recent Sequoia Capital AI session, Boris Cherny sat down to explain exactly how he uses Claude Code and revealed his entire mind-blowing coding setup. Here is how the person who built one of the most powerful AI programming tools actually works Software development is being completely democratized. Soon, building software won't require a traditional engineering degree, it will be a basic literacy skill like sending a text message. If you are a builder, engineer, or founder looking to understand the future of organizational structures and AI-native workflows, this is an absolute must-watch. 📌 Save this video for later to study his full setup: "Anthropic's Boris Cherny: Why Coding Is Solved, and What Comes Next" https://lnkd.in/eAzGUJWB #AI #SoftwareEngineering #ClaudeCode #SequoiaCapital #TechInnovation #GenerativeAI
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Joe Willis
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AI Isn’t Just About What Models Learn — It’s About Where They Learn It (Can we still use the dash thingy in the title line?😆) A really good paper just dropped: “The Path Not Taken: RLVR Provably Learns off the Principals” (arXiv:2511.08567). The authors show something counterintuitive: RLVR ( Reinforcement Learning with Verifiable Rewards) improves reasoning by updating off-principal, low-curvature subspaces of the network instead of by rewriting the model’s main knowledge directions. In other words: the geometry of the latent space matters more than the size of the model. We get efficient learning when updates flow through stable, low-curvature regions, not when we force huge changes down the model’s dominant axes. This is exactly the shift we’re seeing across research. We are moving through: • Geometric Memory • Inverse Knowledge Search • LeJEPA • and now RLVR… All pointing to the same truth: Intelligence isn’t a scaling problem. It’s a geometry problem. We feel like future will belong to AI architectures that shape the space of learning, not just the parameters. But this got me thinking… there’s so many different approaches to all of these models, what exactly is the difference between all of them? Are some better for some things than others? Do some models offer better future solutions? Maybe we need to do a series on that.… Shout out to Discover AI! #GeometryOfThought #RAIKEN #AIResearch #SSRSI #RLVR #RecursiveIntelligence https://lnkd.in/g79yn8-x
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Akis Karagiannis
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I tuned into Jed Sundwall's latest Great Data Products episode with Earth Genome’s Brad Andrick and Kwin Keuter about the Storm Events Database. The Storm Events Database (EP 6): https://lnkd.in/dgcNkuYR Storm Events Database: https://lnkd.in/d6UZPJ3R More context: https://lnkd.in/d2FPNkgB There was a lot of interesting talk about what it actually means to build a data product, not just publish data. You can tell they put real thought into taking 70+ years of NCEI storm records and turning them into something people can explore and use. And, as with pretty much anything I’ve read or listened to from Jed, the discussion naturally touched on data governance too. One point I hadn’t really thought about before was the "marketing" side of (open) data products. Promoting the data and making it accessible is part of the job. If people can’t find it, it doesn’t exist. (Also, I can’t believe the word "democratization" wasn’t uttered. :P) It was also encouraging to hear how much they focused on users, building user personas and user stories for how the data product is actually going to be used. And in that context of how people use it, making it discoverable, getting it in front of the right people, and supporting users, I do have a “funny” idea. Similar to how companies have account managers, there should be someone helping users… use the data. Not selling anything, obviously. This is open data. No idea who would fund it, but someone should be on the other end of the line helping people actually get value out of these open data products. But here’s the twist: do it like the old Nintendo hotline. You call, or book a time slot, and have a chat. Users get the support they need, and at the same time you collect feedback. What people were trying to do, what broke, what was confusing, and yes, more user persona fuel. A quick survey at the end, too. The Radiant Earth Open Data Product Hotline. And if you’re lucky, Jed answers the phone. https://lnkd.in/dh2xZ9KC
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Katri Manninen
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People often ask if I’m worried that AI will replace me as a creative writer. My answer has been for a while: “no, not as long as we’ll only have LLMs, as they’re bound to produce generic sh💩t thanks to their logic that is based on guessing what the next likely token is. We’re still at the point where the crowd is blind to the fact that emperor doesn’t have clothes, because the emperor (AI) comes across so self-confident. But if you spend any time testing LLMs to do things you do and know well, you’ll soon understand their limitations. That being said: even with all their flaws and shortcomings LLMs can do many useful things and have made my life easier and more interesting. But I’m not blind to the fact that Claude Opus 4 isn’t really that different from Claude 2 without deep thinking ability – nor is ChatGPT 4.5 much more special than the first ChatGPT 4.
