Avoiding complacency is crucial for advancing in your compositing career. Staying too comfortable in your current role can dull your passion and creativity over time. Embrace new challenges and learning opportunities to maintain your enthusiasm for the art of visual effects. Pushing your boundaries can lead to greater financial rewards and personal growth in this dynamic industry.
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Always exploring new ways to blend creativity and technology. For my latest edit, I integrated Nano Banana AI into the VFX workflow — alongside After Effects and Premiere Pro for compositing, motion graphics, editing and sound design. It’s fascinating to see how AI tools can enhance the creative process rather than replace it. #VideoEditing #MotionGraphics #VFX #AfterEffects #PremierePro #AIinCreativity #PostProduction
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You don’t need After Effects to create cinematic motion graphics anymore Description: Most people assume high-end motion graphics require After Effects or DaVinci Resolve. But recently, I tried a website that completely changed the game — Auto AE. It offers ready-to-use, customizable templates that make professional visuals accessible for everyone — even if you’re not a pro editor. 🔗 Comment “website” below if you’d like the link sent to you directly. #VideoEditing #MotionDesign #CreativeTools #AutoAE #LinkedInCreators #ContentEditing #Filmmakers
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Lately, I’ve been experimenting with shaders in Blender and post compositing in DaVinci Resolve, with the goal of recreating a scene from Treasure Planet in 3D. This process has led me to discover the fascinating world of NPR (Non Photorealistic Rendering). an approach that focuses more on artistic expression and stylization rather than realism. Here are some of my latest work-in-progress shots of Captain Amelia from the Disney film. If anyone has experience working with NPR or similar stylized workflows, I’d love to hear about your process or any tips you’d like to share. Feedback is always appreciated! 🚀 #Blender #DaVinciResolve #NPR #3DArt #StylizedRendering #TreasurePlanet #3DCharacter #LookDev #Compositing
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🎧 Custom Audio Equalizer for 3ds Max + TyFlow Integration 🎧 I’ve built a custom audio equalizer tool that generates CSV files for TyFlow in 3ds Max. You can easily set up your equalizer inside the tool, export the result as a CSV file, and then link it in your TyFlow script to drive any animation with audio data. Once connected, you have full control over parameters to fine-tune your animation and achieve more dynamic, sound-reactive results. 🎶✨ Perfect for motion designers and 3D artists who want to bring sound to life inside their scenes. #3dsMax #TyFlow #AudioVisualization #MotionDesign #AnimationTools #CreativeCoding #ProceduralAnimation
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🎬 O Caption, My Caption! SpeakEasy for After Effects is now LIVE! Create awesome captions right within After Effects using Essential Graphics or Text Layers. Here's how it works: ✅ Import an SRT file (these can be exported from Premiere) ✅ Choose one of the caption styles ✅ Hit the Create Layers button And that's it! SpeakEasy creates your caption layers and sets the timing them based on your subtitles. BUT WAIT! There's more... SpeakEasy can use ANY essential graphics comp, but for subtitles you need a little more work to make sure the timing of the animation fits the subtitle duration. That's why I've added a handy MoGRT helper to the extension too. Just click the button and you'll get a new Essential Graphics comp with a super simple text layer that's all linked up with the right expressions. All you have to do is bring your own style. What's really cool about the custom styles is that anyone can create a cool package of caption styles and share them with anyone else who has SpeakEasy. My goal is to create a whole bunch of community captions and build in a library right within the extension! Check the comments for the link! I've also put a more in-depth tutorial down there too so you can see how it all works👇 #aftereffects #motiondesign #buildinpublic
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From Green Screen to Adventure | Indiana Jones VFX Breakdown Here’s a behind-the-scenes look at my latest Indiana Jones-inspired VFX breakdown — created using Blender and Nuke. From environment build-ups to compositing and lighting, every frame was crafted to capture that classic cinematic adventure feel. 👉 Wait till the end to see the final result! #marshcrrativestudios #VFXBreakdown #Blender3D #NukeVFX #IndianaJonesInspired #CinematicVFX #VisualEffects #Filmmaking Blender Foundry
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From Green Screen to Adventure | Indiana Jones VFX Breakdown Here’s a behind-the-scenes look at my latest Indiana Jones-inspired VFX breakdown — created using Blender and Nuke. From environment build-ups to compositing and lighting, every frame was crafted to capture that classic cinematic adventure feel. 👉 Wait till the end to see the final result! #marshcrrativestudios #VFXBreakdown #Blender3D #NukeVFX #IndianaJonesInspired #CinematicVFX #VisualEffects #Filmmaking great work Arjun M
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VFX Breakdown – 3D Environments & Green Screen Here’s a look at several music videos I created using Unreal Engine: - Shot on green screen - Camera tracking for precise alignment - Creation and integration of photorealistic 3D environments - Compositing for better integration of characters into the sets The advantage: achieving high-quality images with a much faster render time than a traditional pre-calculated engine — allowing me to save valuable time in post-production. This breakdown showcases my personal approach across different clips. #VFX #UnrealEngine #3D #Compositing #Breakdown ⚠️ Disclaimer I truly believe LinkedIn is a platform to share and exchange with kindness. • Constructive and well-argued feedback is always welcome. • However, hate speech or disrespectful comments have no place here. Please respect everyone’s work: we can’t please everyone, but we can always communicate with intelligence and respect.
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From explosion simulations to invisible clean-up, we use Houdini, Nuke, and more to bring VFX sequences to life. Want to know how we do it? Here’s a glimpse into our toolkit... Creating a CG helicopter for a scene like this requires pixel perfect camera tracking to match the live-action movement in the scene. The CG asset is modelled, textured, and rigged for animation, then lit using lighting information from the shoot (the infamous mirror ball) to ensure a matching balance of light sources and shadow directions. Effects like the blur of the rotor blades and the distortion of the air by exhaust gases are simulated in software to achieve subtle but necessary authenticity. The background plate is cleaned and stabilised, and the CG helicopter is rendered in passes—diffuse, specular, ambient occlusion, etc. The passes are blended together by a skilled compositor who works by eye to get the perfect match to the background environment. Colour grading and edge blending finalise the shot, ensuring the digital aircraft appears to sit naturally within the scene’s lighting and spatial context. Could you spot it was CG? 👀 (For Fool Me Once, Netflix) #vfxmanchester #postproduction #manchestercreative
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We've all been there – standing in front of an audience when our slides suddenly have sound effects we didn't know existed, or that "deleted" slide pops up unexpectedly. 😳 The worst presentation moments are often completely preventable with one simple habit: always run your deck in presentation mode before you present. This 2-minute check can save you from major embarrassment and that moment of absolute panic we've all experienced (or fear experiencing). It's such a simple step, but you'd be amazed how many seasoned presenters skip it – and then discover unwanted animations, leftover transitions, or mystery slides while their audience is watching.
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