Design Inspiration Sources

Explore top LinkedIn content from expert professionals.

  • View profile for Dr. Martha Boeckenfeld

    Human-Centric AI & Future Tech | Keynote Speaker & Board Advisor | Healthcare + Fintech | Generali Ch Board Director· Ex-UBS · AXA

    154,471 followers

    A Chinese woman makes linen dresses from plants. Students in Vermont grow their own scarves from seeds. Fashion's future grows in school gardens. Think about that. Li Ziqi harvests flax, spins thread, weaves cloth—20 million followers watch her turn plants into clothing. Now students from Berlin to Bangkok don't just watch. They grow, harvest, and wear their own creations. Traditional Fashion Reality: ↳ Cotton: 7,000-29,000 litres water per kg ↳ Synthetic fabrics persist centuries  ↳ 92 million tonnes waste yearly ↳ Students memorize "sustainability" The Plant-to-Cloth Revolution: ↳ Flax thrives on rainfall alone ↳ Seed to harvest: 100 days ↳ One hectare absorbs 3.7 tonnes CO₂ ↳ Zero waste—every part has purpose What grabbed my attention: A Vermont middle schooler spent 8 months growing flax, retting stems, spinning fibres, weaving fabric. When she wore her handmade scarf to school, her classmates couldn't stop touching it. Seeds became clothing. Abstract became real. Rural Chinese women turn farm waste into viral haute couture—peanut shells, corn husks, grape skins for dye. Each video proves clothing doesn't need factories. Just plants, patience, and hands that remember ancient methods. The process: Pull flax at 90cm. Ret in water. Break woody stems. Comb fibres. Spin. Weave. Students learn biology through growing, chemistry through retting, physics through spinning, history through craft. What changes everything: ↳ Circular economy becomes muscle memory ↳ STEM meets traditional craft ↳ Local materials, global inspiration ↳ Students design what earth can sustain The Multiplication Effect: 1 student growing cloth = visceral understanding 10 schools with gardens = communities reconnecting   100 programs worldwide = new generation of designers At scale = fashion without destruction A Tokyo teen experiments with bamboo fibres. Lagos design students test local plants. Iowa grandmothers teach TikTok followers to spin—skills nearly lost, suddenly trending. We assumed fashion needed petroleum or massive water. Chinese craftswomen show us a garden is enough. When kids grow their own clothes—seed to garment—they don't study sustainability. They live it. Follow me, Dr. Martha Boeckenfeld for innovations where ancient wisdom shapes tomorrow's education. ♻️ Share if you believe students learn best by creating with nature. Video seen at Olawale Kolawole

  • View profile for Sonya Parenti

    I help brands & manufacturers design better products & smarter systems | Circular Design & Supply Chain Strategy | Ex-Prada, Burberry

    9,660 followers

    🌿 Learning to Design More Sustainably: Insights from an Eco-Product Expert In the rapidly evolving fashion industry, sustainability is moving from a niche concern to a core component of product design. As an eco-product expert, my mission is to guide and inspire brands towards more environmentally friendly practices, beginning right at the design stage. This commitment to sustainability is crucial because every decision in product design reverberates through the entire lifecycle of an item. 👖 Consider the anatomy of a simple garment, such as a pair of jeans. An attached image vividly breaks down the numerous components involved: from threads, buttons, and rivets to denim, labels, and dyes. Each component is an opportunity for sustainable innovation. 🔩 Take, for instance, the button. Traditionally, jean buttons are a challenge for recycling due to their permanent attachment. By redesigning the button as a screw-on, we not only facilitate easy removal at the end of the garment's life, enhancing recyclability, but also allow the button to be reused on another item, thereby extending its lifecycle and reducing waste. 🌱 Moving to the fabric itself, denim is typically cotton-based, which is water and chemical-intensive. An alternative like hemp can drastically reduce the environmental footprint as it requires significantly less water and fewer chemicals. Incorporating such materials into designs is not just about substituting one for another; it’s about rethinking the system to prioritise ecological balance. ♻️ Consider also the leather-like labels often found on jeans. These are usually made from plastics and are purely decorative. Eliminating these and opting for water-based ink prints directly on the fabric can significantly reduce plastic use and the overall environmental impact. Similarly, shifting from conventional dyes to environmentally kinder options can mitigate pollution and enhance the sustainability of the production process. 🌍 As designers and product specialists, we have the power and responsibility to lead the charge in sustainable design. By analysing and rethinking each component of a product from an eco-design perspective, we can make profound contributions to sustainability. This approach not only helps in reducing the environmental impact but also aligns with the growing consumer demand for responsible and ethical products. 💡 By supporting innovation and challenging traditional manufacturing processes, we can transform how products are designed, produced, and perceived. As an eco-product expert, I am committed to helping brands navigate this transition, ensuring that sustainable practices are at the focus of product design and development. 🤝 Together, let's design a more sustainable future. For more insights and guidance on integrating sustainable practices into your products, feel free to reach out. #sustainablefashion  #ecodesign

