Sherwood Design

078 Brick-clad façade, monumental turbine-hall roof, and the iconic central chimney standing tall along the south bank of the Thames, Tate Modern carries the weight of its industrial past while continuing to write the future of contemporary art. When the museum was conceived, the intent was never to erase what came before. Instead of demolishing the former Bankside Power Station, the architects Herzog & de Meuron chose to preserve its historical essence. The massive oil tanks beneath the building were transformed into performance and installation spaces; major structural elements of the power station were retained; and the distinctive brick exterior remained a defining part of its identity. Since its opening in 2000 and its later expansion in 2016 with the Switch House (now the Blavatnik Building), Tate Modern has become a global cultural landmark. It is not only a museum but also a dialogue between eras—a place where the spirit of the Industrial Revolution meets the imagination of contemporary creators, proving that architecture can both remember and reinvent. #architecture #aesthetics #london #tatemodern

077 ”Architecture, of all the arts, is the one which acts the most slowly, but the most surely, on the soul.“ — Ernest Dimnet RCR Arquitectes in Spain has transformed their studio into a quiet sanctuary for focus and creative clarity, rooted in their philosophy of nature, materiality, and light. Using weathered steel, volcanic stone, and minimal structural lines, the space captures light with the quiet precision of a monastery fused with a creative laboratory, gently sharpening the senses. In the UNESCO-listed town of Olot, dreams, history, nature converge. #architecture #art #design

076 Tokyo KAIT Plaza — Situated on the campus of Kanagawa Institute of Technology, this is one of the signature works of Japanese architect Junya Ishigami. A vast, horizon-like expanse open to every form of spontaneous activity. A super-thin 12-millimeter steel roof stretches across the entire plaza, free of walls or columns, gently floating above the sloping ground. Fifty-nine skylight openings invite light, wind, and rain to flow through, embodying the architect’s vision of “building architecture as part of the environment itself.” #architecture #aesthetics #space #tokyo #project180 #KAITPlaza #Kanagawa

075 Architecture that grows #Metabolism In the 1950s Japan ignited a revolutionary architectural ideology: the Metabolism movement. It argued that housing could act like cells or capsules, each unit replaceable, updatable, renewed. Originally envisioned to follow a planned lifecycle—designed for periodic renewal and large-scale replacement—this approach faced harsh realities. Safety regulations, refurbishment costs, and evolving seismic standards soon became formidable obstacles. The fate of Kisho Kurokawa’s Nakagin Capsule Tower, demolished in 2022, stands as a striking reminder: even the most visionary examples of modular or capsule architecture cannot survive without robust maintenance systems and sustainable economic models. Today, a new generation of architects carries forward its spirit. But for “replaceable units” to truly succeed, the idea must extend beyond form. It must integrate technical systems, life-cycle maintenance, ecological balance, and economic viability into a cohesive, enduring framework. #modular #architecture #design #prefab #metabolism

074 Will “High-Vibrational Living” Define the Future of Home Design? In Eastern philosophy, feng shui is the art of spatial coherence where space, matter, and consciousness move as one. A home is more than shelter; it is a living field of awareness, energy, and emotion. Every space attracts what you are aligned with. Two principles might guide the way of future living: Space as the interface of intention — creating environments that ritualize consciousness. Feng shui as a spatial science — shaping flow and coherence through form, light, and material. #project180 #architecture #interiordesign #design #home

073 Designed by Ecuadorian architects Juan Ruiz and Amelia Tapia, Habitable Module IWI is a compact, accordion-like structure that expands to 9 m² and compresses to 2.4 m². Conceived as their personal studio and multifunctional retreat, this stretchable design reveals three key insights about the future of living: 1. The Importance of Spatial Efficiency As urban density rises, every square meter matters. IWI demonstrates how intelligent design can multiply spatial value without increasing footprint, proving that flexibility can be as powerful as scale. 2. The Era of Personalized, Adaptive Living Contemporary lifestyles are fluid. We move between cities, mix work and leisure. The IWI module reflects this shift toward modular autonomy: spaces that respond to personal habits, emotions, and contexts. It enables users to curate their own environments, adapting size, light, and atmosphere to the moment. 3. From Fixed Assets to Fluid Freedom Traditional buildings are static investments; they root people to a place. IWI suggests a future where architecture becomes a portable companion that aligns with a world seeking flexibility, sustainability, and freedom #project180 #module #architecture #design #lifestyle

