A. Troy Thomas

Everybody has an idea—but very few know how to turn it into something people actually feel. That’s where I come in. I’m the founder of CeG Moving Pix LLC, a 2D animation studio focused on cinematic storytelling. I help brands and creators take rough concepts and turn them into clear, engaging stories without them having to figure out the entire production process. Because the truth is: information is everywhere. Execution is not. What I focus on: •Translating ideas into strong visual direction •Story-driven animation (not just visuals for the sake of it) •Efficient, reliable production from concept to final delivery I’m also currently developing an original 2D animated miniseries, Bogatyr, pushing my work beyond client projects into world-building and long-form storytelling. If you’re looking to bring an idea to life, or want animation that actually serves a purpose—let’s connect. #animation #indiestudio #cegmovingpix

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Self-taping used to be a compromise. If you couldn't make the audition, you sent a tape. Everyone knew it was second-best. That's over. Self-taping is now THE primary filter in the casting process for actors who aren't yet known to the casting director. Not an alternative. The filter. The pandemic forced the shift, but the industry kept it because it changed the economics of pre-production. A CD can now review fifty tapes in a fraction of the time it would take to see fifty actors in person. And the director gets to watch your work before deciding whether to meet you, which means when you walk into that audition, you're not starting from zero. You're starting from interest. But here's what most actors haven't grasped: this has levelled the playing field in ways that genuinely matter. Your tape arrives from wherever you are and sits in the same pile as everyone else's. Geography used to be a barrier. Now it's not. The actors who are getting called in consistently are the ones who've understood that self-taping is a skill, not a chore. In my latest article, I break down what changed, why it matters, and what it means for your career.

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From Edge Studio and @david goldberg:.... Low-ballers don’t necessarily get the job. Consider the situation at online casting sites, particularly at Voices.com and (for some jobs) Voice123.com. Research has shown that people who consistently bid at the low end of the scale are less likely to book. Why? Because the talent that most consistently win at these sites are dedicated pros. That fact is reflected in their audition performances, and in the technical quality of their recordings. From a client’s perspective, those factors are always more important than getting rough work on the cheap. A client might specify a range that dips into the low side, but a dedicated pro talent won’t mess with lowballers, and no client wants work they can’t use, no matter how little it costs. Both parties are worth more than that. Including you.

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I have a lot of coffee talks with independent filmmakers about how to get $$$$ to make their movie. It is THE BIGGEST barrier for the independent sector of the film and media industry. Finding investors is hard, but think about it - often you're asking folks to give you hundreds of thousands or potentially millions - that shouldn't be easy. If you want to get serious people at the table, you first have to attract them not with just your story, but more importantly, your plan to get their money back. This requires a business plan that demonstrates the team you've assembled to manage the project, budget, timeline, ROI projections based on accurately assessed comparables, and a strategy for sales.... PLUS, you need to present a deck that draws inspiration and excitement about your story. Packaging your film properly is essential to attracting and securing the financing you need! Need help? Schedule a free consultation to learn more! 👇

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Before recording scripts, it's important to do your vocal warm-ups. Being a voiceover can be hard work, but lots of fun at the same time. Try this workout without laughing. #VoiceActingMagic #VoiceActor #VoiceActing #RichardCrossmanVO #Voiceover

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Create-it Studios has officially opened its newest podcasting studio—inside Walmart in Franklin, TN. This isn’t just another studio; it’s a gateway designed to help anyone produce professional quality podcasts, music, live streams, or video content at a price that’s truly accessible. With six fully equipped rooms and expert-led workshops, this space aims to empower creators of all levels to bring their vision to life. Why does this matter? Because podcasting is rewriting the playbook for content creation: High impact, low production barrier, you don’t need a massive budget to start Authentic connection: audiences crave real voices and stories Monetization-ready, brand sponsorships, memberships, live events Community driven, in-person studios like this foster collaboration and local exposure If you’ve ever thought, “I want to start a podcast,” now is your moment. Final thought: Podcasting is more than a trend, it’s a powerful platform for amplifying voice, building relationships, and generating revenue.

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Touring can be a rollercoaster of highs and lows. The artist describes the dissonance between the audience's adulation and their own lack of self-care. That imbalance led to unhealthy coping mechanisms. Seeking a different path, they envisioned a more gentle approach to the music industry—one that prioritizes well-being, breath, and relaxation. How can the entertainment world better support the human nervous system? Watch this episode of Expert Talk 9@9 on Squirrelr.com. See new episodes on Mondays, Wednesday and Fridays! #SelfCare #MusicIndustry #Wellness #MentalHealth #Mindfulness

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Interested in voicing characters for animation? We specialize in writing original, tailor-made scripts and working with voice actors to develop rich, memorable characters from the ground up. Here's our very own animation expert Dian Perry discussing her process when working with voice actors. Visit the website for lots of award nominated examples of our work. Have a great weekend Rich & Team Justine Harris Donald Pirie Emily Charlotte Jardine Award Winning English Voice Artist and Singer

