Transcript

Have you seen this affect before? Let me show you how it's made. These are a few examples of what we've created using our Destructive Product Agent. It works great for gadgets, devices, and mechanical objects, but you can also experiment and push it further to see what else is possible. I'm going to walk you through how this agent works from start to finish and show you how to create this exploded effect quickly and easily without a complicated setup. Let's jump right into it. All right, so here we are on our agent, and all we really need is an image of whatever it is we want exploded. So I'm going to go ahead and use an image of a Nintendo Switch 2. And I'm going to drag that into the chat right there. And I don't even have to type anything. You don't have to put no prompts. You can literally just click down here on this arrow. Or just press enter. Alright, so it analyzed the image and it's telling you everything it sees. And then we're going to go ahead and click on exploded image, and now it's going to generate the image for us. So we got some results here. And if you're happy with them, you can just roll with this. But there is a little trick you can do if you want the pieces inside to be a little bit more accurate to what's really inside of a Nintendo Switch or whatever device you are using. You can search online and try to find images where a device has been. Broken apart or sometimes people will break apart a device and then lay all the pieces out and then take a photo of that. So in this case, I do have that. So let me show you what I found. So I found this online. As you can see, there's a bunch of pieces here and we can feed it this image. We could have done this from the beginning, but I just wanted to demonstrate the difference between giving it one image of the device versus 2 images of the device and the insides of the device. So I'm going to go ahead and bring this image into the chat right here and I'm going to let the agent. Know that I also wanted to look at this image as a reference image to know what's inside the device. So now I'm instructing the agent use this image as a reference of what's inside the Nintendo Switch. I'm going to press enter and alright, and this is what it gave us. And as you can see, there are a few extra details that weren't there before like this part of the controller right here. You still you see that it's. Right here, and some of these other things that are inside are a little bit more accurately represented. There's the image of the battery right there and you can see the batteries there too. So there's a little bit more extra things in there that weren't accurate and the original image that we did, there are a few things that it that it did get right, but not everything. So if you want a little bit more accuracy, it might not be perfect, like it won't be like exactly every single detail, but it's worth trying to make sure that you get a lot of those internal parts as accurate as possible if that's what you're going for. And also if you're not happy with this, you can always retry and see what else is going to give you. So yeah, there's different ways you can do this. So like you can do different iterations and this is the great thing. You can instruct the agent, hey, I want something completely different, a different angle, different perspective. I want to correct something. So once you're happy with one, we want to let the agent know which one we selected. So I'm going to click on here is where you see this little quotation mark and it's going to bring the link down here and I'm just going to tell it, this is the approved image. Let's animate it. Once you're ready to animate, you're going to have three options, three different models that you can choose from. You have failure version 2 you. Cling 2.5, you have C dance Pro 1.5 and they all do things differently. So what? So what Kailua you get more precise controlled movement, but the limitation is that it's lower overall quality compared to clean right? So you got cling, higher visual quality and more creative motion can be slightly less precise and introduce creative variation. That's the limitation. Then you got C Dance Pro 1.5, which generates sound, which could be great because when you have all these. Mechanical parts moving around and you don't have to do the sound design for that. I mean, that's gonna save you a lot of time. And it it does, and it produces more animated mechanical motion. And I'm going to show you examples of these right now. Limitation movement is more stylized and less physically restrained. So earlier I generated 3 videos using the three models just so you can see the difference, right? This first one, let's try to guess what model it's using, right? Right. It's mechanical, it has sound. So it's gonna be C dance pro, which worked really well with this. I I really like this one here. I'm gonna just guess just by that by the way it animates. OK, it's really smooth. And a hand comes in at the last minute. I'm gonna guess this one as cling and. This one actually is not clean. This is likely. This is likely haul. I would guess this one is clearing. The quality is way better. It's cleaner looking. So yeah, so that's kind of the differences between these. So you have these options. I think it just depends on what is it that you're working with. If it's very mechanical, I do like the way C dance animates and I love the fact that it has sound, but sometimes clean gives you some really good results too. So I would I would kind of play around with. Those two mostly, and if you're still not getting good results, I would try kind of as last resort, I would try haul O. Here we have our generation. I had to iterate it because my 1st result didn't come out the way I wanted it, but this is going to give you an idea of how C dance works if you're going to notice it right away. It moves really cool, right, like it's very mechanical. I like I like the way it moves. I love the sound effects. The sound effects are great right there. The the colors changed right, So I had to tell the agent, hey, can you make sure that the colors do not change, don't change them to orange and like blue right here. So I think it just got confused because I think some of the Nintendo switches