Technical sales at Born Digital (Software reseller) / CGWORLD (Web media), Adobe Community Expert, Visual Effects Society (VES) Japan Section BoM,
日本 東京都 千代田区
532人のフォロワー
492人のつながり
532人のフォロワー
492人のつながり
概要
I am low-keyed, but I am patient enough to achieve the goal.
アクティビティ
532人のフォロワー
-
Hideki Takemura さんがシェアしましたFrom Plate to 100,000 Fans: Netflix Glass Heart Festival Crowd Extension Worth a read for anyone scaling “real” performances into epic spectacle. This CGWORLD VFX Anatomy covers Netflix’s Glass Heart and the outdoor-festival sequence—extending a live plate into a believable ~100,000-person crowd for 4K HDR. It discusses crowd density, atmosphere, and shot-to-shot continuity, then gets practical: Houdini for sims plus a Foundry Nuke compositing pipeline (incl. ML-assisted tools) to hold lighting, grain, and fine detail under HDR. Great reference for concert-scale crowd extensions. Original source (in Japanese): CGWORLD https://lnkd.in/eVWgZgJT #VFX #Compositing #FoundryNuke #Nuke #CrowdSimulation #Houdini #DigitalCrowds #CrowdExtension #4KHDR #CGWORLD #VFXPipeline #PostProduction #KASSEN
-
Hideki Takemura さんがシェアしました- Bringing a 400m Mudslide to Life in Shibuya: Houdini, USD & Solaris on Alice in Borderland Season 3- Netflix’s Alice in Borderland Season 3 pushed VFX scale to a new extreme, and this CGWORLD article breaks down how Digital Frontier built a 400m-wide mudslide swallowing Shibuya, Tokyo through a fully USD-based pipeline in Houdini Solaris. As the head studio, DF supervised around 1,500 VFX shots and used this project as both a culmination of seven years of work on the series and a testbed for their next-gen workflow. Houdini, USD, and Solaris were not limited to FX – BG and lighting teams also moved into Houdini, supported by newly developed tools and a revamped publish workflow so even less-experienced Houdini artists could contribute efficiently. For VFX Supervisors interested in large-scale destruction, water and debris simulations, and how to roll out USD across multiple departments on a live-action show, this making-of is a very insightful read. The original article (in Japanese) is as follows. https://lnkd.in/gHVNzZJb #VFX #Houdini #USD #Solaris #AliceInBorderland #CGWORLD #Netflix
-
Hideki Takemura さんがシェアしましたBlending VTuber Performance with Live-Action: Behind the “Like A Flash Of Light” AR & Unreal Engine Workflow In the music video for “Like A Flash Of Light”, the VTuber Shirakami Fubuki is brought into our real world through an advanced workflow combining live-action plates, AR, and Unreal Engine. Using the Biz AR system on set, the team captured handheld camera footage in a liminal-space inspired location and integrated Fubuki as a real-time AR element. To achieve a natural fusion between digital and physical worlds, the artists shifted from toon shading to detailed PBR materials and executed precise look-development. The final composite—layering the VTuber over live-action footage—was further enhanced through film recording to elevate realism and texture. This project highlights how VTuber content continues to evolve, merging real-time engines, AR pipelines, and cinematic live-action compositing to create immersive new visual experiences. Original article (Japanese): https://lnkd.in/g4N4Q366 #VTuber #AR #UnrealEngine #VFX #LiveAction #VirtualProduction #CGWORLD #Compositing #DigitalHumans
-
Hideki Takemura さんがシェアしましたA fascinating new article from CGWORLD explores how MyDearest and Landho successfully brought the hit indie title "The Exit 8" to Roblox, navigating the technical and creative challenges of multi-platform expansion. The piece highlights their approach to re-authoring assets, optimizing performance, and adapting game play flow for platforms with completely different user behaviors—especially Roblox, where community-driven creation and rapid iteration define the ecosystem. For game developers aiming to expand their IP across diverse platforms and reach wider audiences, this article offers concrete insights into cross-platform strategy, production pipelines, and the unique considerations of developing for Roblox compared to traditional consoles. Read the original Japanese article here: https://lnkd.in/gYBYnEfH #Roblox #NintendoSwitch #IndieGames #GameIndustry #CGWORLD
-