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The 30-second spot is the "bread and butter" of paid advertising at Phaeros Films. 🍞⚖️ We produced this cut for Telcom Consultants to dominate the CTV space across Central Florida. It’s the perfect strategic length to identify a communication pain point and offer a direct solution to a targeted B2B audience via Spectrum Reach and premium streaming apps. 🎯📺 #PhaerosFilms #RevenueGrowth #AdStrategy #CTV #MarketingROI

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“Layering effects isn’t just a trick... it’s an art form.” Imaging has always been the heartbeat of a radio station, and one of the most powerful tools in a producer’s kit is layering voice effects. Done right, it turns a simple promo into a full-blown audio experience — textured, dynamic, and impossible to ignore. Last Year, I broke down some of my go-to techniques and favourite plugins for crafting next-level imaging, including: Effectrix for rhythmic sequencing Granular synthesis for texture and motion Vocoder magic for harmonic richness Distortion and modulation for energy and edge If you’re producing promos, imaging, or podcasts and want your sound to cut through, this one’s worth a read. Read the full article: https://lnkd.in/ggn3jfTB #VoodooSound #RadioImaging #SoundDesign #AudioPostProduction #VoiceEffects #PromoProduction #ProTools #AudioTips

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FILMMAKERS: RUN OUT OF MONEY AND YOU LOSE THE RIGHT TO DICTATE TERMS This is for filmmakers, writers, and directors who think passion substitutes for capital discipline. When your film runs out of money late—production or post—you are no longer raising equity. You are raising rescue capital. That means something broke. The budget failed. Contingency is gone. Time is bleeding. Quality is under pressure. Leverage has shifted. At that moment, you are not pitching opportunity. You are asking someone to absorb your mistakes. In every real industry, the last money in is understood to be the most dangerous money in. In real estate, a half-built project that runs short doesn’t get friendly money. It gets rescue capital with higher preferred returns, senior positioning, and control provisions because the asset is already impaired. Film is no different, even if creatives want it to be. If you’re asking someone to step in late and save your movie, you should expect to pay at least ten additional points of preferred return over early capital. Minimum. Often more. That investor is underwriting completion risk, reputational risk, market risk, and the very real possibility that the project still fails. If that sounds harsh, understand this: You don’t have leverage when you’re out of money. The person writing the check does. Being offended by that reality doesn’t make it wrong. It just exposes inexperience. Too many creatives confuse confidence with entitlement. Wanting late-stage capital on early-stage terms isn’t optimism. It’s delusion. Great directors master the craft. Serious filmmakers master the business. The ones who don’t eventually learn who really controls outcomes. The last money in is the most dangerous money in. Dangerous capital is never cheap. Disclosure: This post is for commentary and educational purposes only. It does not constitute investment advice, an offer to sell, or a solicitation to purchase any security. Any references to returns, structures, or terms are illustrative only. All investments involve risk, including loss of principal. Any investment decisions should be made with qualified legal, tax, and financial advisors and in compliance with applicable securities laws.

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🛸🔥 A Billion-Dollar Spaceship Is Landing in LA (Here’s What It Means for Exposition Park) 🚀 The Lucas Museum of Narrative Art is finally nearing completion in Exposition Park — opening September 2026 — and this billion-dollar “spaceship” is about to reshape South LA in a massive way. From the Science Center expansion and the vertical Space Shuttle Endeavour tower to new plazas, walkways, and a full master plan, Exposition Park is leveling up into one of LA’s biggest cultural hubs. What does this mean for the neighborhood? For real estate? For USC? And yes… will anyone actually call it the Lucas Museum instead of “the Star Wars building”? Let me know what you think — is this the glow-up Exposition Park needed, or is it too much too fast? #lucasmuseum #expositionpark #realestatenews #starwars #architecturalmarvel #georgelucas

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As a business, you aren't alone in seeking audiences for your content, services or products. Here's an audience that may not be top of mind, but certainly should be. Talk to us at VZP Digital, we have ideas in how you can be ADA and FCC compliant and improve your audience. According to the NDC (National Deaf Center website): How many deaf people live in the United States? According to the 2024 American Community Survey (ACS), about 3.8% of the U.S. population or 12.8M people consider themselves deaf or have serious difficulty hearing (all ages). More information at: The Hearing Loss Association of America estimates that 48 million Americans have some degree of hearing loss. #streaming, #TV, #CART, #DEAF, #Accessibility, #Captions, #Subtitles

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It's official, some good news for Hollywood. The Writers Guild of America and the Hollywood Studios and Networks have agreed to a tentative four-year deal. Still needs membership approval, but WGA officially confirms tonight with few details so far... https://lnkd.in/gnJ5Z9qK

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Hello friends and colleagues! At the end of the third day of NAB Show 2026, we bring you more updats from the show floor. In this newscast, we focus on Sound Devices, LLC and Blackmagic Design, as well as give the floor to Limecraft's co-founder. Enjoy watching!

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