  • View profile for NIYI OKEOWO

    Creative Director

    4,184 followers

    More recent explorations in visual language, communication and abstraction through Aso-Oke inspired patterns. Deep dive into how tradition, symbolism, and coded communication can evolve into a new kind of graphic system one that’s rooted in Yoruba textile heritage.

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  • View profile for Balbir Singh Dasila

    Futurist, Dean and Professor - School of Design | Creative Director & Educator | Expert Generative AI Design & Experience Design, Branding, Interiors, Exhibitions, & Textiles I 43 Countries I

    9,690 followers

    Raw, Real, and Rooted TEXTILES FORECAST S/S 26, Part 3 Part 1: https://lnkd.in/g4-8GGrQ Back to Earth Could the rawest textiles hold the deepest beauty? Designers are turning to earth, soil, and decay to make things that feel real. Raw. Alive. Rooted in Nature, Not in the Past This trend doesn’t romanticize the past. It builds with it. Designers are using mud-dyeing, sun-baking, and bark-based fibers in contemporary forms. There's a move toward seasonal sourcing and using materials with known origins. Brands like Zegna are experimenting with traceable wool from regenerative farms. EILEEN FISHER, INC. Renew is embracing undyed cotton and salvaged plant-dyed yarns. In home, Anhad Craft and Beni Rugs (Morocco) are returning to handspun textures and imperfect natural tones. CMF in Focus: Unearthed and Raw Color: - Clay beige, charcoal soil, and loam brown - Accents of ochre dust, lichen green, and earth-blush pink - Finishes may appear sun-faded, ash-washed, or mineral-dyed Material: - Coarse cotton, jute blends, hemp, and banana bark fibers - Unpolished linen, raw silk, wool felt Finish: - Cracked glaze, textured yarns, sun-hardened folds - Emphasis on low water processes and organic texture over uniformity Home Textiles: Grounded and Generational Home decor is embracing the tactile truth of earth-based materials. - Ferm Living and The Citizenry are moving toward hemp-linen curtains and clay-dyed cushions. - Soil Lab, a concept developed by SPACE10, an innovation lab backed by IKEA, explores bio-based bricks, mycelium, and earthen materials that age and evolve over time, reacting to humidity, light, and use—inviting designers to see soil as a regenerative building block. - Ceramic-inspired upholstery, stone-colored bed linen, and natural jute rugs are trending across boutique interiors. Clothing as Landscape Fashion, too, is reflecting geography. - PAULA CANOVAS DEL VAS is crafting garments with sand-like textures and moss-inspired dye palettes. - GAUCHERE, Carleen and AURALEE lean into weathered finishes and grounding palettes. - Botter Botter incorporates seaweed-based fabrics, such as SeaCell™, known for being lightweight, breathable, and rich in minerals—merging maritime biology with fashion utility and environmental responsibility. Back to Earth goes beyond a visual trend. It's a way to reconnect with what feels honest, steady, and alive. Designers are experimenting with new materials grown from living matter—like agave fibre composites or soil-infused wool. Ongoing research into microbially dyed cotton and dust-coated yarns is shifting how color and texture interact with the environment. Emerging studios like studio sarmite and Modern Synthesis are building bacteria-grown textiles that respond to the soil they come from. Next: Lightness of Being—an ultra-thin, translucent textile story that feels like wearing air. #BackToEarth #TextileForecast2026 #thedesignfuture #CMFDesign #NaturalFibres #sustainability

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  • View profile for Giovanni Nicolai

    I am an active and curious mind that looking for outstanding opportunities.