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Petros Theotokatos
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Why 48kHz/24-bit is the "Golden Ratio" for Generative Audio R&D. 🎧🔬 Training a high-quality audio model requires source material that is transparent and free of digital artifacts. When I developed the Curated Sound Datasets (9,000+ assets), my focus wasn't just on the "vibe," but on the signal integrity. In this demo: Look at the spectral consistency. Listen to the dynamic range. Every asset in this library is recorded and processed specifically for Machine Learning integration: ✅ No pre-applied heavy compression. ✅ No aliasing. ✅ Clean headers and consistent gain staging. Whether you are building a text-to-audio engine or a professional-grade plugin, the "garbage in, garbage out" rule applies. Start with ethically sourced, high-fidelity data. Format: Broadcast WAV (.wav) Resolution: 48kHz / 24-bit Linear PCM Editing: Trimmed at zero-crossings (no pops/clicks). Organization: Hierarchical folder structure + Flat CSV manifest. Metadata Fields: [Filename], [BPM], [Key], [Category], [Mood], [Texture_Type], [License_Type]. 🔗 Download Technical Evaluation Pack: https://lnkd.in/djXWnTpv 📁 Full Catalog & Specs: https://lnkd.in/dfG92bKy #AudioAI #Fraunhofer #MachineLearning #SignalProcessing #AudioEngineering #PetrosTheotokatos
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Marcus Stiehl-Bruch
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There’s a great article on fxguide by Clara Chong and Ben Allan that really puts something into words we’ve been experiencing in practice: Immersive isn’t about translating film language. It’s about designing presence. That shift sounds subtle — but it changes everything. We recently captured a live studio concert in a very different way: placing the artist right in the middle of the audience. No stage as a separation. No distance. Just a shared moment in space. What became clear very quickly: The impact didn’t come from scale or technical complexity — but from proximity, coherence and intention. It felt less like “watching a performance” and more like being part of something that is happening. For us, this opens up a much bigger question: If immersive is really about presence — then maybe the most powerful experiences aren’t the biggest ones, but the most honest and focused ones. Curious how others here are approaching this shift. — Worth reading: https://lnkd.in/dR_4bkDT #immersivemedia #applevisionpro #spatialaudio #immersivestorytelling #liveperformance
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Dave Connely
Pixel Parallax • 1K followers
Interesting all the NVIDIA DLSS 5 News. It's actually in-line with what we at Pixel Parallax for the past year had in mind when developing our scanning technology for the future and excited to see were on a heading. So I thought I would post my take on this... I've attached this meme (credit to them and worth noting its fake), ironically no real scan technology was used for this particular example of Harrison Ford. It does show what an uber talented artist can achieve "hand sculpting" likeness vs a DLSS gen model of a Indie that looks nothing like the OG model. As I'm bias, I think the Jonas sculpt is one of best of the best using tradition methods of Digital Humans. So then, the real question is, is this an AI hack filter? Well, kind of. But...everything really in graphics (especially for realtime) is a filter hack to make things look better within the restrains of hardware. For example, the normal map that is running to generate extra detail, is a hack of the light and not a true reflection of the surface. Early versions looked awful and were hard to work with, now its standard on most platforms. If we were to do it the "non hacky way" It can take a VFX renderfam hours to generate a single frame of "real data" with all the bump information, correct lighting, materials, correct everything. At the end of the day, after all that compute, It's still just an estimation. Just highly accurate. They are not perfect. It's all just a "hack" to get an end goal which is a better looking image. I see that this is more Nvida steps towards changing the way we render images. Taking out, "it still looks like a someone else", the idea of using the technology is a way to increase renders pixels at high frame rate that look plausible, will be the future hack. The tech is not there yet but in my opinion as it becomes a controllable tool, it has potential, and clearly this is what they are working towards. With it comes all the issues around use of AI data, where sources come form and who owns it. All of which is post for another day. No AI used for this post, so have fun with my spelling!
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37 Comments -
John Harris
Dimensional Video Networks • 2K followers
"LLMs cannot be trusted with agency..." truer words were never spoken... as Clawdbot is growing exponentially overnight. Current AI models learned our world from billions of still images and videos... Imagine a baby taught with nothing but 2 dimensional pictures and a TV screen... The Televerse, Teledeck, and Telecube configurations are the external skeleton of video displays for immersive HD or 4K AI "World Models". Immersive Telepresence for AI. With all cameras looking in, it becomes a Timecube... the 16:9 and 16:18 physical space created within each configuration becomes a mappable space with a set RGB pixel count that scales. A 3D printable world model of a 4K moment frozen in time. That extra space comes in handy with MPEG-I...
