Monsters Aliens Robots Zombies

Honoured to be named Vitrina’s top AI-enabled VFX studio among so many talented teams helping shape the future of the industry. At MARZ, we’ve long believed the next era of visual effects would come from artist-driven teams building AI-native hybrid workflows, tools, and pipelines from the inside out. It’s exciting to see that vision reflected by so many strong companies across the industry. Big thanks to our talented artists & developers, partners, and collaborators who continue pushing the work forward every day. Check out the full list below. https://lnkd.in/e_RbTJAi

We're looking for a Production Manager to help us out on a new 3-month project at MARZ. Need someone who can work EST hours (a must) and start as soon as May 18. There’s a good chance for an extension depending on how the project goes. If you’re available, drop an email at jobs@marzvfx.com 😊 #Hiring #ProductionManager #EST #MARZ

We are looking to add a couple of artists to the team on a short term basis for an upcoming project: 1. Two 3D Previs / Layout Artists likely to start by the end of the month. 2. One DMP Artist who can start immediately. If this sounds like a fit, or if you know someone who might be interested, please send them our way. Drop your profile and reel at jobs@marzvfx.com

We're looking for a Prep Supervisor / Lead to join the MARZ crew — starting within the next 2 weeks! If you live for clean plates, sharp edges, and making every frame look flawless… we want to hear from you. Email your resume and reel/profile to jobs@marzvfx.com #prepsupervisor #vfx #freelance #hiring #MARZ

Shoot to air in under three weeks. Built at the intersection of traditional VFX and next-generation AI, this spot moved at a pace that would have been unthinkable not long ago. We were on set exactly three weeks before launch, integrating practical production with AI-driven workflows to deliver on a compressed timeline without compromising quality. This is what happens when AI is treated as an accelerator, not a shortcut. We use the tools that help us move faster and smarter, while protecting the craft that makes the work resonate. #googlegemini #ncaa #vfx #samsung NCAA Google Samsung Electronics

Nostalgia is powerful. But when de-aging pulls attention away from the performance, it breaks the spell. The best work is invisible. It supports the story, preserves the actor, and holds up shot to shot. Vanity was built for exactly that: subtle, consistent work that respects the actor and the story. This isn’t our work, but it shows why de-aging only works when it disappears into the performance. ⬇️ https://lnkd.in/gjiV-dUK

ICYMI: Apple TV+'s The Studio took home two wins at last week’s Golden Globe Awards. Congratulations to the cast and creative teams on Best Actor – Musical or Comedy Series and Best Television Series – Musical or Comedy. An incredible achievement and well-deserved recognition for a project we’re proud to have contributed to. Special congratulations to Sandro Blattner, Mike Manning and Lionsgate's Taylor du Pont, always a pleasure working with you.

A good breakdown from VFX Voice on how independent VFX studios are adapting to a pretty wild moment in the industry and why agility, efficiency, and the right tools matter more than ever. Proud to see MARZ included. Full piece here: https://lnkd.in/dywg5ktj

We’re looking for a freelance 2D DMP Artist, starting the first week of January. If you enjoy painting skies, extending worlds, or simply helping plates look beautiful, this could be a great fit. Send in your resume and latest reel/profile to jobs@marzvfx.com #digitalmattepainting #hiring #freelance #vfx

Today’s the day! The first two episodes of ‘Percy Jackson and the Olympians’ Season 2 are out now on Disney+. An honour to have been part of both seasons so far, and a huge shoutout to Erik Henry, Matt Robken, and Jamie Klein for having us in the mix. https://lnkd.in/dN-9jicu