Stephen White

Not so super Frank C. seems to never get the facts straight. Let''s take the time to review his latest 'drivel' 🧱 FACT CHECK: Setting the Record Straight on “5G Broadcast vs ATSC 3.0” 1️⃣ “5G Broadcast is advancing globally while ATSC 3.0 struggles.” ❌False. ATSC 3.0 is deployed in more countries and more receiver types than 5G Broadcast. Fact: ATSC 3.0 is on-air across the U.S., South Korea, Jamaica, and Brazil (TV 3.0), with additional trials in Canada, India, Mexico, and multiple European markets. Meanwhile, there are no nationwide 5G Broadcast deployments anywhere—only isolated MNO pilots in Germany, Austria, and China. 2️⃣ “ATSC 3.0 can’t be received on phones.” ❌Completely outdated. Fact: ATSC 3.0 reception is active on feature phones, smartphones, tablets, USB-C dongles, gateways, and TVs from multiple vendors. The ecosystem includes Saankhya/Tejas, MediaTek, SiliconDust, and others—commercial hardware, not prototypes. 3️⃣ “5G Broadcast is the only global standard (3GPP).” ❌ Misleading. Fact: ATSC 3.0 is an ITU-recognized international broadcast standard (BT.2037, BT.1877)—same global recognition level as DVB-T2 or ISDB-T. ATSC 3.0 is also natively IP, fully interoperable with 3GPP systems (that’s the foundation of B2X – Broadcast-to-Everything). 4️⃣ “Release 18 feMBMS is a game-changer.” ❌Hardly. Fact: Release 18 adds incremental improvements—larger guard intervals, extended SFN support, and optional return path—but it remains dependent on operator spectrum and core integration. ATSC 3.0 already exceeds feMBMS throughput, spectral efficiency, and modulation flexibility, operating independently in broadcast bands and enabling one-to-many delivery without network load. 5️⃣ “Brazil will also implement 5G Broadcast to complement TV 3.0.” ❌ Blatantly false. Fact: Brazil’s SBTVD Forum explicitly rejected 5G Broadcast for terrestrial TV services. TV 3.0 is based on ATSC 3.0 physical layer technology. The separate MNO-led study on mobile use cases is not part of TV 3.0 and has no official adoption. 6️⃣ “India is aligning with 5G Broadcast.” ❌ Misrepresented. Fact: India’s D2M (Direct-to-Mobile) initiative is ATSC 3.0-centric, jointly developed by Prasar Bharati, IIT Kanpur, and Saankhya Labs. Government agencies recognize ATSC 3.0 as the technical basis for large-scale D2M deployment. 7️⃣ “ATSC 3.0 is its own worst enemy.” ❌Wrong again. Fact: ATSC 3.0 is the only broadcast system proven to deliver UHD, HDR, datacasting, emergency alerts, and IP services at scale—while converging with telecom and satellite systems in real deployments. The global momentum speaks for itself—ATSC 3.0 is the broadcast foundation for the connected world. 🔧 Bottom Line feMBMS is a network feature. ATSC 3.0 is a full system. ATSC 3.0 delivers broadcast-grade performance today—independent, interoperable, and global. The world isn’t “swimming against the current.” It’s following the current—and that current flows through ATSC 3.0.

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Just back from NAB Show New York 2025, and the future of live production has never felt more exciting. In my latest blog, I dive into the shift we’re seeing: real-time, data-driven workflows where latency matters, hybrid cloud + 5G is standard, and sports production leads the way. 👉 Read more for why at Vislink we’re leaning into low-latency, IP/RF convergence, and intuitive tools that let storytellers focus on the narrative - not the signal flow. https://lnkd.in/e9h99qYT #LiveProduction #BroadcastInnovation #5G #CloudVideo #sportsTech