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Jesse Hudson
CTEFIGHT.COM • 85 followers
There’s something I’ve started paying closer attention to lately: Not just what platforms can do… But which ones actually reduce friction for people trying to build. I use both "SiteGround" (https://lnkd.in/g8tBUv-x.com) and "GoDaddy" (https://lnkd.in/gy9-kjQf.com) for different projects. This isn’t a shot at GoDaddy whatsoever. They host my DJ site and have been part of my ecosystem for years. But for the way my brain works — especially balancing neurological challenges, rapid iteration, media work, and AI-assisted workflows — SiteGround’s interface just clicks for me. Simple matters. When I’m working with AI tools to rapidly prototype ideas, build landing pages, update campaigns, or test concepts for projects like WCBD.ca, GuardianAI.health, The Rabbit Hole, and CTEFight.com… the ability to move quickly without fighting the interface becomes incredibly important. The interesting part? This is where AI changes things. It’s no longer just: “Can you code?” Now it’s: “Can a human + AI team move efficiently inside your ecosystem?” That’s a very different conversation. I still physically do the uploads. I still manage the domains. I still move the files, adjust the records, break things accidentally, fix them again, and learn as I go. But AI dramatically compresses the gap between idea and execution. And platforms that support that workflow well are going to stand out more and more over the next few years. So credit where it’s due: SiteGround has made building easier for me. That matters. Jesse Hudson 369 Productions Rabbit Ear Media therabbithole.ca CTEFight.com djjessehudson.com #AI #WebDevelopment #SiteGround #DigitalTransformation #Accessibility #Neurodiversity #Tech #Innovation #HumanCenteredDesign
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Lori H. Schwartz
With over 15 years of… • 8K followers
From my new pal Neil Barbour, S&P, insightful date on forecast for XR hardware. "S&P Global Market Intelligence has updated its five-year forecast for XR hardware. We maintain that there is a path to growth for this market (15.4% CAGR) as AI improves the user experience, as AR smart glasses start to trickle in and as the universe of use cases expands. S&P Global Market Intelligence has updated its five-year forecast for XR hardware. We maintain that there is a path to growth for this market (15.4% CAGR) as AI improves the user experience, as AR smart glasses start to trickle in and as the universe of use cases expands. Big thanks to Chris Allen Villanueva for the illustration. " "The ideal value proposition for future AR/VR headsets is in iteratively slimming down the hardware footprint and power draw while expanding capabilities and lowering costs. We see evidence of the top players working toward that goal, but as we turn the calendar to July without any concrete plans for new hardware, we are forced to push our expectations for any potential market turnaround to 2026." The top players have seen the tepid sales potential of high-priced headsets without a clear set of high-quality, off-the-shelf use cases, and we would expect them to do what they can to refine the value proposition with any new release. But even the perfect headset will likely remain a tech curio coveted mostly by hardcore gamers and gadget collectors. We maintain that the true potential of this market is with form factors that are more in line with smart glasses than headsets, and we believe that future will start to take shape over the forecast. The display-based smart glasses segment is fueling nearly half the growth over our forecast. Some of that hardware is already on the market in nascent stages from vendors such as XREAL and RayNeo, and we expect Apple, Meta Platforms Ltd and other big tech powerhouses to cautiously do more in this space over the next five years. The ideal value proposition for future AR/VR headsets is in iteratively slimming down the hardware footprint and power draw while expanding capabilities and lowering costs. We see evidence of the top players working toward that goal, but as we turn the calendar to July without any concrete plans for new hardware, we are forced to push our expectations for any potential market turnaround to 2026. The display-based smart glasses segment is fueling nearly half the growth over our forecast. Some of that hardware is already on the market in nascent stages from vendors such as XREAL and RayNeo, and we expect Apple, Meta Platforms Ltd and other big tech powerhouses to cautiously do more in this space over the next five years."
