AI Revolutionizes Corporate Video Production with AIM VFX

🚀 How AI is Transforming the Animation & Content Creation Pipeline . The traditional animation workflow used to be long, complex, and time-intensive. But with AI, the entire process is becoming faster, smarter, and more efficient. 🔹 AI Pre-Production From idea to design — AI helps generate scripts, storyboards, and concepts in minutes instead of days. 🔹 AI Production Automated modeling, texturing, rigging, and even animation are reducing manual effort while increasing speed. 🔹 AI Post-Production Editing, VFX, color grading, and upscaling are now enhanced with AI, delivering high-quality output in less time. . 💡 What does this mean? 👉 Faster turnaround 👉 Reduced costs 👉 More focus on creativity over repetitive tasks . ⚠️ AI is a tool — human creativity still leads the process. . 🎥 Check out my work and more insights here: https://lnkd.in/dwiWpXTV . 🤔 Let’s discuss: Do you think AI will replace creative jobs or just transform them? Which stage of this pipeline do you think AI impacts the most? Are you already using AI tools in your workflow? If yes, which ones? . 👇 Share your thoughts in the comments! . #AI #Animation #ContentCreation #CreativeIndustry #DigitalTransformation #FutureOfWork #Design #VFX #Innovation #LinkedInCreators

AI doesn't make movies. Artists do. It’s easy to say "just use AI," but the reality is much different. I’ve been deep in the trenches lately, and here’s what no one tells you: maintaining character consistency across shots is a battle. Tools are great, but they aren't a "magic button." If I moved this project to a traditional 3D pipeline, the production costs and technical overhead would be unmanageable for a solo creator. Yet, here I am—handling character design, animation, lighting, dialogue, and BGM alone. The takeaway? The workflow demands "skill of the game." Having the tool is never enough; you must have the creative vision to back it up. Tools help you execute, but you have to be an Artist First to understand what to execute. AI is a force multiplier, but it can't multiply zero. #AIAnimation #CreativeVision #Filmmaking #SoloCreator #TechInArt

AI is rapidly transforming film production, enabling cost-efficient content creation and automating visual effects, scripts, and animation. As studios and creators adopt these tools, the future of film could be largely AI-driven. Check it out here: https://lnkd.in/gFnSJh9s What’s your take on this topic? Share your thoughts below! #AI, #TechNews, #ArtificialIntelligence, #Automation, #Innovation

When Toy Story released in 1995, it became the first fully computer-animated feature film in history. However, many people don’t realize how limited the technology was at that time. Animators had to: - Manually design every character movement - Simulate lighting frame by frame - Work with extremely slow rendering systems - Solve technical problems that had no previous solutions The tools they built back then laid the foundation for today’s AI-assisted animation workflows. Now, creators can generate scenes, characters, motion, and cinematic effects in minutes something that once took entire studios months. Innovation didn’t start with AI; it is continuing a story that began decades ago. Follow Learn Daily AI for daily insights connecting the history of technology with the future of AI creativity. Creators and brands can collaborate through the link in bio. Comment PIXAR if you want more behind-the-scenes stories about how classic movies shaped modern AI tools. #linkedin #learndailyai #toystory #todaysai #pixar #editing #explore #ai

Futurai: Crowd Protocol is a short-form AI-driven cinematic sequence exploring surveillance, anonymity, and control within dense urban environments. Set in a near-future cyberpunk city, the piece follows a lone figure navigating through crowds while being tracked by autonomous systems. The project focuses on tension through motion—using crowd density, camera movement, and environmental atmosphere to create a sense of constant observation. From a production standpoint, this work is part of an ongoing exploration into hybrid AI filmmaking workflows. The pipeline integrates generative video, image synthesis, and compositing techniques to achieve cinematic continuity across multiple shots while maintaining stylistic coherence. Key areas of focus include: AI-assisted crowd population and motion design Cinematic camera language (handheld, tracking, compression) Lighting consistency and atmospheric depth across generated sequences This project is part of a larger initiative to develop scalable AI workflows for short-form narrative content, bridging the gap between experimental tools and production-ready visual storytelling. Grok AI, Veo, Davinci Resolve, Elevenlabs, ComfyUI, Weavy.

What happens when traditional animation meets generative AI? Google DeepMind has released its first AI-assisted short film, and it’s a great example of how AI actually fits into creativity. But here’s the key point: AI didn’t replace artists — it supported them. The team used traditional methods (hand-drawn storyboards, character design, animation) and then applied AI tools like Veo and Imagen to translate that work into a unique, painterly visual style across thousands of frames. No text prompts. No shortcuts. Just artists + technology working together. AI is not the end of creativity — it’s a tool that can expand it.