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OpenPlay has always been at the forefront of data transparency and interoperability. Over the years, I’ve spoken on countless panels and industry events about the importance of building doors and windows—not walls—when designing the future of music technology. The reality is, our industry needs to do a much better job of both sharing data and welcoming new entrepreneurs to tackle our biggest challenges - both known and unknown. That’s why this May, we’re launching something different. OpenPlay and Music Business Association are teaming up with leading content partners and top technology platforms to host "Break the Silos. Build the Future.", a one-day hackathon at Music Biz 2025 in Atlanta. 💡 The goal? To showcase the power of data interoperability - giving developers, engineers, and entrepreneurs the tools they need to focus on what’s next, instead of constantly having to rebuild the same foundations. For one day, we’re putting OpenPlay’s full API ecosystem into the hands of builders, innovators, and creators, alongside APIs from industry leaders in AI, Analytics, Fan Engagement, eCommerce, and Live Events. This is an opportunity to: ✅ Collaborate with engineers and creatives to push the boundaries of music tech ✅ Unlock $10,000 in prizes for the best innovations ✅ Leverage real-world industry APIs to solve real music challenges ✅ Work alongside content partners and top technology companies ✅ Get hands-on support from industry experts—both creative and technical The best part? This isn’t just for the seasoned pros. We’re welcoming students, first-time founders, and emerging tech talent - because the next big thing in music won’t come from the same voices that have dominated for decades. 🚨 If you’re a music tech platform and want to participate, reach out to us! This is a unique opportunity to showcase your technology, connect with developers, and be part of building the next wave of music innovation. The future of music isn’t just being shaped - it’s being built right now. If you’re ready to help break the silos and build what’s next, we want to see you in Atlanta this May.

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Question: Does IPMX offer a bridge between the AV and Broadcast industries for AVOIP? Answer: Yes, IPMX (Internet Protocol Media Experience) is a valid and emerging technology for AV-over-IP (Audio Video over Internet Protocol). It is a set of open standards and specifications designed to enable the transport of high-quality video, audio, and data over IP networks, specifically tailored for the professional audiovisual (Pro AV) industry. IPMX builds on established broadcast standards like SMPTE ST 2110, which is widely used for media transport in professional broadcast environments, and enhances it with features suited for Pro AV applications. What makes IPMX particularly relevant for AVoIP is its focus on interoperability, flexibility, and accessibility. It supports both compressed and uncompressed video streams, low-latency transmission, and features like HDCP (High-bandwidth Digital Content Protection) for copy protection, network discovery, and device connection management. These capabilities make it suitable for a wide range of use cases, from live events and corporate installations to education and digital signage. Additionally, IPMX incorporates the JPEG-XS codec, which allows for visually lossless compression, enabling high-quality 4K video at 60 frames per second over standard 1 Gb/s networks, with potential scalability to higher resolutions and bandwidths. Developed by the Alliance for IP Media Solutions (AIMS) in collaboration with organizations like SMPTE, AMWA (Advanced Media Workflow Association), and the Video Services Forum (VSF), IPMX is designed to be an open standard. This means it’s freely available for manufacturers and integrators to implement, avoiding the proprietary limitations of some other AVoIP solutions. Its plug-and-play functionality, supported by AMWA’s NMOS specifications, further simplifies deployment in diverse network environments. In summary, IPMX is not only a valid technology for AVoIP but also a promising one, offering a standardized, scalable, and interoperable approach that addresses the needs of the Pro AV industry while leveraging proven broadcast technologies. Its ongoing development and adoption by manufacturers indicate it’s poised to play a significant role in the future of AV-over-IP. Kévin Thompson CEO Founder Thompson Consulting Inc. / TeQdyne/ kevin@teqdyne.com #TeQdyne #plexusAV #stevencogels #johnorlando #jasonfritz #avoip #nab #smpte #smpte #nsca #psni #ravepubs

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Exciting news! We’ve expanded our agent OS platform to support integration with AWS-native tools. This means smoother AI workflows for clients using tools like Textract and OpenSearch—all without re-structuring their current cloud setup. Learn more about this latest update: https://pwc.to/4nRY1Nh

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It's official! Warner Bros. Discovery will be splitting into two companies: Streaming & Studios (still headed by current CEO David Zaslav) and Global Networks, headed by current WBD CFO Gunnar Wiedenfals. Essentially replicating what Comcast is doing in splitting their cable networks from NBCUniversal, the separation is expected to close by mid 2026. Streaming & Studios will comprise of: - Warner Bros. Television Group - Warner Bros. Motion Picture Group - DC Studios - HBO & HBO MAX TV - Film & TV libraries Global Networks will comprise premiere entertainment, sports and new television brands globally including: - CNN - TNT Sports (in the US) - Discovery Inc - Discovery+ - Bleacher Report "WBD said it intends the split to be tax-free for U.S. federal income tax purposes and that the new companies plan to implement arm’s length transition services and commercial agreements post-separation 'to facilitate the transition and maintain continued operational efficiencies.'" Read the full article in Deadline Hollywood below: https://lnkd.in/ewEvnDMM #streaming #warnerbrosdiscovery #WBD #spinoff #entertainment #streamingwars #cablenetworks #television #film #studios

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