Work Editorial

True crime is more popular than ever, with almost half of people in the UK engaging with it every day. But as the genre continues to grow, so too does the risk of missing people being reduced to content, stories shaped by clicks, views and entertainment value, rather than the lived reality of the families still experiencing them. In the UK, a person is reported missing every 90 seconds. Created to challenge that reality, and our wider relationship with these kinds of stories, this powerful film was edited by Rebecca Luff and directed by Rachel Stubbings in partnership with BBH London. A huge thank you to everyone involved in bringing this important piece of work to life. We hope it encourages a more thoughtful, human response to stories of tragedy, and prompts reflection on how they are told and consumed. Editor: Rebecca Luff Director: Rachel Stubbings Director of Photography: Linda Wu Agency: BBH London Production Company: Merman Merman Producer: Alicia Farren Post-Production: Black Kite Studios Colourist: George Kyriacou VFX Lead: Emily Govinden Sound Company: 750mph Sound Design: Sam Ashwell & Mike Bovill Mix: Sam Ashwell #WorkEditorial #MissingPeople #CharityCampaign #TrustInCraft

Tesco Mobile’s latest campaign is built around a simple insight: while connectivity matters, the relationships behind it matter even more. Edited by Stephen Dunne, the film plays on Tesco Mobile’s positioning as your “second most important network” balancing humour with a clear emotional message around staying connected to the people who matter most. Editor: Stephen Dunne Edit Producer: Frankie Elster Director: Novemba Films DOP: David Foulkes Agency: BBH London Production Company: magna studios Post-Production Company: RASCAL Sound: 750mph #WorkEditorial #StephenDunne #TrustInCraft #Editing #PostProduction #CreativeIndustry

We’re proud to have 5 nominations in the Editing categories at this year’s shots Awards The Americas. https://lnkd.in/ebPMnbGs

We're very excited about the promotion of Miles Watson to Editor. Miles is based in London and is represented by Work globally.⁠ ⁠ Growing up in North-West London, surrounded by a lively, mixed Irish and West Indian family, Miles developed his passion for storytelling from a young age.⁠ ‘Miles now becoming an Editor is so great for us all. Watching him grow from a runner to a trusted Editor on our main roster has been a highlight for us. He brings a fresh, calm energy to every room he’s in. He has a wonderful sensitivity and puts cuts together with skill.’ - Jane Dilworth, Found Partner⁠ #WorkEditorial #MilesWatson #NewEditor #TrustInCraft⁠ https://lnkd.in/e4iNznYX

Nessa Barrett releases the visuals for “Buffalo 66,” edited by Sebastian Zotoff. A raw and atmospheric piece, the film leans into themes of vulnerability and isolation, with the edit playing a crucial role in shaping its emotional rhythm. Sebastian’s approach embraces restraint, allowing moments to breathe while subtly guiding the viewer through an intimate and often unsettling visual landscape. Editor: Sebastian Zotoff Director: Claire Bishara Production Company: Lotumn #WorkEditorial #SebastianZotoff #TrustInCraft #Editing #PostProduction #MusicVideo

Sam Allen cuts Episode 3 of Oakley and Meta’s series, as the collaboration with The Shepmates and Australian cricket icon Brett Lee reaches its most high-pressure moment yet. This time, the challenge comes down to a Brett Lee super over, with 10 runs needed to seal it. The edit leans into the rising stakes of the format, shaping each delivery into a clear, escalating narrative, all with the added edge of Oakley x Meta’s Vanguard glasses powered by Meta AI. Editor: Sam Allen Director: Guy Saville Agency: OK Cool Production Company: Studio Yes #WorkEditorial #SamAllen #TrustInCraft #Editing #PostProduction #CreativeIndustry

Editor Sam Allen returns with Episode 2 of Oakley and Meta’s latest series, bringing pace and precision to the next chapter featuring legendary Australian fast bowler Brett Lee and viral sports-comedy duo The Shepmates. This episode focuses on running between the wickets, as The Shepmates attempt to shave crucial seconds off their time, with a little help from Oakley x Meta’s Vanguard glasses. Sam’s edit drives the pace of the challenge, building momentum as the pressure mounts. Editor: Sam Allen Director: Guy Saville Agency: OK Cool Production Company: Studio Yes #WorkEditorial #SamAllen #TrustInCraft #Editing #PostProduction #CreativeIndustry

Kim Gordon has released the title track from her album “Play Me,” accompanied by a striking visual set inside a chaotic shopping mall. Edited by Rain Keene and Augie Savoy, the film captures the energy and disorder of the setting through sharp pacing and dynamic visual storytelling, bringing Barnaby Clay’s direction to life. Editors: Rain Keene & Augie Savoy Edit Producers: Gabrielle Page & Logan L. EP: Drew Gosling Director: Barnaby Clay DP: Joshua Zucker-Pluda Production Company: Black Dog Films Post Producer: Anna Tran Executive Producer: Jeff Pantaleo Producer: Scott Pourroy Flame Artist: John Valle Color: Beatrice Tremblay VFX: SLOW #WorkEditorial #TrustInCraft #Editing #PostProduction #MusicVideo #KimGordon

Editor Sam Allen brings sharp comic timing and pace to Oakley and Meta’s latest series featuring legendary Australian fast bowler Brett Lee and viral sports-comedy duo The Shepmates. In Episode 1, The Shepmates attempt to take Lee to the boundary, this time with some “new-age athletic intelligence” courtesy of Oakley x Meta’s Vanguard glasses powered by Meta AI. Sam’s edit leans into the humour and energy of the concept, balancing sporting intensity with the duo’s signature comedy. Editor: Sam Allen Director: Guy Saville Agency: OK Cool Production Company: Studio Yes #WorkEditorial #SamAllen #TrustInCraft #Editing #PostProduction #CreativeIndustry

Annie Perri will be joining The PrePros to share her experience with the next generation of creatives. On March 31st, The Pre Pros will host their inaugural event at Mischief @ No Fixed Address, bringing together a fantastic panel who will pass on their knowledge and insights from across the creative industry. A great opportunity to support emerging talent and open up conversations around craft, careers and creativity. #WorkEditorial #TrustInCraft #CreativeIndustry #Mentorship #PostProduction