From the course: Audio Mastering Techniques
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Understanding the pitfalls of hypercompression
From the course: Audio Mastering Techniques
Understanding the pitfalls of hypercompression
Over the years, it's become easier and easier to make recordings that are hotter and hotter in perceived level. Mostly because of new digital technology that has resulted in better and better limiters. Today's digital look ahead limiters make it easy to set a maximum level of usually -0.1 or -0.2 dB full-scale and never worry about digital overs and distortion again. The problem is this can come at a great cost in audio quality if you are not careful. Too much buzz compression are over limiting either when mixing or mastering results in what's become known as Hyper Compression. (music playing) Hyper compression is to be avoided at all costs because it can't be undone later. It can suck the life out of the song, making it weaker sounding instead of punchier. MP3s have a hard time encoding hyper-compressed material and can insert unwanted side effects as a result. Studies have shown that it causes listener fatigue so the consumer won't listen to your recording for as long or for as many…
Contents
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Making a loud master3m 7s
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(Locked)
Compression tips and tricks2m 4s
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Achieving competitive level2m 2s
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Understanding the pitfalls of hypercompression2m 10s
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Balancing frequencies3m 20s
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Reducing sibilance with a de-esser2m 2s
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Inserting fades1m 37s
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Eliminating noise and distortion43s
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Using multiband limiting4m 23s
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Adjusting the stereo image3m 24s
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Bringing out specific elements in a mix8m 18s
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