Best Wired Headphones for Audiophiles

Why I Like Them

We’ve always been fans of Sony’s MDR-7506 wired studio monitor headphones, which have long been favorite headphones of recording engineers and other sound professionals. The 2024 MDR-M1 are essentially a premium version of the 7506, delivering sound that’s hard to match for the price. These are the wired headphones that will make you realize what you’re missing after listening to wireless headphones for so long. They have big, open sound with excellent clarity, accuracy and tight bass. Not only is their sound a noticeable step up from the 7506s, but these get high marks for their comfort level (they weigh a svelte 216 grams). No, there isn’t any noise canceling, but the soft, cushy ear pads offer good passive noise isolation.

Though they play louder with a headphone amp, they’re easy to drive (50 ohms), so you can plug them directly into a computer’s headphone port or a smartphone (likely with a USB-C to 3.5mm adapter). They come with 1.2m and 2.5m straight detachable cables and a 3.5mm to 6.3mm screw-in plug adapter, but no carrying pouch or case is included. The only downside I see is that the ear pads aren’t all that deep, so it’s possible those with large ears that stick out a bit might have some issue with the M1’s fit — your ears might press up against the drivers, which are notable for serving up distortion-free audio, even at higher volume levels. That said, they look and feel like an upgraded version of the 7506, so if those worked for you, these should too.

Reasons to buy

You can get more expensive audiophile wired headphones, but the MDR-M1 deliver very good bang for your buck thanks to their relatively affordable price point. They both sound great are a comfortable to wear.

Reasons to skip/keep looking

Those seeking the convenience of wireless connectivity should obviously look elsewhere, as these are purely wired headphones. Also, while these are clearly an upgrade over the MDR-7506, some people may find that the price bump from that model doesn’t quite meet the bump in performance the MDR-M1 offers. In other words, you may be just fine with the MDR-7506, which costs less than half the price.

Why I like them

At $280, Sennheiser’s new-for-2025 HD 505 open-back headphones aren’t cheap, but they’re pretty affordable as far as audiophile-grade headphones go. Though these aren’t a major upgrade over the HD 560S — they’re built on the same HD 500 series chassis — they are superior. They include some small design improvements and they sound better, with slightly tighter bass and smoother treble, which makes the headphones more revealing.

I found the 237-gram HD 505 headphones lightweight and quite comfortable to wear during longer listening sessions. According to Sennheiser, they have a 120-ohm transducer with frequency response stretching from 12 to 38,500 Hz and less than 0.2% harmonic distortion (I used them with iFi’s new $80 Go Link Max DAC dongle). The headphones come with a 6-foot cable with a 3.5mm plug, and they include a 6.3mm adapter. The cables and ear pads are “modular,” which means they can easily be swapped out.

Reasons to buy

You’re looking for great-sounding open-back headphones that are relatively affordable.

Reasons to skip/keep looking

Open-back headphones do leak sound, so these aren’t the best for folks to use while working in open-office environment.

Geared to home studio production, multimedia content creation and “detailed everyday listening,” the new-for-2025 Audio Technica ATH-R30x headphones are about as good as you get for entry-level open-back audiophile headphones. Not only are they relatively lightweight and quite comfortable to wear, but they also have an attractive retro design and seem sturdily built (thee cable is nondetachable, however, and quite long). The sound is exciting, with up-front vocals and weighty enough bass to suit most genres, though you may encounter some listening fatigue over longer listening sessions due to that exciting sound. Sennheiser’s entry-level open-back headphones, the more expensive HD 505 cans, offer a bit better bass definition and smoother treble, along with better soundstage solidity. But these ATH-R30x headphones are fun and cheap, and they sound really good for the money. If you want monitors at this price that offer less sizzle in the treble and better solidity to their soundstage, the closed-back Sony MDR-V6 ‘phones are a good alternative.

Though the Sennheiser 660S2 headphones may seem expensive, they’re one of the more affordable true audiophile headphones, sharing the same design as their predecessor, the 660S model. The changes are all on the inside, with improved airflow and upgraded drivers that include a new ultralight aluminum voice coil. This leads to better sound, with the bass adding more depth and definition, while the treble gains a bit more clarity and sizzle (the very natural-sounding mids remain pretty much unchanged as far as I can tell). The soundstage also seems more spacious and airy — yes, these are open-back headphones, so they do leak sound.

Note that the 660S2 requires some extra power to drive (it’s now a 300-ohm headphone), so you’ll want to pair it with a dedicated headphone amplifier. I did manage to use it with an iPhone, but I plugged it into the $80 iFi Go Link Max portable USB-C DAC that’s designed for use with USB-C smartphones (Lightning and USB-A adapters are also included). They sounded great while I listened to high-resolution tracks from Qobuz, the music streaming service.

Audiophile headphones usually have a very neutral sound profile, but the 660S2 ‘phones don’t suffer from being overly so. They mix in just enough excitement while also managing to sound really clean and smooth. They’re also comfortable headphones, though some people with larger heads have complained that they feel a bit too tight. (I have a more medium-size head, and they felt good over long listening sessions.)

Like the Sony MDR-7506, the Audio-Technica ATH-M50x have been around for years and are a staple monitor headphone. Among the best-sounding wired monitors you’ll find for less than $200, they feature accurate, well-balanced sound. The headphones fold up and come with three detachable cables, including a coiled cable, so you can attach a longer or shorter cable depending on your needs.

