Summer box office 2026: what can we learn from the hits and misses?
It was a bumper season for Hollywood, almost back to pre-pandemic levels, with Tom Holland blockbusters winning out, but there was still a string of disappointments
The Extractor review – Indonesian hostage-rescue thriller has surprising thread of gentleness at its core
Beveridge revisited: Simon Callow film celebrates the radical co-founder of Britain’s welfare state
Pin de Fartie review – spoonerist remix of Samuel Beckett’s Endgame finds fresh absurdity in Argentina
Onslaught review – super soldier slasher doesn’t go hard enough
‘The whistling on the theme tune? That’s Dickie Attenborough!’ Hayley Mills on Whistle Down the Wind
Parasomnia review – sleep-schedule horror conjures up a succubus on the loose in waking nightmare