Samantha Eggar

Samantha Eggar
Eggar in Anna and the King (1972)
Born	Victoria Louise Samantha Marie Elizabeth Therese Eggar (1939-03-05)5 March 1939 Hampstead, London, England
Died	15 October 2025(2025-10-15) (aged 86) Sherman Oaks, California, U.S.
Citizenship	United Kingdom United States (from after 1973)
Occupation	Actress
Years active	1959–2012
Spouse	Tom Stern ​ ​ (m. 1964; div. 1971)​
Children	Nicolas Stern Jenna Stern

Victoria Louise Samantha Marie Elizabeth Therese Eggar (5 March 1939 – 15 October 2025) was an English actress. After beginning her career in Shakespearean theatre she rose to fame for her performance in William Wyler's thriller The Collector (1965), which earned her a Golden Globe Award, a Cannes Film Festival Award and an Academy Award nomination for Best Actress.

Eggar later appeared as Emma Fairfax in Doctor Dolittle (1967) and the American drama The Molly Maguires (1970). In the early 1970s Eggar moved to the United States and Canada, where she later starred in several horror films, including The Dead Are Alive (1972), The Uncanny (1977) and David Cronenberg's cult thriller The Brood (1979).^[1]

Eggar also worked as a voice actress, as Hera in Disney's Hercules (1997) and in several video games, including Gabriel Knight 3: Blood of the Sacred, Blood of the Damned and 007: Nightfire. Her television work included roles on Fantasy Island and a recurring part as Charlotte Devane in the soap opera All My Children in 2000.^[2]

Samantha Eggar was born Victoria Louise Samantha Marie Elizabeth Therese Eggar^[3][4] on 5 March 1939,^[5][6] in Hampstead, London, to Ralph Alfred James Eggar, a brigadier in the British Army, and Muriel Olga Palache-Boumam, who was of Dutch and Portuguese descent.^[7][8][9] Eggar also had Irish ancestry through her grandmother.^[9] Soon after her birth, her family moved to rural Bledlow, Buckinghamshire, during World War II, where she spent her childhood.^[3]

Eggar was brought up as a Roman Catholic and educated at St Mary's Providence Convent in Woking, Surrey. Reflecting on her time at convent school, Eggar said: "The nuns didn't have too much success with me – I've always had a violent temper. In fact, once I almost killed one of the nuns."^[4] At age 16 she began to go by the name Samantha.^[3] Although Eggar expressed interest in acting at a young age, she was urged against a career in the theatre by her parents. She was offered a scholarship to the Royal Academy of Dramatic Arts but instead studied fashion for two years at the Thanet School of Art.^[4] After completing her studies she enrolled at the Webber Douglas Academy of Dramatic Art in London.^[10]

Eggar began her acting career in several Shakespearean companies, notably playing Titania in a 1962 production of A Midsummer Night's Dream directed by Tony Richardson.^[11] She also appeared on stage in a production of Douglas Seale's Landscape with Figures, where she was noticed by a talent scout. From there she was cast in the biographical film Dr. Crippen (1962) opposite Donald Pleasence.^[12] Her second film role was in 1962 in The Wild and the Willing;^[13] in the same year she appeared on stage again as Olivia in a production of Twelfth Night by George Devine.^[11]

In 1963, Eggar played the lead role of Claire Avery in "Marcia", a second-season episode of The Saint. After her appearance in The Saint, Eggar did not make a guest appearance on television for 10 years.^[15][16] In 1965, Eggar appeared in the thriller The Collector, directed by William Wyler, playing a kidnap victim.^[17] Of her time working on the set of the film "Ms. Eggar told The Daily Mirror in 1965 that working on the set ... was 'the hardest three months of my life;" she noted that during the shoot she lost about 14 pounds.^[18] She received a nomination for the Academy Award for Best Actress and won a Golden Globe award for her performance.^[19] She was also awarded Best Actress at the Cannes Film Festival in 1966.^[20]

The following year Eggar starred in the comedy Walk, Don't Run (1966) with Cary Grant (his last motion picture) and Jim Hutton,^[22][23] followed by a lead role as Emma Fairfax in Richard Fleischer's musical adaptation of Doctor Dolittle (1967).^[22] She was linked with roles in Guess Who's Coming to Dinner? and Goodbye Mr Chips but did not appear in either.^[1] She also appeared in The Walking Stick, a psychological thriller by Eric Till where she costarred with David Hemmings, The Molly Maguires (1970), a social drama directed by Martin Ritt in which she starred with Sean Connery and Richard Harris,^[24] and The Light at the Edge of the World (1971),^[25] an adventure movie from a novel by Jules Verne in which she shared the screen with Kirk Douglas and Yul Brynner.^[1]

Eggar also played the main character in The Lady in the Car with Glasses and a Gun (1970), a thriller based on a book by French novelist Sébastien Japrisot and the last film directed by Anatole Litvak.^[24][26] She then went to Italy to shoot The Dead Are Alive (1972), a giallo directed by Armando Crispino.^[27] Although Eggar co-starred with Yul Brynner in the television series Anna and the King (1972), she did not make another television guest appearance until 1973, when she starred in an episode of the romantic anthology series Love Story.^[27] That same year she played Phyllis Dietrichson in a TV remake of the 1944 film Double Indemnity.^[28]