072 When the Museum Turns Inside Out｜V&A East Storehouse 🫙 250,000 objects, 350,000 books, and over 1,000 archives — all stored inside a warehouse that we can actually walk into. 🕯️Museum Transparency Here, visitors are no longer passive observers standing before glass cases. They move through real storage aisles and conservation studios, witnessing the full life cycle of a collection — from preservation and research to redisplay. Through the “Order an Object” service, anyone can request to view a specific piece. 🕯️ Rethinking Architecture and Institutional Form When the UK government announced in 2015 that it would sell Blythe House, the V&A’s former storage facility in West London, the museum faced the monumental task of finding a new home for its vast collections. What began as a logistical relocation soon evolved into a fundamental question: “Rather than shift … into another safe, inaccessible facility, we could do something radical.” — Tim Reeve, V&A Deputy Director & Chief Operating Officer The new building, designed by Diller Scofidio + Renfro, occupies the former 2012 Olympic Media Centre in East London’s Queen Elizabeth Olympic Park. By retaining the site’s industrial shell and inserting a new language of steel, glass, and translucent materials, the architects transformed it into a storytelling “warehouse.” 🕯️ Re-invention of the Museum’s Social Role When archives and collections move from secrecy to openness, culture itself transforms: it is no longer a static display of conclusions, but an evolving process of participation, learning, and renewal. Between glass floors, translucent panels, and exposed steel frames, London’s V&A East Storehouse redefines what a museum can be. #vaeaststorehouse #architecture #culture #design #VAEast #museum

071 ”We don’t only remember the building itself; we remember what we felt when we were walking in that building.“ — Architect Peter Zumthor Emphasising atmosphere and tactility, Casa Z is both Zumthor’s studio and personal residence nestled in Haldenstein, Swiss. 🪜Material and structural language The early section of the building utilises timber structure and concrete, while the later expansion introduces glass façades and steel details. In doing so, the architecture strikes a balance between the rustic robustness of a barn and the transparency and lightness of modern design. 🐚 Dialogue with landscape and light Perched on the edge of a small village, flanked by meadows, ridges and low-lying homes, the building sits in a sensitive landscape. Its concrete outer walls echo the tones of nearby mountain stone, while extensive glazing opens toward a verdant courtyard and allows natural light to cascade freely inside. 🍃 Sensual living & working spaces The home is laid out in a U-shaped plan, dividing the workspace from the residential zone, with the garden acting as transition between them. Inside, selected rooms are clad in wood on both walls and floors, creating a warm tactile environment that kindles an emotional resonance of “home.” #Project180 #Architecture #Design #OrganicArchitecture #SensoryArchitecture #Switzerland #PeterZumthor #Sustainability #Home

“We make life for children very square, killing off liberty, spontaneity, and creativity. My designs want to go against this rule of life.” — Javier Senosiain, Mexican Architect “There are no straight lines in nature.” Casa Orgánica grows from the earth like a living organism. Where light and wind flow freely, and space breathes with the rhythm of the land. Completed in 1984, Casa Orgánica was inspired by a peanut shell 🥜 - The home is formed by two expansive oval chambers linked by a narrow, dimly lit passage, dividing the dwelling into distinct day- and night-zones. - Buried beneath the hillside, the house becomes part of the land: creating its own micro-climate, while ensuring that from the garden one walks directly on the roof without even realising it. - This is a reminder that to dwell is not simply to inhabit, but to reconnect with our origin, to return to the mother-earth. 🪺 #project180 #architecture #design #casaorgánica #ecosystem #sustainability #javiersenosiain

069｜At Copenhagen’s 3 Days of Design, Aifunghi challenges conventional sustainability with its fluffy mycelium furniture. 🧫 Material Logic: 1. Hemp + Mycelium: Cultivating fungi with hemp fibres to form a natural structural composite. 2 Seaweed Bio-Foam: A next-generation cushion material developed by a Norwegian biomaterials startup. 3 Biofluff: A plant-based faux fur spun from nettle, hemp, and flax fibres. ♻️ Dual Pathway — Some pieces are fully compostable, while others can be recycled and remade. 🗝️ Design Insights for the Future 1. Lifecycle Thinking: From growth to return, design becomes an act of coexistence rather than creation. 2 Material-led Design: Let the material dictate form and meaning. Design that grows from matter, not around it. 3 Multiple Continuities: Reproduce, repair, transform. Design as an open, evolving life cycle. 4 Localized Sourcing: Embrace regional fibres and agricultural by-products to shorten supply chains and let each piece carry the spirit of its origin. When aesthetics and ecology walk hand in hand, could this be the sustainable future we design together? #project180 #architecture #design #furniture #furnituredesign #materials #ecodesign #sustainability