"...I ignored [the algorithm] to start with and simply put myself in the shoes of these potential readers. What would I be looking for, if not in the mood for a full-on novel-length book? What would I type into that search box? Stuff like that..." - Erin Dzielski
In our current digital age, where short-form media content such as TikToks and IG Reels takes advantage of viewers’ short attention spans, full-length novels can be too demanding, requiring readers to set aside time they often can’t spare, creating a space in the market for condensed, action-packed narratives.
While agents and publishers may still hesitate to take on short stories, with The Bookseller reporting in 2025 that sales in Short Stories & Fiction Anthologies were down by one-third of the previous year, the control readers can exude over short stories, choosing to consume them in one sitting or in story-by-story pieces, makes it the perfect format for those who are too busy to read or for encouraging young readers to pick up a book.
But there’s still a concern among readers and publishing professionals that short story collections won’t be as satisfying, being forced to quickly introduce characters and setting, rising plot, and a resolution in less than 100 pages.
To showcase how short stories can be just as exciting and fulfilling as a 500-page novel, we sat down with Erin Dzielski, author of SHORT CIRCUITRY & SHALLOW GRAVES, a collection of stories that transcend genres to deliver sharp, imaginative narratives that meet readers where they are.
In our interview, we discuss her debut collection and dive into what inspired her to pursue the short story format, how she gets her book in front of busy readers, and the challenges she faced in cutting stories down into compact forms.
Click through our carousel to see a few highlights, then visit the link below to read the full interview!
https://lnkd.in/eYyUxPSk
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SHORT CIRCUITRY & SHALLOW GRAVES by Erin Dzielski
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Interesting positioning question. In the end, it still comes back to the market. You can have a recognizable name attached to something that doesn’t really land… and an unknown with an idea that hits immediately. One gets attention. The other gets remembered. I can see how the process leans toward the name—it’s easier to recognize. But it makes me wonder how often something that could truly resonate gets passed over… simply because it doesn’t come with one.