In 1973, Eggar moved to the United States, settling in Los Angeles, and appeared first in television, guest-starring in episodes of Starsky & Hutch, Hart to Hart and Columbo.^[22] She would go on to star in a number of horror films, including A Name for Evil (1973)^[26] and Demonoid (1981).^[22]

During this period, Eggar also appeared in two British-Canadian co-productions, Welcome to Blood City, an early "virtual-reality" thriller directed by Peter Sasdy in which she plays opposite Jack Palance and Keir Dullea,^[29] and The Uncanny, a horror movie directed by Denis Héroux.^[27]

Eggar was also in the Canadian movie Why Shoot the Teacher?, a dramatic comedy filmed in Alberta by Silvio Narizzano that went on to be the most successful Canadian movie that year. But it is another Canadian movie that was to become one of Samantha's best known films, David Cronenberg's cult sci-fi film The Brood (1979).^[1]

In 1980, she filmed the Canadian slasher film Curtains, released in 1983.^[30]

She also appeared as Maggie Gioberti in "The Vintage Years", the pilot for the drama Falcon Crest, but was replaced by Susan Sullivan when the series went into production.^[4] She appeared twice on The Love Boat in 1979 and 1981.^[25] She appeared in the drama Dark Horse (1992), followed by the superhero film The Phantom (1996). In 1997, she provided the voice of Hera in Disney's animated film Hercules; she also supplied the voice for the subsequent television series.^[26] Eggar also had a role in the sci-fi thriller The Astronaut's Wife (1999), which starred Johnny Depp.^[24]

Eggar appeared as the wife of Captain Jean-Luc Picard's brother Robert on the television series Star Trek: The Next Generation, and as Sarah Templeton, the wife of Speaker of the House Nathan Templeton (Donald Sutherland), on the short-lived television series Commander in Chief, which starred Geena Davis.^[26] In the year 2000, she had a brief run as Charlotte Devane in the American soap opera All My Children.^[27] In 2004, she appeared in the first season of Cold Case, episode 14 ("The Boy in the Box") as Sister Vivian.^[25]In 2009, she played the mother of Jack and Becky Gallagher in season 1, episode 11 ("Lines in the Sand") of the Fox television series Mental.^[22]

In 1964, she married actor Tom Stern and the couple had two children: film producer Nicolas Stern and actress Jenna Stern.^[31] Eggar and Stern divorced in 1971.^[32]

In the early 1970s, Eggar had an affair with her The Walking Stick co-star David Hemmings.^[33]

Eggar held dual British and American citizenship.^[34] She resided in Los Angeles,^[21] where she died at her home in Sherman Oaks, on 15 October 2025 from chronic lymphocytic leukemia, at the age of 86.^{[26][27][24][35]} According to her daughter, Eggar had been diagnosed with this illness 22 years ago.^[35]

• Borny, Geoffrey (2010). Interpreting Chekhov. ANU E. Press. ISBN 978-1-920-94267-0.
• Cooper, Barbara Roisman (2015). Great Britons of Stage and Screen: In Conversation. Rowman & Littlefield. ISBN 978-1-442-24620-1.
• MacKellar, Landis (2006). Double Indemnity Murder: Ruth Snyder, Judd Gray, and New York's Crime of the Century. Syracuse University Press. ISBN 978-0-815-60824-0.
• Nowell, Richard (23 December 2010). Blood Money: A History of the First Teen Slasher Film Cycle. Bloomsbury Academic. ISBN 978-1-441-12496-8.
• Pratley, Gerald (2003). A Century of Canadian Cinema (Paperback). Cleveland: Lynx Images Inc. p. 240. ISBN 978-1894073219.
• Maltin, Leonard (2016). Leonard Maltin's 2015 Movie Guide. New York City: Plume. p. 585. ISBN 978-0525536192. Archived from the original (Paperback) on 3 January 2022.
• Booker, Keith M. (2011). Historical Dictionary of American Cinema (eBook). Lanham, Maryland: Scarecrow Press. p. 412. ISBN 978-0-810-87459-6.
• Monush, Barry (2009). Everybody's Talkin': The Top Films of 1965-1969. New York City: Applause Theatre & Cinema Books. p. 22. ISBN 978-1-557-83618-2.
• Warburton, Eileen (2015). "Bluebeard's Basement: The Collector On Film". In James Aubrey (ed.). Filming John Fowles: Critical Essays on Motion Picture and Television Adaptations (Paperback) (Illustrated ed.). Jefferson, North Carolina: McFarland & Company. pp. 13–34. ISBN 978-0-786-49764-5.

Wikimedia Commons has media related to Samantha Eggar.

• Samantha Eggar at IMDb
• Samantha Eggar biography and credits at the BFI's Screenonline
• Samantha Eggar discography at Discogs