If there is one thing that tends to stick out in really poorly done CG, it's the stilted and/or "too perfect" movement. Most animators understand the concept of "secondary" motion, which is the broader umbrella of those little variances in movement that underlie what might otherwise be simple motions. Even things like a character blinking can look off if you make the movement of the eyelids smooth. Imperfection helps you leap across that uncanny valley. Sure, there will be low-hanging fruit like lighting mismatches, poorly setup filters, etc., but believable movement does more to suspend disbelief than quite a lot else.

Please be sure to realize your visual priorities. Characters 1. Focus on major details, that define your character, and lose the small details Environment 1. Divide your environment on the base of tiers. Things that are visually close to the player, or are interactive, should be Tier 1. Remaining assets can take a hit. 2. No work from scratch, be resourceful and use models available on different 3D sites Animations 1. Instead of making assets first for animation and implementing the animation afterward, make animation with primitives first

Je pense surtout qu'il faudra d'abord se débarrasser de cet esprit de perfectionnisme qui nous anime et voilà juste , Prioriser les éléments clés, faire passer le bon message à la cible !

a prioritised workflow diagram on a real life board to see every time poeple pass it by, another one to use while doing the work, showing problematic-hard (explaining why)/expected to be ones with names attached to them to show who is responsible for the work, and how many hours or days it's overdue in a separate column. no hidden shadow responsibilities out there, when the crap gets closer to fan it also has an ability to boost concentration and "willingness" to work. a team has nothing to hide from each other and no one has the luxury of being the clogger in the pipeline.