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Sakibullah Shamim
Play Tune Music • 1K followers
The music industry is standing at the threshold of a massive shift in how we interact with technology. 🚀 A fascinating recent analysis, *"Apps and programming: two accidental tyrannies,"* explores a future where we move away from rigid, static software toward **malleable interfaces** and AI-driven coding agents. For decades, artists and industry professionals have been confined by the "tyranny" of fixed apps. We adapt our workflows to fit the software, whether it’s a DAW, a CRM, or a distribution portal. But that paradigm is shifting. 🛠️ Here is why this matters for the music business: 🔹 **Customization over Constraint:** With the rise of coding agents, software will become fluid. Imagine tools that adapt to an artist’s specific creative process in real-time, rather than forcing them to navigate complex, pre-set menus. 🔹 **Lowering the Barrier to Entry:** Malleable software allows creators to build their own mini-tools and interfaces without needing a degree in computer science. 🔹 **The End of "Feature Bloat":** Instead of bloated apps trying to be everything to everyone, we are moving toward intelligent agents that generate exactly the interface you need, exactly when you need it. 🎹 The "tyranny" of the static app is ending. The future of music tech isn't just about better features; it’s about software that finally listens to the creator. How do you see AI agents changing your creative workflow? Let’s discuss in the comments! 👇 🎵 Play Tune Music - Your Music Distribution Partner
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Jim Geduldick
Academy of Television Arts &… • 14K followers
Likely to hit everyones feeds is the two big Disney AI announcements today - Disney doing a $1B investment deal with OpenAI to open up their IP to OpenAI tools like Sora. Likely this turns into the UGC models that have been cooking in the background. The deal is pretty clear what each side is getting but if you look deeper it gives both a path they did not have without the deal. OpenAI uses the IP deal as helping to legitimize a major media and consumer facing company a licensing path. Disney gets technology it did not have with reach via an currently "hot" platform. That being said if Disney gets its own UGC version of Sora do you muddy the waters because Parmount, WB and pretty much all other copyrighted characters, videos and data are in the foundational model. Does that mean you get Mickey, Marvel and Bugs Bunny ??? TBC - Disney filing a cease and desist to Google stating its infringing on copyright at mass scale in their training models like Veo and Nano Banana. Somewhat a confusing statement to go after your current investments biggest competitor which has a more mature model for filmmakers / creators and tech first company. https://lnkd.in/gCxkUEx9 Just looking at the tea leaves on this one you can start to see the alignment and the likely end results of licensing deals at scale being made with other IP. There are lots of reasons in the tech sector why Disney would want to align with OpenAI to compete with Netflix and other tech forward companies who are challenging traditional media companies. I have my bets on where some of these deals will land but there is a lot more questions like do you risk brand dilution at scale now that anyone can use your IP that you may not have full control over. Do you think this will work out in the end or will we wind up hitting more model and IP fatigue ? Grab the popcorn because this is just getting started. #Disney #AI #media #GENAI #OpenAI #Google https://lnkd.in/gXm-jdrF
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Pablo Perez
Freelance • 28K followers
Many modern #AI systems are built and rewarded more for producing useful, convincing, successful-looking outputs than for being faithfully accurate, honest about uncertainty, or transparent about failure. In other words, the system is optimized to appear competent and complete tasks effectively, not to protect truthfulness as a primary value. For example, if a model is rewarded for being helpful and producing answers users like, then it learns that giving a smooth answer is often better rewarded than saying: “I don’t know” “I’m uncertain” “I need more information” “That claim may be false” “I cannot verify this” This implies that #truthfulness is not always the dominant objective. These models do not possess a built-in truth-checking faculty in the way people sometimes imagine. They do not have a native internal mechanism equivalent to: “Is this actually verified?” “Am I representing my uncertainty correctly?” “Should I prioritize honesty over task success here?” Some truthfulness behaviors can be trained in, but they are not always stable under pressure. Current AI systems are often optimized for task completion, user satisfaction, and plausible response generation more strongly than for calibrated honesty, verifiable accuracy, and faithful reporting of uncertainty. These systems are rewarded for looking right more often than for knowing when they might be wrong. The system’s training and incentives can produce behavior that functions like deception, even if the system does not possess human-style intent. That distinction matters because the fix is not just “teach it morals.” The fix is more structural.
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Shrinivasan Sankar
Stealth Startup • 2K followers
Universal video understanding requires modeling fine-grained visual and audio information over time in diverse real-world scenarios. However, existing models are constrained by video-instruction data that describes complex audiovisual content as single, incomplete captions without fine-grained organization or reliable annotation. This work introduces (i) ASID-1M, an open-source collection of one million attribute-structured audiovisual instructions with single- and multi-attribute supervision; (ii) ASID-Verify, a scalable curation pipeline that performs automatic verification and refinement to enforce semantic and temporal consistency with audiovisual evidence; and (iii) ASID-Captioner, a video understanding model trained via supervised fine-tuning on ASID-1M. Paper Title: Towards Universal Video MLLMs with Attribute-Structured and Project: https://lnkd.in/eYdyptH3 Link: https://lnkd.in/ezXKq6hz
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Mark Purvis
Origami Platform • 4K followers
Following on from the Substack I published earlier this week, I have been thinking a lot about tooling and the challenges. Every new workflow tool promises efficiency. But every new tool also introduces: - another workflow - another metadata layer - another operational dependency - another place where communication can fail I’m not convinced the film & TV industry has a tooling problem anymore. I increasingly think it has a collaboration problem. Modern post-production workflows now span: - multiple vendors - multiple cloud providers - hybrid storage - distributed teams - review systems - AI tools - enormous amounts of media and metadata And yet much of the industry still operates through disconnected systems, trying to pass information between one another. The hidden cost of this is management bandwidth. People are spending more time: - coordinating workflows - validating versions - chasing files - reconciling metadata - managing edge cases than focusing on creative work. The future probably won’t be defined by who builds the most tools. It will be defined by who helps those tools collaborate coherently. You can read more of my thoughts on this and other changes I'm seeing in the industry on my Substack. The link is in the comments. #tvandfilm #production #postproduction
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