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DAG

DAG

Artists and Writers

New Delhi, New Delhi 7,966 followers

Promoting pre-modern and modern Indian art since 1993 through exhibitions, publishing and social outreach programmes.

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About us

Established in 1993, DAG is an art company that spans a gamut of verticals that includes museums, art galleries, exhibitions, publishing, archives, knowledge-based lineups, as well as programmes for the specially-abled and sight-impaired. With galleries in New Delhi, Mumbai and New York, DAG has done seminal work in promoting 20th Century Indian Art globally. The definitive collection represents the expanse of Indian art practice over the 20th century, covering periods, styles, themes and artistic concerns. In January 2019 and in partnership with the Archaeological Survey of India, DAG pioneered India’s first public–private collaboration in the arts space with Prime Minister Narendra Modi inaugurating Drishyakala art museum in the precincts of Red Fort, New Delhi—a UNESCO world heritage monument.

Website
http://www.dagworld.com
Industry
Artists and Writers
Company size
51-200 employees
Headquarters
New Delhi, New Delhi
Type
Privately Held
Founded
1993
Specialties
Indian Art, Painting, Art Gallery , Modern Art, Art Advisory , Design, Indian Artists, and Art Collections

Locations

  • Primary

    22 A, Janpath Road, Windsor Place

    New Delhi, New Delhi 110001, IN

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  • The Taj Mahal Palace Apollo Bunder Road Colaba

    Mumbai, Maharastra 400001, IN

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  • One Rockefeller Plaza, 11th Floor

    New York, NY 110020, US

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Employees at DAG

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Updates

  • DAG reposted this

    View profile for Anuj Kale
    Anuj Kale

    What does accessibility and inclusion look like in a museum? 🤔 Before answering that, we first need to look closely at the barriers that different people face while moving through and experiencing a museum. Follow 6 characters through this isometric museum as they navigate a regular day of museum visit. Can you identify them and spot the challenges they face in accessing the museum space? This graphic has been created in collaboration with DAG as a response to their programme 'A Weekend in Museums: Accessibility and Inclusion Edition' for International Museums Day. . Illustrations and Concept by Vaibhavi M R Anik Abdullah Aman #leewardists #accessiblemuseums #urban #internationalmuseumsday

  • View organization page for DAG
    DAG

    7,966 followers

    Just 2 days left to visit 𝐋𝐚𝐧𝐠𝐨𝐥 𝐉𝐚𝐫, 𝐉𝐨𝐦𝐢 𝐓𝐚𝐫: 𝐂𝐚𝐥𝐥 𝐟𝐨𝐫 𝐚 𝐑𝐞𝐝 𝐇𝐚𝐫𝐯𝐞𝐬𝐭 at the School of Arts and Aesthetics, JNU. As part of its continued engagement with collaborative curatorial and research-led initiatives, DAG supports the students of Modernism and Critical Revisions, Batch of 2026 (School of Arts and Aesthetics, JNU) in presenting this pop-up exhibition revisiting the Tebhaga movement and its continued resonance today. Drawing from the collections of DAG, the P. C. Joshi Archive and the School of Arts and Aesthetics, the exhibition brings together reproductions of works by Chittaprosad and Somnath Hore, protest songs from the IPTA oeuvre, oral histories of women involved in Tebhaga, while tracing how histories of peasant resistance continue to echo through contemporary student politics, protest cultures, and questions of memory, representation and solidarity. On view through 23 May 2026 | 10 AM – 6 PM | Open to all School of Arts and Aesthetics Gallery, SAA-I Jawaharlal Nehru University #Exhibition #DAG #JNU #Planyourvisit

    • Exhibition poster for Langol Jar Jomi Tar (Call for a Red Harvest), a pop-up show by the Modernism and Critical Revisions students, Batch of 2026, SAA, supported by DAG. On view 12–23 May, 10 am–6 pm, at the School of Arts and Aesthetics Gallery, 1st Floor, SAA-I, Jawaharlal Nehru University. Opening walkthrough on 11 May 2026 at 5 pm. The lower half shows Chittaprosad's linocut print 'Drought' — a stark black-and-white image of emaciated figures and animals in a barren landscape — set against a textured cream background.
  • View organization page for DAG
    DAG

    7,966 followers

    𝐍𝐨𝐰 𝐨𝐧 𝐘𝐨𝐮𝐓𝐮𝐛𝐞 Watch historian S. Irfan Habib reflect on the Jallianwala Bagh massacre—a defining moment in India’s struggle against colonial rule—and historian Murali Ranganathan explore the early history and politics of public statues in Bombay (now Mumbai), with a focus on the iconic Khada Parsi. Presented at our galleries last month, both talks are now available on our YouTube channel. Watch via the link in the first comment. https://lnkd.in/dCTtKHe9 #JallianwalaBagh #KhadaParsi #IndianHistory

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  • View organization page for DAG
    DAG

    7,966 followers

    𝐎𝐩𝐞𝐧𝐢𝐧𝐠 𝐭𝐡𝐢𝐬 𝐰𝐞𝐞𝐤 If black-and-white distilled the filmmaker Satyajit Ray into tonal contrasts and sculptural gravitas, colour restores atmosphere and immediacy. DAG’s sustained engagement with the visual archive of Nemai Ghosh extends through 𝙁𝙖𝙘𝙚𝙨 𝙖𝙣𝙙 𝙁𝙖𝙘𝙚𝙩𝙨: 𝙎𝙖𝙩𝙮𝙖𝙟𝙞𝙩 𝙍𝙖𝙮 𝙞𝙣 𝘾𝙤𝙡𝙤𝙪𝙧—an exhibition of his colour photographs that present Ray and his cinematic practice in vivid detail. On view from 9 May to 4 July 2026 DAG Delhi Monday–Saturday, 11:00 am–7:00 pm Opening: 8 May 2026, 7–9 pm Register via the link in the first comment. #SatyajitRay #Exhibition #Photography #Cinema

  • View organization page for DAG
    DAG

    7,966 followers

    𝗢𝗽𝗲𝗻 𝗖𝗮𝗹𝗹 DAG invites doctoral and postdoctoral scholars, and experienced researchers, from different academic and geographic contexts to contribute to an upcoming project and volume on Indian modern art, with an aim to expand existing narratives of modern Indian art and explore new critical directions, including interdisciplinary perspectives from history, literature, cultural studies and related fields. Apply Now — link in the first comment. #OpenCall #Careers #DoctoralScholars #PostdoctoralScholars #IndianModernArt

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  • View organization page for DAG
    DAG

    7,966 followers

    We’re glad to be back here—returning with renewed focus. Over the past years, DAG has continued to build conversations through exhibitions, scholarly research, publications, outreach programmes, institutional collaborations and much more. Early this year in February 2026, this sustained commitment was recognised at the first edition of NDTV Masterstroke Art Awards with two distinctions: Gallery of the Year and Art Book of the Year for Madhvi Parekh: Early Drawings by Madhvi Parekh. We thank NDTV for this important initiative and the distinguished jury for this honour. Recognition such as this affirms the value of curatorial rigour, long-form scholarship, and a practice built for the long term. We invite you to follow along for more. #DAG #IndianArt #PremodernIndianArt #ModernIndianArt

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