New community for publishing pros against book bans hosts virtual town hall

Thinking About Becoming an Author? Let’s Talk About Publishing Imprints! 📚✨ If you’re diving into the publishing world, you’ve likely encountered the term “publishing imprint.” Wondering how imprints differ from publishers? Let’s break it down! What’s the Difference Between a Publisher and an Imprint? A publisher, like Penguin Random House or HarperCollins, is a large company that oversees the publication of books and various media. Imprints, on the other hand, are subsidiaries within a publishing house that focus on specific genres or target audiences. Each imprint has its own brand identity, often catering to particular reader interests—think of them as specialized “labels” under a publisher’s umbrella! How Do Imprints Come About? There are a few ways: 1. A publisher may acquire a smaller brand and keep its unique identity as an imprint. 2. A new imprint can be created to handle genres that don’t align with the main brand. 3. Publishers can partner with other companies to create a new imprint. 4. Authors can even create their own imprints for self-publishing! Why Multiple Imprints? Imprints allow publishers to build distinct brand identities for different audiences. For example, Simon & Schuster has 35 imprints, and Penguin Random House has over 200, each targeting genres like self-help, graphic novels, academic journals, and more. 🖊️ #PublishingTips #AuthorsLife #WritingCommunity #BookPublishing #LiteraryWorld

Each publishing model offers distinct advantages and trade-offs when it comes to ownership, royalties, creative control, and investment. Understanding these differences is the first step toward choosing the path that aligns with your goals as an author. At Scribe, we believe authors deserve professional publishing support without giving up their rights or royalties. Our model empowers authors to retain full ownership while benefiting from the same editorial, design, and publishing expertise found in traditional houses. Explore our latest FAQ carousel for a clear breakdown of how each publishing path works—and where Scribe fits in.

‘Intimidating, even frightening, but independence often is!’ - Conor Rennick with some invaluable insights into the world of self-publishing. 'What made me decide to pursue self-publishing, aside from lack of success contacting agents, was hearing from other authors, both traditional and self-published, that even those who are picked up by a publisher are now expected to handle much of the marketing themselves anyway.' Read more: https://lnkd.in/ehthk-hc #WritingCommunity #writersoflinkedin #selfpublishing

The Traditional Publishing Path – A Time-Tested Journey to Literary Success Traditional publishing offers authors unmatched expertise, credibility, and industry support. Our latest infographic breaks down the complete process—from acquisition and editing to marketing and royalties—helping writers understand the professional pathway to becoming a published author. If you’re aiming to build a lasting author brand, traditional publishing still holds tremendous value. 🔗 Learn more: https://lnkd.in/g-ceFpcJ #PublishingProfessionals #WritingCommunity #LiteraryAgents #BookIndustry #TraditionalPublishing #AuthorBranding

Writers are pros at “accidental research.” Here’s how to pull yourself out of the rabbit hole and still feel productive . #writingtips #research #writingadvice #authorlife https://lnkd.in/gnCchKpv

If you come across a well-organized book, don’t forget to acknowledge the hard work of the editors behind it. Having been in the industry for a while, I’ve learned that many authors don’t always write in a structured or linear way — they often pour out ideas as they come. It’s the editors who step in to shape, organize, and refine that raw content into something cohesive and engaging. Editors also play a crucial role in spotting factual errors and working with authors to correct them, ensuring the final work is not just polished but also accurate.

A friend recently asked me, Is it better to “BE PUBLISHED by a publishing house” or “TO SELF-PUBLISH”? Many aspiring authors today find themselves torn between the freedom of “self-publishing” and the prestige of “being published” and according to what I have known so far in the writing industry, and from top authors I have heard from so far, both paths have value, but BEING PUBLISHED holds a distinct kind of power. It’s not just about printing a book, it’s about being endorsed, refined, and positioned for greater impact. When YOU’RE PUBLISHED, you don’t walk the journey alone. You gain an entire ecosystem, editors who polish your message, marketers who amplify your reach, and publishers who lend their credibility to your voice. Your work is reviewed, critiqued, and elevated to meet professional standards that help it stand out in a crowded literary space. BEING PUBLISHED also opens doors. It connects you to literary networks, media opportunities, and speaking platforms that often remain out of reach for self-published authors. It signals that your story, research, or message carries weight, that it’s been TESTED, TRUSTED, and APPROVED for a wider audience. Self-publishing is empowering, yes. It teaches independence, creativity, and resilience. But being published brings institutional credibility, which can amplify your influence far beyond your immediate circles. It’s the difference between saying, “I wrote a book,” and hearing others say, “This author was published by…” a subtle but significant shift in perception and professional standing. At the end of the day, both roads tell a story. But being published allows your story to travel further, be seen by more eyes, and touch more hearts, with the weight of trust behind it. ✨ Your words are powerful, but the right platform can make them unstoppable.

In today’s fast-changing digital landscape, traditional publishing continues to hold a vital place in the literary ecosystem. At Pressman House Publishing Ltd., we see it as a partnership grounded in expertise, editorial quality, and reader trust. Unlike self-publishing, traditional publishing ensures that every book benefits from professional editing, design, and international distribution — all supported by a team deeply committed to the author’s vision. This video highlights our philosophy: to preserve literary quality while empowering authors to focus on their craft. 🔗 https://lnkd.in/g-ceFpcJ #TraditionalPublishing #TraditionalPublishers #PublishingIndustry #Authors #WritingCommunity #PressmanHouse #BookPublishing #Storytelling

What does the submission process actually look like? Are publishers and literary agents really reviewing every manuscript they get? Well, yes and no. At least at Greenleaf Book Group, we do review every submission we receive. Realistically though, it’s not possible to read every single manuscript, so we have a multi-stage review process to decide which books we’ll dive deeper into. We start with a high-level review, where we flag the ones that are the most promising based on what we're looking for right now. My team then digs into those to write a detailed report for each of the top submissions of the week. At a weekly meeting, we pitch the book and the author to reps from every department to get their thoughts on how we could best position them for success in the marketplace. We tailor our proposals based on the needs of each project, so this feedback is vital to create a custom gameplan. If the team decides to move forward with a book, we then launch an editorial diagnosis for the proposal. At this time, one of our lead editors will read the manuscript in its entirety and provide detailed notes on what works and what changes would make the book stronger — essentially writing a prescription for the number of hours of each level of editorial work that will be needed. By the time authors meet with a publishing strategist and receive a proposal, every department has weighed in on exactly what they will provide to support the book’s creation and launch. This review process exists to ensure we’re only accepting books that we’re confident we have the resources and sales channels to set a book up for success. So, what makes a submission strong enough to get through to that deep review? And how the heck do some publishers get back to you with a decision the next day? I have a couple posts planned to address those questions in the next few days. If you have any other questions about the submission review process, comment below or DM me! BTW, submissions are open now if you’re ready to talk about publishing options for the book you’re working on. Link in comments.