For a lot audiophiles, Sennheiser’s flagship IE 900 in-ear monitors are the gold standard for IEMs. However, they cost around $1,500. Not surprisingly, the step-down IE 600s aren’t at the IE 900’s level, but they still sound great, and they cost almost half the price. Though you’re going to get a little more bass extension with the IE 900s, which are also more revealing, I was plenty pleased with the tight, punchy bass and smooth treble performance of the IE 600. The mids are a tad forward but sound quite natural, and there’s a nice openness to the sound even though these are an in-ear model. These very articulate headphones allow you to hear each instrument distinctly on more complicated tracks, yet they manage to avoid being so revealing that they cause listening fatigue (some high-end headphones are so revealing, they accentuate the flaws in less well-recorded tracks to the point where you get fatigued).

Alas, with in-ear headphones (better known as earbuds), the key to optimal sound quality is getting a tight seal. In my case, these 3D-printed zirconium metal alloy buds ended up fitting my ears perfectly with the largest ear tips (I used the silicone tips, but three sizes of foam tips are also included). You get two proprietary micro-miniature coaxial (MMCX) detachable cables, with 3.5mm and 4.4mm terminations. The cables have moldable ear hooks that you can bend to your liking and wrap around your ears. I’m used to having issues with this type of IEM around-the-ear design, so I was surprised by how well they ended up fitting. Other folks might not be so lucky, however.

We were fans of Beyerdynamic’s earlier DT 770 Pro headphones. The new DT 700 Pro X model is easier to drive than the 770 Pro, thanks to the company’s new Stellar.45 sound transducer with an impedance of 48 ohms, so it plays better with smartphones, tablets and laptops without requiring a headphone amp.

These headphones are targeted at content creators who want accurate audio reproduction, but they’re a bit more dynamic sounding and less bass-shy than many studio headphones, which tend to restrain the bass and hew to a very neutral sound profile. The DT 700 Pro X headphones are revealing and clean-sounding and offer invitingly open sound (particularly for closed-back headphones). They make you realize what you’ve been missing listening to similarly priced Bluetooth headphones. 

Unlike the earlier DT 770 Pro ‘phones, which are being sold at a nice discount (around $160), the DT 700 Pro X cans come with two interchangeable (detachable) straight cables in different lengths, and the DT 700 Pro Xs arguably have a cleaner look than their predecessor.

Solidly built — they weigh 350 grams — they’re quite comfortable, featuring upgraded soft, velour-covered memory foam earpads that offer decent passive noise isolation. The earpads and the headphones’ other parts are replaceable, Beyerdynamic says. 

The company also sells the open-back DT 900 Pro X headphones for $30 less. That model should provide slightly more open, airy sound, but the big drawback is that people around you can hear whatever you’re listening to — and sound also leaks in. This closed-back version is more versatile.

French audio company Focal is known for its high-end speakers and headphones. You might call it the Bowers & Wilkins of France. Some of its wired audiophile headphones cost upward of $3,000. But its entry-level Azurys, a $549 closed-back model, is more accessible to general consumers in terms of both price and design. Though these headphones don’t sound as open and airy as their open-back sibling, the Hadenys ($699), the closed-back design allows you to use them around others, whether that’s at home or in an open-office environment. Their cord also has a built-in microphone, which allows you to make calls with the headphones and is a tip-off that the Azurys are more for general use than some audiophile cans (to use the headphones with most smartphones, you’ll need a USB-C to 3.5mm adapter or a portable USB-C DAC like the Ifi Go Link or Go Link Max).

As for their design, both the Azurys and Hadenys are built on the same eye-catching chassis as Focal’s excellent Bathys ($799) wireless headphones. While they may not look or feel as luxurious as Focal’s higher-end models, they share some of those models’ design traits, and I found them comfortable to wear for longer listening sessions. At 306 grams, they aren’t too heavy, and thanks to the cloth covering on the ear pads, they didn’t steam up my ears as much as some over-ear models do in warmer environments. Overall, they seem fairly durable.

These are studio headphones, which means they have a more neutral sound profile. But I found they had enough bass energy to inject some excitement into my listening sessions, and the treble certainly has some sparkle to it. You aren’t going to get sound that’s as clean or pure as what you’d get with Focal’s higher-end models, but they do sound a little more revealing than the Bathys. Like that model, the Azurys headphones are easy to drive, so you can use them with devices like a laptop, phone, tablet or digital music player without using an amp.

1More’s Triple Driver in-ear headphones have been around for a while, but they remain a value favorite of CNET home audio editor Ty Pendelbury. The Triple-Driver’s sound is not only full and warm but nicely detailed too. There’s plenty of bass oomph, and definition is decent enough. The midrange sounds clear and natural. These are headphones that will appeal to audiophiles but that cost less than $70.

The MDR-7506 headphones, like their stablemate MDR-V6 cans, are one of the most popular models for professional use, and their hard-wearing design is only part of the appeal. Though the sound between the two Sony designs has a family resemblance, with a very clear and balanced frequency response, the MDR-7506s pull ahead due to a more robust bass response — and they’re cheaper! Though they don’t have a replaceable cable like the Audio-Technica M50X headphones do, the 7506s are affordable enough that you can buy another set if they ever break down.

With an inline microphone and enhanced styling, the Massdrop version of the popular Porta Pro headphones is also $10 cheaper. The sound is warmer and smoother than you’d expect from an open pair of on-ears, and they offer a decent bass response. The headphones also fold up, with a hook-style design that helps with portability. With their retro flair and sub-$40 price tag, the Massdrop x Koss Porta Pro X headphones are a definite no-brainer for people looking to upgrade from no-name buds.

Panasonic’s ErgoFit RP-HJE120 in-ear headphones, which come in multiple colors and retail for less than $10, sound remarkably good for the money, with clean, well-balanced sound that offers good clarity and punchy bass. A version of these wired earbuds with an integrated microphone (the RP-TCM125) costs slightly more but doesn’t sound quite as good for some reason.