Hideki Takemura さんがシェアしましたAwesome work!Hideki Takemura さんがシェアしましたBuzz.. do you copy..do you read me.. Now I just updated personal work using .... ⚫︎Unreal 5 / Lumen ⚫︎cardboard miniature / photogrammetry ⚫︎Matte painting & assets At first I have made downed C-1 transport aircraft miniature for concept/ matte art because of I found that it's ditail would be struggle for me to paint. After I got a model data through photogrammetry and adding it on Unreal5 stage. I hope..somebody will find it's model is "Mega Force's C130 Hercules ⚡️✊⚡️ I love lovely ground Japan. Therfore my creative located is only here. Cultures,food,hotspring,animation,mangacomic,toy&games..randscape.. really amazing. I really prefer to work for VFX. but ..My skill and idea have depended on this country's humidity. Here I am.✌︎('ω')✌︎ I'm always waiting for your invited and catching my messages and hope to fly with this Hercules. (Sure I'll touch down here with laughing ..riding Motorcycle🏍️ Don't say "cheep & shabby"🤪ーッ ⇩ ⇩ ⇩ https://lnkd.in/g8nFnrs4
-
Hideki Takemura さんがシェアしました- Exploring Shirogumi's Advanced Pipeline: “Shirogumi Server Structure” - Renowned for its award-winning work on Godzilla Minus One, Shirogumi continues to set a benchmark for technical innovation in Japan’s VFX industry. In a new two-part feature, CGWORLD offers an in-depth look at the studio’s internal production backbone — the Shirogumi Server Structure. This sophisticated system streamlines asset management, facilitates seamless data flow, and supports cross-department collaboration across large-scale projects. It is a rare opportunity to understand how one of Japan’s top studios integrates creative artistry with robust engineering to deliver world-class results. https://lnkd.in/gXpHgnqQ https://lnkd.in/guhjWeHe The original articles are in Japanese. #Shirogumi #CGWORLD #VFX #Pipeline #GodzillaMinusOne #Godzilla
-
Hideki Takemura さんがシェアしました- A Shinkansen Explosion That Redefines Japanese VFX Excellence - Japan’s VFX industry continues to close the gap with Hollywood. Netflix’s "The Bullet Train Explosion" showcases a stunning large-scale Shinkansen explosion sequence created by Spade&Co, proving how far Japanese artists have come in mastering cinematic realism. Their attention to lighting, debris simulation, and storytelling precision delivers a spectacle that rivals global blockbusters. This achievement marks another milestone in Japan’s growing ability to produce world-class visual effects that blend technical excellence with emotional impact. https://lnkd.in/gEGcaDC8 The original article is written in Japanese. #VFX #Netflix #CGWORLD #VisualEffects
-
Hideki Takemura さんがシェアしましたThe Realism of Yukikaze film – CGWORLD Feature Explore the breathtaking visual craft behind Yukikaze film, featured in CGWORLD web media. The Yukikaze team pursued true photorealism—achieving cinematic precision through complex lighting simulations, authentic surface detail, and atmospheric depth that mirrors real aerial cinematography. This feature reveals how cutting-edge VFX artistry turns imagination into tangible realism. An inspiring read for those driving innovation in modern visual storytelling. https://lnkd.in/g2jfaR-w The original article is written in Japanese. To switch it to English language, there is the selection at the top right on CGWORLD web site. #VFX #CGWORLD #Yukikaze
-
Hideki Takemura さんがシェアしましたDiscover the cinematic artistry behind "Arknights: Rise from Ember" in CGWORLD’s exclusive three-part feature. This anime pushes the boundaries of digital production—seamlessly blending stylized design with film-quality lighting, compositing, and effects. The articles highlight the creative collaboration between 3D, FX, and layout teams to achieve a level of visual storytelling rarely seen in television animation. For studios exploring cross-disciplinary workflows or hybrid anime-CG pipelines, *Arknights* offers a remarkable case study in visual direction and production design. Part 1 → https://lnkd.in/gD_zJGbz Part 2 → https://lnkd.in/gWYzNvaB Part 3 → https://lnkd.in/giXwyNuy *The original articles are written in Japanese. #CGWORLD
-
Hideki Takemura さんが「いいね！」しましたHideki Takemura さんが「いいね！」しましたHey everyone, I'll be in Annecy festival this year, looking forward to meet old friends and make new ones. Ping me if you want to catchup!