    3,205 followers

    Greece has unveiled one of the most poetic engineering projects in modern urban design "Wind Harps", tall sculptural structures that convert natural wind into both electricity and ambient music. Inspired by ancient Aeolian harps, these installations use tensioned strings and hollow chambers to transform passing breezes into soft melodies, turning ordinary streets into living musical landscapes. But these aren’t just artistic monuments , each Wind Harp integrates micro-turbines and piezoelectric materials that convert vibration and airflow into renewable power. The energy generated is enough to operate streetlights, sensors, charging stations, and small public facilities. By merging beauty with engineering, Greece is redefining how cities can incorporate sustainability without sacrificing culture or aesthetics. Urban planners see this as a model for climate-resilient design. Cities often struggle with the challenge of embedding renewable energy in public spaces without creating visual clutter. Wind Harps solve both issues: they beautify streets while also contributing clean electricity. Some locations even allow residents to tune the harps manually, creating community-driven soundscapes. Tourists have already begun flocking to areas where the structures are installed, turning them into new cultural landmarks. Experts believe these hybrids of art and energy could spread worldwide — especially in coastal and windy regions. Greece’s initiative demonstrates that the future of sustainability isn’t only functional; it can also be profoundly inspiring. What do you think about it?

  • View profile for Kiranjeet Kaur

    Architect | Environmental Architect | Sustainability Consultant | Green Building Consultant | Content writing

    4,294 followers

    🌍 A Powerful Lesson in Sustainable Architecture: The Tanzanian Family House In an era where sustainability is often equated with high-tech systems and expensive materials, the Tanzanian Family House is a refreshing reminder that true sustainability can come from simplicity, locality, and vernacular wisdom. This concept home by Equipo de Arquitectura beautifully demonstrates how architecture can respond to climate, culture, and community needs without unnecessary complexity. 🌧️ 1. Rainwater Harvesting Through a Central Compluvium At the heart of the house lies a modern reinterpretation of an ancient idea — the compluvium, an open roof system designed to capture rainwater. Directs water into a 4,500-liter underground cistern Reduces dependency on external water sources in drought-prone regions Makes the home partially self-sufficient This single element transforms the courtyard into a functional, life-supporting system demonstrating that sustainability can be both poetic and practical. 🌬️ 2. Passive Cooling & Natural Ventilation The central opening does more than collect water it also enables: Continuous cross-ventilation Improved thermal comfort Reduced reliance on mechanical cooling systems By working with the climate instead of against it, the design lowers energy consumption while enhancing comfort. 🧱 3. Earth Walls + Local Materials = Low Carbon Footprint The project prioritizes materials that are: Locally available Low-impact Easily repairable Familiar to the community Earth walls provide thermal mass, stabilizing indoor temperatures. Wooden partitions and local craftsmanship preserve cultural identity and strengthen community involvement. Even the corrugated metal roof is chosen for affordability and practicality. 🔥 4. Honoring Culture Through the “Four Elements” The design is conceptually rooted in earth, water, fire, and air — elements that reflect life, domestic activity, and the natural environment. Sustainability here is not just technical; it is symbolic, cultural, and human-centered 🧩 5. A Replicable, Affordable Model The home represents: A low-cost construction approach A model that rural and peri-urban communities can adopt A design that prioritizes resilience, dignity, and local identity This is sustainability that empowers — not excludes. 🌱 A House That Teaches Us More Than Architecture The Tanzanian Family House is more than a project — it’s a reminder that: ✨ We don’t always need more technology; we need more wisdom. ✨ Sustainability starts at the roots — with people, place, and climate. ✨ Good design is not about excess; it’s about essence. 🔗 This is where architecture becomes humanity. #SustainableArchitecture #GreenBuilding #VernacularArchitecture #ClimateResponsiveDesign #LowCostHousing #EnvironmentalDesign #EcoArchitecture #WaterHarvesting #PassiveCooling #EarthArchitecture #SustainabilityInDesign #RegenerativeDesign #SocialArchitecture #DesignForGood #ArchitectureCommunity

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  • View profile for Sustainable Design Network

    A global channel for designers, engineers and analysts of sustainable buildings and cities.

    239,092 followers

    ✨ Patterns in Nature as Design Inspiration These recurring geometries can guide how we think about structure, flow, and resilience in the built environment. → Spirals optimize growth and space, inspiring staircases, shells, and wind-responsive forms → Branching systems distribute resources efficiently, informing infrastructure, circulation, and energy networks → Cellular tessellations balance strength with lightness, echoing in lightweight grids and structural skins When designers translate these natural logics into architecture and cities, they create systems that are efficient, adaptive, and deeply connected to life itself. #PatternsInNature #BiophilicDesign #Biomimicry #SustainableArchitecture #ResilientDesign #DesignInspiration #NatureBasedSolutions

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  • View profile for Bruno Muchada

    Hotel Partnerships & Hospitality Advisor | Hotel Real Estate, Revenue & Business Growth

