Working in an EPC firm, I often face budget constraints in commercial projects, but I see them as creative opportunities. In one project, we optimized costs by using exposed concrete, reclaimed wood, and textured paints instead of expensive materials. Natural light and strategic lighting enhanced the space while reducing energy costs. We collaborated with local artists for branding, creating a custom mural instead of costly signage. BIM modeling helped minimize material waste and optimize planning. This project proved that smart design, not a big budget, defines success.

Prioritizing important expenses first is the core of any financial management system. One way to start is by looking at your tracked expenses and differentiating between essentials and non-essentials.

"Com orçamento apertado, o foco é maximizar os recursos disponíveis de maneira criativa. Busco soluções simples, mas impactantes, usando ferramentas acessíveis e explorando o que já temos, como imagens de domínio público ou recursos gratuitos. A criatividade vem da restrição, então, em vez de ver um orçamento limitado como um obstáculo, vejo como uma oportunidade de pensar fora da caixa, otimizando ao máximo cada recurso."

One thing that works for us is to continually think outside the usual sources- find out what interests the workers…the owners personal likes—photography works beautifully not only describing what the company does but if they are in an area with pride in the city, local sports- incorporate those items into the artwork, murals—furnishings—have used lots of recycled materials over the past few years- adding influence to walls, floors- repurpose lighting- furnishings in different settings—-it’s kind of fun to think what’s new, what’s different- you get to know your clients’ personal taste- our motto for years has been “creating timeless designs to suit your style.” That can certainly play into the design.

Embrace limitations as a creative catalyst, this allows for unique and out of the box ideas to emerge. Furthermore this allows the designer to go back to the basics of primitive forms rather than resorting to the standard.