-
Hideki Takemura さんが「いいね！」しましたHideki Takemura さんが「いいね！」しましたSPECIMEN — Archive of Unknown Species No.001 - No.030 everyday_1718
-
Hideki Takemura さんが「いいね！」しましたHideki Takemura さんが「いいね！」しましたFlos vigilans vulgaris common waking bloom SPECIMEN No. 029 everyday_1716
-
Hideki Takemura さんが「いいね！」しましたHideki Takemura さんが「いいね！」しましたInspired by our studio's rich legacy of creativity and innovation, the Pixar Living Archives is excited to bring a selection of Pixar's creative past directly to your feed. Once a month, we'll spotlight a piece from the Pixar archives. Today, we bring you this digital painting by Daisuke “Dice” Tsutsumi from Toy Story 3 (2010).
-
Hideki Takemura さんが「いいね！」しましたHideki Takemura さんが「いいね！」しましたWe’re honored to announce that the legendary Dylan Sisson is a confirmed speaker for VIEW Conference 2026! Stay tuned. Details about his sessions coming soon. Signup! https://lnkd.in/eXBZZ5f Meet your heroes at #viewconference2026 12-16 Oct, OGR Torino, Turin, Italy #renderman #hoppersmovie #toystory5 #animation #vfx #games #ai #film #filmmaking #cgi #realtime #vr #ar #xr #mr #virtualproduction #generativeai #storytelling #creativeindustries #gamedev #computergraphics #3d #2d #art #drawing #recruitment #episodic #liveaction #jobs #conceptart #storyboarding #stopmotion Pixar Animation Studios Pixar's RenderMan Maria Elena Gutierrez
-
Hideki Takemura さんが「いいね！」しましたHideki Takemura さんが「いいね！」しましたAnulus pavidus vulgaris common flinching ring SPECIMEN No. 023 everyday_1710
-
Hideki Takemura さんが「いいね！」しましたHideki Takemura さんが「いいね！」しましたAnima fluens vulgaris common drifting soul SPECIMEN No. 022 everyday_1709
-
Hideki Takemura さんが「いいね！」しましたHideki Takemura さんが「いいね！」しましたWhether you're in-house, freelancing, fractional, sometimes it's lovely to simply gather together around a table with some people who are doing the same thing as you. Topics covered included: - AI workflows (unavoidably) - The transition from in-house to freelance and vice versa - The pros and cons of cat memes on event tote bags (spoiler - there are only pros) - The benefits of ceremonial cacao (look it up) Huge thanks to the indomitable Alice Wyatt for organising. So lovely to catch up Charlotte Hall and Gabriel M. (Fayzah Gani you know I love you).
職務経験
-
Born Digital, Inc.
-
-
-
-
Toolfarm Japan Sales Manager
Toolfarm Japan
学歴
-
Alliant International University (USIE-E)
Bachelor’s Degree International Business
–
ゼミ・クラブ・サークル:Volleyball
My university used to be called USIE-E. But it was merged and the school name was changed.
-
Komatasu High School
High School
–
The school is located at Ishikawa, Japan.
言語
-
Japanese
母国語またはバイリンガル
-
English
ビジネス上級
-
italian
挨拶レベル
受信済みの推薦
1人がHidekiさんを推薦しています
今すぐ登録して表示