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Camera Details
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Insta360 Luna Ultra
Released: June 2026Weight: 233 gDimensions: 170 x 39 x 52 mm
CAMERA CONFIGURATIONS:
Find compatible Angelbird cards98th best - max. 9.71 stopsCheck Ranking
In TELE mode at 25 fps, the Insta360 Luna Ultra achieves a maximum Dynamic Range of 9.71 stops (SNR=2) in 7680x4320 resolution, HEVC (H.265), ISO 400, and I-Log.
See results of all tested modes below:
28th best - min. 10.9 msCheck Ranking
In WIDE mode, at 25 fps, the Insta360 Luna Ultra can achieve a minimum Rolling Shutter result of 10.9 ms in 7680x4320 resolution, HEVC (H.265).
See results of all tested modes below:
| Sensor Mode | Resolution | Aspect Ratio | Codec | Frame Rate | Datarate | Sampling | Bit Depth |
|---|---|---|---|---|---|---|---|
| Wide | 8K UHD (7680 x 4320) | 16:9 | HEVC (H.265) | 29.97p | High | 4:2:0 | 10 bit |
| Wide | 8K UHD (7680 x 4320) | 16:9 | HEVC (H.265) | 25p | High | 4:2:0 | 10 bit |
| Wide | 8K UHD (7680 x 4320) | 16:9 | HEVC (H.265) | 24p | High | 4:2:0 | 10 bit |
| Wide | 8K UHD (7680 x 4320) | 16:9 | HEVC (H.265) | 29.97p | Standard | 4:2:0 | 10 bit |
| Wide | 8K UHD (7680 x 4320) | 16:9 | HEVC (H.265) | 25p | Standard | 4:2:0 | 10 bit |
| Wide | 8K UHD (7680 x 4320) | 16:9 | HEVC (H.265) | 24p | Standard | 4:2:0 | 10 bit |
| Tele | 8K UHD (7680 x 4320) | 16:9 | HEVC (H.265) | 29.97p | High | 4:2:0 | 10 bit |
| Tele | 8K UHD (7680 x 4320) | 16:9 | HEVC (H.265) | 25p | High | 4:2:0 | 10 bit |
| Tele | 8K UHD (7680 x 4320) | 16:9 | HEVC (H.265) | 24p | High | 4:2:0 | 10 bit |
| Tele | 8K UHD (7680 x 4320) | 16:9 | HEVC (H.265) | 29.97p | Standard | 4:2:0 | 10 bit |
| Tele | 8K UHD (7680 x 4320) | 16:9 | HEVC (H.265) | 25p | Standard | 4:2:0 | 10 bit |
| Tele | 8K UHD (7680 x 4320) | 16:9 | HEVC (H.265) | 24p | Standard | 4:2:0 | 10 bit |
- 4K UHD 16:9 (3840 x 2160)
- 8K 2.35:1 (7680 x 3264)
- 8K UHD 16:9 (7680 x 4320)
- Photo 4:3 (7040 x 5288)
- Photo 16:9 (7680 x 4320)
- Photo 1:1 (6144 x 6144)
- 4K UHD 16:9 100p+ (3840 x 2160)
- 4K 2.35:1 (3840 x 1632)
- 4K 2.35:1 100p+ (3840 x 1632)
- 3K 1:1 (3072 x 3072)
- 3K 9:16 (1728 x 3072)
- 2.7K 16:9 (2688 x 1520)
- 2.7K 16:9 100p+ (2688 x 1520)
- 2.7K 9:16 (1520 x 2688)
- HD (1920 x 1080)
- HD 100p+ (1920 x 1080)
- HD 9:16 (1080 x 1920)
n/a
Sensor
Recording Format:
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Dynamic Range Ranking
Only results for frame rates 23.98p - 30p are counted in this ranking. Results for optional sensor crop modes and high frame rates are not included.
| # | Camera | Stops (SNR=2) |
|---|
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Dynamic Range Ranking
| Camera | Stops(SNR=1) |
|---|
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Rolling Shutter
Only results for frame rates 23.98p - 30p are counted in this ranking. Results for optional sensor crop modes and high frame rates are not included.
| # | Camera | Rolling Shutter |
|---|
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Dynamic Range Test Results
The target of the CineD Lab Tests is to establish an independent base reference benchmark which allows direct comparison of Dynamic Range between the various cameras on the market.
What is Dynamic Range and SNR?
The Dynamic Range of a camera can be simplistically defined as the ratio of the maximum and minimum luminance that a camera can capture.
Experience shows that for movie cameras a Signal-to-Noise-Ratio of 2 (SNR=2) is a conservative approach leading to “usable” shadow detail.
In addition to the Signal-to-Noise Ratio of 2 (SNR=2) result, our tests also output a result for the Signal-to-Noise-Ratio of 1 (SNR=1), which is defined as the threshold value for dynamic range measurements by the ISO 15739:2003 standard.
How do we test Dynamic Range?
Please refer to this article to see exactly how we test and measure Dynamic Range as part of our standardized Lab Tests:
Rolling Shutter Test Results
The target of the CineD Lab Tests is to establish an independent base reference benchmark which allows direct comparison of Rolling Shutter between the various cameras on the market.
What is Rolling Shutter?
Most modern digital cameras don’t capture an entire frame all at once. Instead, they scan the image line by line very quickly. If during this readout-process, a subject moves, it could cause artifacts during playback.
Global Shutter on the other hand captures the entire scene at a single instant in time, and not line-by-line.
How do we test Rolling Shutter?
We are using our 300Hz strobe light to get the sequence of black and white bars, typical for the read-out nature of Rolling Shutter sensors.
Recording Modes & Times
We take a lot of time to go through each and every single possible mode that a camera can record. Every combination is then carefully collected and added to the database.
What are Recording Modes?
Recording Modes result from the combination of the active sensor mode, resolution, aspect ratio, and codec, and they directly affect how many frames per second can be recorded.
We also show the data rate, sampling, bit- depth, file format, and which media type they can be recorded on.
How long can I record?
In addition to providing all the in-depth data of all possible Recording Modes, we go to great lengths and also give you real-world information about how long each Recording Mode can be recorded until your memory card is full.
Recording Formats
Most cameras can record in various resolutions and sensor modes, which directly translate into a different sensor area being recorded.
Why crop the sensor?
Cameras can capture different resolutions and frame rates using clever methods like oversampling, pixel-binning, line-skipping, and more. Depending on the used method, the recorded sensor area changes when switching resolutions.
How do we test Recording Formats?
We record all available Recording Formats and calculate the effective sensor crop of each format, compared to the full sensor size.
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