have these colors and it just probably did it by default. So it might be wise to instruct it. To keep it like. The original image right? It adds the sound effects for you here. After I did the the duration it corrected it for me and it's going to animate slightly different. Right. And yeah, so it did that. And right now I'm also generating with Cling 2.5 and Halo just to see the difference. OK, we have Kailua right here. Yeah, very, it's pretty smooth. It's not the perfect, I would do a few iterations to get it just right, but it's it does OK and then we have clean right here. Let's check this out. OK, it's doing a rotation. It's not very accurate, but it's very smooth nonetheless. So you have to instruct the agent don't do a 180 spin or asking not to spin and just to keep it in place as it. It breaks apart. My favorite one so far has been Sea Dance. But this might not always work for you. You might want something a little bit smoother. So these are the options that are available to you. So my recommendation will be that you get the end frame, the exploded frame, just right. Get it to a place where you're happy 1st, and then you can start generating it with video. Because if you're not happy with the final frame, then the animation is just not going to work for you. So make sure that you have the final frame looking just like you want it. And everything else will fall into place, right? And then you can also keep going. You can have it like let's say this one, for example. Let's say you really like this one and just say, you know, click on here. And this quotation mark, it's gonna bring the link down here. So I'm going to tell the agent, can you extract the last frame of this? And let's have another image generator where there is a very tight close up from a different angle. So I generated this for me, and I'm going to go ahead and click on this little quotation and then this one. Then just ask it animate these using start and end frame. Let's go with C dance. Alright, so let's go ahead and test that. Oh. OK, that was a cool transition. However I do not like how it keeps turning these into orange and blue controllers. This could be a sea dance issue because I actually want to test it out. Try this with Kling and also with Halo. I believe this is specific thing with two dance, but we'll test it right now with cling and haul. So that's something to keep in mind. That's something that you have to start to kind of learn from each model. They all have different ways of doing things and the way it. Interprets and understands things. So with Sea Dance I know that I have to be a little bit more specific with things because then it could be. For example, since they already changed the controller colors before, I should always let it know not to change the colors every time I generate. So that's something to keep in mind with. This model. Alright, so let's check out Cling and haul. Alright, so let's check this one. This is Kailua. Nice not to bad. OK, and this is cling. All right, this one feels a little bit better just because the way it comes into you know this frame of the where the screen is supposed to be at just seems like it just a lot smoother here. Just it feels like it kind of just warps into it, which is not as nice. But that's the thing about playing right again, these all have their strengths and weaknesses and you just kind of have to. Figure out which one do you want to go with and which one you're happy with. So this is the thing about models that that they are imperfect. There's only so much we can do. To make the best results. So a lot has to do with the models themselves and you guiding them into the right direction. So this is how you use this. Since I really like this one, I'm going to go ahead and say select that one and say I want this to be my second video. Can you get my first video and this video and stitch them together? My first video is the one I generated with C dance. Alright, so now let's check this out. Let's see what how this turned out, alright? Hoover Mechanical and then it goes into this. Very cool, yeah. And you can even say, hey, I want that to go a lot faster. So the only problem with this is that if you are using C dance, it has audio and if you speed it up, it's going to speed up the audio and it's going to sound weird. So just keeping that, keep that in mind. If you do want to speed it up, you can do that. If you didn't want to have it transition into something different, for example, like you just wanted to have it open up once like this, right? You can either just reverse it. Normally, which is it's just going to reverse the clip or you can generate it in reverse. So in this case, I'm just going to ask it to reverse it. Can you reverse this video? I should have asked it. Can you reverse it and stitches so that it just does it all in one shot, right? So here it is. It's playing forward and then once it gets fit in, it's going to go back and reverse. And this time it doesn't have the sound. So that's a bit unfortunate. So that's one way you can do it. So you can get that clip and just reverse it and stitch it together and it goes right back to the first frame. But if you really want the reverse effect to be a bit different of how it starts and not just like a reverse of the original video, then you can always do it generated reverse, which essentially just switches the first and last frame and generates that. The benefit of reversing the original clip is that it's. 3 And when you have to do it the other way, then you have to generate it using a video generating model. Just to show you what I mean by this, we have our reverse clip, right? All it is is just reversing the original clip, which is fine, but it could be kind of like playing and people can tell it was just reversed. But then you have this kind of reverse where it's doing like a little bit more unique movements going back into place, which is. Very cool too, right? You can do the normal reverse or you can do the generative reverse. So you have that choice. And that's how you use our Destructive product agent to create this exploded effects. Go ahead and try it out for yourself and see what you can make. You've got a lot more tips and tricks coming your way, so stay tuned. Until next time, take care.