Cinematic AI: Breaking the "Plastic Look". 🎬 The biggest challenge in Gen-AI video today isn't generating motion; it's maintaining atmospheric consistency. Models naturally default to a hyper-lit, "plastic" aesthetic. I built this conceptual teaser for "The Fall of the House of Usher" in collaboration with MEM Content and Fernando Szurman, to stress-test how a modular AI pipeline can deliver premium, agency-level aesthetics without the Hollywood overhead. ⚙️ The Tech Stack & The ROI: 1️⃣ Visual Anchoring & Motion Higgsfield AI: We built the core scenes using Higgsfield AI’s Cinema Studio. By leveraging its custom asset integration, I locked in the exact architectural mood and consistency, bypassing physical locations and drastically reducing generation trial-and-error. 2️⃣ Audio & Localization ElevenLabs: The immersive voiceover and precise lip-sync were generated via ElevenLabs. This specific workflow means we can instantly localize a campaign into multiple languages without booking ADR studio time. 3️⃣ The Polish DaVinci Resolve: AI is just the raw material. The final high-end feel, professional color grading, and spatial sound design were assembled in DaVinci Resolve to meet traditional cinematic standards. The result? We can now produce premium B-roll, high-fidelity Director's Treatments, or full campaigns in a matter of hours, slashing production costs without sacrificing the aesthetic criteria. Currently exploring new opportunities as an AI Video Producer & Creative Systems Lead. #AIVideo #GenerativeAI #HiggsfieldAI #ElevenLabs #DaVinciResolve #CreativeTechnologist #VideoProduction

AI video is moving at pace, and we’re building with it here at The 10 Group. Over the past few months, our animation team has stepped up its approach, evolving how AI fits into our creative process and building workflows that keep pace with the speed of the technology. New models like Veo, Kling AI and Flux are unlocking new levels of quality. But it’s how we’re integrating them that’s making the difference, combining tools through node-based workflows, planning scenes in detail, and refining key frames to shape the final output. The result is more controlled, more considered work, with the ability to respond to feedback in a precise and iterative way. Less “prompt and pray”. More craft, process and intention. We’re really seeing the difference, and so are our clients. #The10Group #AI #CreativeTechnology #Animation #ContentProduction #GenerativeAI

Today, artificial intelligence no longer has to feel artificial. When it is directed properly, built with precision, and treated with real cinematic judgment, it can reach a level where the players no longer look like an imitation of themselves, but like their actual presence reconstructed with astonishing fidelity. That is what interests me most about this process. Not using AI as a trick. Not using it as an empty effect. Not using it as fantasy disconnected from truth. But using it as a serious extension of visual language. My goal with this work for the Vipers is not to invent unreal players. It is to take their image, their energy, their anatomy, their gesture, their strength, and their identity into a space where they can feel like original scenes created for a campaign, an opening, a promo, or a high-impact cinematic piece. That is where the real value is. Because if we can make the audience feel that they are watching something impossible… but believable, then we are no longer talking only about technology. We are talking about a new form of visual production. A form where reality can expand without losing its truth. Where the athlete still remains himself. Where the face keeps its essence. Where the movement preserves weight, intention, and character. And where the image stops feeling generated and begins to feel filmed. That opens a massive door. Promos. Openings. Season campaigns. Social content. Epic pieces. Moments that in traditional production would cost far more, or simply could not be done at all. And yet here they are. With identity. With force. With realism. With presence. That is the point where I want to work: to use artificial intelligence not to replace vision, but to amplify it. Not to imitate reality poorly. But to create an expanded version of it, with beauty, impact, and visual truth. If an image can make the viewer hesitate for a second, wondering whether it was created or filmed, then we are entering new territory. And when that territory is handled correctly, it has enormous value. Aquiles Hidalgo ART FX MEDIA Director | Senior Editor | Creative Director | AI-Driven Cinematic Production | VFX & Motion Graphics Specialist

You might think making stuff with AI is super easy, right? But it's not always like that Besides having a good eye for art and some experience making real-life or animated stuff, you also gotta know how to write good prompts and pick the right AI model that can turn your prompt into an awesome picture or animation Sometimes, it takes hours and costs money to get just one really good shot from the AI that doesn't have too many mistakes These days, "prompt engineering" is a real job, and it takes skill Sure, you can make stuff with AI too, but the difference between what you make and what a pro makes is pretty big When I made this ads , I tried to use my experience making commercials as 3D animator and my AI knowledge to get the best result I'd love to hear what you think of it, so drop a comment and let me know what's on your mind