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In the realm of audio processing, non-recursive environments present unique challenges, especially when focusing on de-reverb and de-noise. While established tools like RX 12 offer solutions, their complexity can be a barrier. The argument for a simpler, higher-latency version of advanced tools, like our internal DeFeedback system, is compelling for users seeking effective noise reduction without a steep learning curve. This approach questions the necessity of competing with legacy tools when a more accessible, yet powerful, alternative can serve a significant user base. The key is balancing advanced capabilities with ease of use, making sophisticated audio enhancement available to a broader audience. #janlandy #soundbroker #AudioProcessing #NoiseReduction #DeReverb #AudioTech #SoundEngineering #ProAudio

A common misconception about drones with built-in cameras is that they also have built-in microphones. While many do, their primary function isn't always high-fidelity audio capture. Often, onboard mics on drones and cameras are designed to mitigate their own operational noise, not to record ambient sound. For situations requiring sensitive audio capture, like using condenser mics near a stage or in a crowd, additional considerations are necessary. The Doppler effect, for instance, must be accounted for when audio is captured while in motion. Understanding these nuances is key for effective audio recording in complex environments. #jan #landy #soundbroker #DroneTechnology #AudioEngineering #FilmMaking #TechInsights #Innovation #ProfessionalAudio

Exploring the evolution of audio mixing with software-controlled, rack-mounted solutions. These innovative mixers, exemplified by models like the Allen & Heath, offer a surface-less operating experience driven entirely by software. One of the key developers behind this technology also has a significant background, having worked on the Soundcraft UI24R for Harman and contributed to AKG and DBX. This expertise hints at the sophisticated capabilities and thoughtful design embedded in these modern audio control systems. #janlandy #soundbroker #AudioMixing #ProAudio #LiveSound #AudioTech #DigitalAudio #MixingConsole

The power of consistent content sharing and visual storytelling is evident in how certain professionals showcase their expertise. Leveraging innovative technologies like Flat Panel Audio, these individuals demonstrate not just products, but also a deep understanding and passion for their application. This approach builds authority and keeps their audience engaged. It highlights the importance of not only knowing your field but also effectively communicating that knowledge through compelling visuals and demonstrations. #janlandy #soundbroker #AudioTech #EventProfs #ContentMarketing #VisualStorytelling #ChannelManagement #Innovation

Understanding audio mixing requires distinguishing between a "bed" and an "object." A bed mix, often in formats like 5.1 or 7.1, spreads across a defined set of speaker positions. Conversely, an object is an individual sound element that can be precisely positioned anywhere within the audio space. This fundamental difference impacts how immersive audio is constructed and experienced, especially when considering elements placed in a ceiling, for example. Mastering these concepts is key to professional audio production and spatial sound design. Curious if anyone else has found this distinction crucial in their audio work? #janlandy #soundbroker #AudioMixing #ImmersiveAudio #SoundDesign #AudioEngineering #PostProduction #DolbyAtmos

The 'we don't care' response often signifies a disconnect in understanding the core issue. In the context of broadcast production, even seemingly minor elements like announcer sound quality can reveal deeper operational challenges. When all audio, except for live venue feeds, is processed in isolated voiceover booths, it points to a centralized, pre-recorded approach. This highlights the critical need for robust source capture and processing, especially when dealing with a global feed like the Olympics. The distinction between live venue sound and studio production is vital for maintaining broadcast integrity. #janlandy #soundbroker #BroadcastProduction #MediaTechnology #AudioEngineering #LiveBroadcasting #OlympicBroadcasting #MediaOperations

The power dynamics in the music industry are starkly evident when dealing with major artists versus local talent. L-Acoustics' response to a query about their equipment highlights this: 'Tell the supplier of the festival to switch to an L-Acoustics rig.' This command is feasible for an artist like Bruno Mars, who carries significant leverage. However, for a local artist, such a demand would be impossible. It underscores how artist stature directly influences negotiation power and technical rider demands within event production. #janlandy #soundbroker #LiveSound #AudioEngineering #EventProduction #MusicIndustry #SoundTechnology #ArtistRider

Welcome to Thinking Out Loud with Friends of Soundbroker! We're thrilled to have you join us for episode 313. Today's show is packed with insights as we dive deep into De-feedback and explore its distinction from source intelligence. Plus, we're excited to announce the new Mac version of De-feedback. Get ready for a lively discussion, and don't forget to bring your sense of humor! #jan #landy #soundbroker #De-feedback #SourceIntelligence #MacUpdate #TechInsights #Productivity

Exploring advanced audio spatialization techniques beyond standard stereo. When moving from a stereo setup to a surround system like 7.1, the concept of 'center' audio changes. In stereo, a centered sound source creates a phantom image between speakers. With a 7.1 system, however, a centered signal is explicitly routed to the center speaker. This opens up new possibilities for how audio engineers can manipulate perceived width and depth, moving beyond simple panning to more complex spatial arrangements. #janlandy #soundbroker #AudioEngineering #SpatialAudio #SoundDesign #AudioTech #Mixing #SurroundSound

Spatial audio can often be vague and directionless, especially with complex stereo mixes. While upmixing might spread sound, it can result in a lifeless experience where precise localization is lost. The alternative approach focuses on creating a more lifelike, vibrant, and detailed soundstage. This method aims for a responsive and engaging audio experience that works across a wide range of music, striving for a single, effective mode for all content. It's about achieving a richer, more accurate spatial representation rather than just spreading sound. #jan landy #soundbroker #SpatialAudio #AudioEngineering #SoundDesign #MusicProduction #ImmersiveAudio #DolbyAtmos