    5,446 followers

    A new wave is emerging in hospitality: nature-based design. Hotels don’t just have an energy problem, they have a design problem. The solution is not about inventing something new, but rediscovering what our ancestors already knew. For thousands of years, buildings worked with nature instead of against it: 🌞 Following the sun to stay warm in winter 🌬️ Using natural ventilation to stay cool in summer 🌱 Building with local materials that breathe and last for centuries 💧 Harvesting rainwater and reusing it in daily life 🕯️ Maximizing daylight to reduce artificial light 🔇 Valuing silence, with thick walls and layouts that created calm This is a topic I’m passionate about and follow closely. Visionary architects and sustainability thinkers are pushing the idea even further: not just sustainable buildings, but autonomous ones, self-sufficient ecosystems that generate energy, recycle water, grow food, and integrate with nature. The implications for hotels are enormous. Imagine properties that don’t just minimize their footprint, but operate as living systems, producing resources instead of consuming them, while offering guests a healthier, more authentic experience. While fully autonomous hotels are still rare, we’re already seeing properties take important steps: minimizing footprints, producing part of their energy, integrating green infrastructure. Guest expectations are evolving. Hospitality that merely “reduces harm” is no longer enough, the next frontier is hospitality that regenerates. Some solutions are simple and universal. Rainwater harvesting, for example, can dramatically reduce water use while connecting guests with natural cycles. And there are pioneers pointing the way forward: 🌊 Eco-Floating Hotel (HAADS): a futuristic concept designed to rotate with ocean currents, generating energy, recycling water and integrating circular systems, showing how autonomy could extend offshore. 🌆 Parkroyal Collection Pickering (Singapore): an urban “hotel in a garden” with 15,000 m² of sky gardens, green walls, rainwater harvesting and bioclimatic design, proving that even dense cities can host buildings that function as living ecosystems. ❄️ Svart (Norway, Arctic Circle): designed to be completely off-grid and energy-positive, producing more energy than it consumes while operating as a circular ecosystem. Guests are noticing. Sustainability and wellness are no longer “extras”, they are expectations. At Surf Office, we see MICE groups increasingly prioritize hotels that optimize energy and water use and communicate it authentically. 💡 The opportunity is clear: hotels that embrace nature-based and autonomous design don’t just save resources, they create more meaningful, restorative guest experiences. 👉 Do you think autonomous hotels will become mainstream in hospitality, or remain the exception rather than the rule? 🌍 Beyond market trends, should this be optional, or a responsibility if we want to preserve our planet?

  • View profile for Sean McNamara

    Artist Designer / Consultant / AI Systems Architect / Entrepreneur

    4,962 followers

    Chromatic Architecture: When Fabric Becomes Form Sometimes design transcends seasonal boundaries. These pieces embody a philosophy I call "perpetual summer"—not as escapism, but as a commitment to chromatic vitality and structural boldness that refuses to dim regardless of latitude or calendar. The Design Language: This collection represents months of parametric exploration translated into physical form. Each layered ruffle isn't arbitrary decoration—it's computational textile architecture. The fabric manipulation creates dimensional wave patterns that shift with movement, transforming the garment into kinetic sculpture. Color as Strategic System: The palette operates on simultaneous contrast principles—turquoise against magenta, yellow against purple—creating optical vibration that demands attention. This isn't color for decoration; it's color as communication strategy. In a world of minimalist neutrals, maximalist chromaticism becomes the differentiator. Texture as Innovation: The ruffled fabrication technique builds three-dimensional surface topology from two-dimensional material—a design challenge that fascinates me across disciplines, whether I'm developing parametric forms for architecture clients or creating visual systems for fashion brands. The "Always Summer" Philosophy: This isn't about ignoring seasons—it's about rejecting the idea that bold expression has a calendar. Joy, confidence, and chromatic courage aren't seasonal accessories to store away. They're year-round strategic advantages. Design Thinking Across Industries: What I love about working across fashion, architecture, and digital design is recognizing that the same principles apply: form follows function, color communicates emotion, texture creates experience. Whether I'm consulting on spatial design for hospitality projects or developing fabric systems for fashion clients, the goal remains constant—inventive solutions that create measurable impact. These pieces demonstrate what happens when computational design thinking meets fashion expression. The result isn't just clothing; it's wearable design intelligence. Sean McNamara Studios: Design Excellence Meets Strategic Innovation #FashionDesign #TextileInnovation #ColorTheory #ComputationalDesign #ParametricDesign #FashionTech #DesignThinking #TextileDesign #FashionInnovation #MaximalistFashion #BoldDesign #CreativeDirection #MultidisciplinaryDesign #DesignConsulting #FashionForward #WearableArt #TextileArchitecture #ColorStrategy #InnovativeDesign #DesignExcellence

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