Patricia Walsh’s Post

The global art market is evolving swiftly: shifting tastes, new geographies rising in prominence in the global art conversation, new ways of discovering art, and fresh collector behaviours. For collectors, whether seasoned or just beginning, understanding these art trends is helpful to building a meaningful, strategic collection. In this article we provide a snapshot of the major movements in the visual-art space from artists and galleries to exhibitions and collecting behaviours and outline how you as a collector can stay informed and ahead of the curve. Read more on our blog or you can click the link below 👇 https://lnkd.in/dYwRqg_A

New public art guidelines have been designed to make it easier for commissioners, communities, artists and producers to come together to create public art in Dorset. Whether you are an artist, a council officer, a Town Council, a developer, or a community group, this guide provides practical advice, inspiration and guidance to support public art projects across the Dorset Council area. The guidelines are split into 6 key sections  What is public art  How to commission public art  How to fund your project  Working with planning and highways  Working with communities  Public art checklist This guide has been commissioned by Dorset Council and produced by The Arts Development Company in collaboration with over 100 contributors, including artists, producers, Town Council clerks and Dorset Council officers Dorset already boasts many remarkable examples of public art and this guide highlights some of these projects to inspire future work. The overall aim is to encourage more public art that reflects the diversity of Dorset’s communities and strengthens creative placemaking across the county. The guidelines can be read here: https://lnkd.in/eYUD8_u8 Dorset Council UK

Working hard on my paper Pole Postion: C18 British EIC women in the Portrait Archive which I’m presenting Thursday 9 April in the afternoon session. It covers the limitations of traditional archives, unnamed portraits, setting research parameters for targeted families, tagging in colonial collections and examines the potential of AI and facial recognition

TSC ART VERTICAL 🌐 www.ln.run/tscwebsite At TSC, we have built structured models across four core verticals [Tech, Art, Creative, and Sport] leveraging the VC inspired framework that makes talent identification, incubation, and scaling more intentional & structured across underrepresented cities in Africa. We believe Africa’s growth is not dependent on accelerating the tech ecosystem alone, and we understand that the intersection of these four verticals is critical to building sustainable talent pipelines and long-term economic value. To learn more about our work at TSC, visit the website above or send us a WhatsApp message via the TSC support channel on 08099414375.

One thing I’ve noticed about wealth clients. Eventually they become curious about art. Not immediately. But usually after: • building their careers • buying their homes • starting to think about legacy At some point the question appears: "How does the art world actually work?" The problem is that the art market is surprisingly opaque. Fewer than 1% of artists ever reach institutional recognition, and understanding how that happens requires navigating galleries, museums, collectors, and markets. That curiosity is part of what led me to start Unfram_d. Because when people begin collecting art, they’re rarely just buying objects. They’re participating in culture. I wrote a short piece this week breaking down how the primary and secondary art markets actually work for anyone who’s ever wondered where artworks really enter the market. https://lnkd.in/gKZUeAAe

Clear documentation is an essential part of a professional art practice. A well-prepared Certificate of Authenticity protects your work, supports collectors, and strengthens the long-term value and provenance of your art. This Advice Blog explains what a Certificate of Authenticity is, why it matters in today’s art market, and how to prepare one that meets professional standards. From required details to optional additions, it’s a practical guide for artists at every stage. 📖 Read the full guide on our Advice Blog: https://lnkd.in/gJYDA4yq #AGIFineArt #AdviceBlog #artadvice

There is a fact that many people never reach a stage in life where they are able to explore their creativity to full extent because of multiple factors. It could be relations, opportunities, mental space, timing, or financial aspects. It is said that in artistic spaces, many people survive the tension between their survival and an urge to do something big. So, if you are still in that space and pushing through challenges. The fact itself should make you feel grounded. You get wonderful artistic expressions, creativity and ideas when your mind is at ease and have trust in the process. Here, we have curated 5 artistic opportunities by TERAVARNA, that are perfect for adding feathers to your artistic cap. At TERAVARNA, we prioritize the artist’s interests; we believe art and creativity should never have limitations. It is for everyone.

Why are so many people uncomfortable around art, especially when it's for sale? Reluctant to buy? Intimidated about talking to galleries or artists? All you have to do is watch art stories on mainstream news media. Focus on reporters interviewing artists/gallery owners/curators/etc. That tells you all you need to know: The looks on their faces, when they get confused, use of words like afraid or expensive, how to respond, what to ask next, not sure how to act, etc. Issues like these need fixing.

In my latest edition of New England Art News, find over $100,000 in grants and funding for artists. There’s also two ceramics residencies, jobs for art educators, and many calls for entry in the region as well as five in New York City. This week’s cover artist is Daniela Flint, learn more about her in the newsletter. Read it here: https://lnkd.in/evhE6epv