Luke Muehlhauser

Find classical music on Spotify with AI

May 18, 2025 by Luke

Spotify is very bad at searching for classical music recordings.

For example: if I search Spotify for “telemann oboe concerto in a major”, my top results are Telemann’s Oboe Concerto in E Minor, Telemann’s Concerto for Flute… [TWV 54], Vivaldi’s Oboe Concerto in C Major, and many other other pieces I wasn’t looking for. If I search the TWV catalogue number (“telemann 51:A2”), my top results are TWV 55:B1, TWV 51:G9, TWV 51:G2, and so on, without a TWV 51:A2 in sight.

Does this mean Spotify doesn’t have the piece I’m looking for? No, it has at least three recordings of it! One, two, three.

So how did I find those? I asked Perplexity “Are there recordings of Telemann’s TWV 51:A2 available on Spotify? Please provide links.” This requires more typing and more clicks to find a recording than Spotify search would if Spotify wasn’t broken, but I’ve found Perplexity to be much better at finding classical music recordings on Spotify than Spotify is. (Other web-search-enabled AI systems may be similarly capable.)

Filed Under: Musings

Media diet for Q1 2025

April 1, 2025 by Luke

Music

Music I most enjoyed discovering this quarter:

  • Pinkshinyultrablast: Everything Else Matters (2015)
  • Third Coast Percussion: Perspectives (2022)
  • Chuquimamani-Condori [Elysia Crampton]: “Breathing” (2023)
  • Bryce Dessner: Quilting (2014), “Haven” (2019), Trombone Concerto (2020), Violin Concerto (2021)
  • Edward Ratliff: Wong Fei-Hong Meets Little Strudel (2000)
  • Goat: Joy in Fear (2023)
  • Eric Christian: Trois Valses Sentimentales (2022)
  • Richard Harvey: Concerto Antico (1995)
  • Los Angeles Guitar Quartet: “Jumpin’ at the Woodside” (1995), LAGQ (1998)
  • Ian Krouse: Symphonies of Strings No. 1 “La Follia” (1993), Guitar Quartet No. 5 “Labyrinth” (1995)

Previously, I listened to hundreds of orchestral arrangements of non-orchestral compositions and listed my favorites. This quarter, I decided to explore acoustic guitar arrangements of classical compositions (by a different composer). Ones I especially liked, listed by performer, are [playlist]:

  • Kazuhito Yamashita: Bach’s BWV 1006 mvt 1 & BWV 1007 mvt 1; Debussy’s Petite Suite & “Passepied“; Vivaldi’s RV 425 mvts 1 & 3
  • John C. Williams: Bach’s “Air on a G String“; Vivaldi’s RV 93 mvt 2; The Baroque Album
  • Dublin Guitar Quartet: Performs Philip Glass
  • Johan Smith: Schubert’s “Erlkönig“
  • Los Angeles Guitar Quartet: Rimsky-Korasakov’s Capriccio espagnol; For Your Pleasure; Bizet’s Carmen Suite; Tchaikovsky’s The Nutcracker Suite; Warlock’s Capriol Suite; Copland’s “Simple Gifts“
  • Amsterdam Guitar Trio: Vivaldi’s The Four Seasons
  • Los Romeros: Vivaldi Guitar Concertos
  • Vincent Airault: Debussy’s Prelude to the Afternoon of a Faun (w/ flute);
  • Philip Hii: J.S. Bach: New Transcriptions for Guitar;
  • Tariq Harb: Bach’s Toccata and Fugue in D Minor; Debussy’s Clair de lune; Beethoven’s Fur Elise;
  • Moran Wasser: Bach’s Toccata and Fugue in D Minor;
  • Vancouver Guitar Orchestra: Bach’s Brandenburg Concerto No 3 mvt 1;
  • Edson Lopes: Mozart’s Eine kleine Nachtmusik mvt 1;
  • Vera Danilina: Mozart’s Turkish March;
  • Rolf van Meurs: Beethoven’s Symphony No. 7 mvt 2; Shostakovich’s Jazz Suite No. 1, Waltz No. 2;
  • Bridget Mermikides: Mozart’s “Lacrimosa“;
  • Emre Sabuncuoglu: Dvorak’s Serenade for Strings mvt 2;
  • Tim Sparks: Tchaikovsky’s Nutcracker Suite;
  • Julian Bream: Bach’s BWV 1006 mvt 1, BWV 999;
  • Eliot Fisk: Bach’s BWV 1006 mvt 1;

[Read more…]

Filed Under: Lists

Best and favorite “books” as of the end of 2024

December 31, 2024 by Luke

Since I began reading fiction again in late 2023 (in my late 30s, after a >15yr hiatus from fiction), I’ve been tracking my reading on Goodreads, and rating works I finish 1-5 stars based on pure enjoyment rather than e.g. artistic merit. I’ve now finished reading 151 “books” (including e.g. short stories), all but 8 of those in 2024, with an average work length of 425 pages. (Counting “books read this year” with no mention of pages is strange to me, since books vary enormously in length. E.g. Goodreads says the shortest “book” I read in 2024 was 3 pages, and the longest was 2184 pages.) My reading rate was surprisingly steady in 2024: I read between 4500 and 5800 pages each month, without exception.

Of works I’ve finished (151) or DNF’d (quit; 80), I rated only 5% (13 total) of those 5 stars. But I expect the “favorite” and “best” lists below to change significantly from year to year, as I’ve read very few books so far.1

Favorite works

Below are the 5-star works I most enjoyed so far. When multiple works are from the same author and I enjoyed them similarly, I combine them into one item.

  1. Project Hail Mary
  2. Lonesome Dove
  3. The Pillars of the Earth
  4. Last Argument of Kings, Before They Are Hanged, Best Served Cold, Red Country, The Heroes
  5. Kindred

Other 5-star books: Of Mice and Men, The Paper Menagerie, Stoner, World Without End.

Best 5-star works

Here are the works I enjoyed at a 5-star level that I’d rate highest for “aesthetic value” or “artistic merit” or something like that:

  1. Lonesome Dove
  2. Stoner
  3. Of Mice and Men
  4. The Heroes

There are some novels I’ve read or DNF’d that might be as good (on “artistic merit”) as some of those listed above, but I didn’t also enjoy them at the 5-star level — e.g. possibly The Sound and the Fury, The Master and Margarita, The Grapes of Wrath, Lolita, or A Confederacy of Dunces.

Favorite authors

To calculate my favorite authors, I’ll award each author 1 point for each page in a 4.5-star work,2 and 2 points for each page in a 5-star work.3 By that metric (calculations here), my favorite authors to date are:

  1. Joe Abercrombie (5637 points across 6 works)
  2. Ken Follett (4426 points across 2 works)
  3. Larry McMurtry (2467 points across 2 works)
  4. Brandon Sanderson (2095 points across 2 works)

Commentary

  • Some works are hard to classify by genre, but I’ll say 6 of my five-star reads are primarily historical fiction, 5 are primarily fantasy, 1 is primarily science fiction, and 1 I’ll call “other.”
  • I generally prefer genre/commercial fiction to literary fiction. Only one of my 5-star reads has the “literary fiction” tag on Goodreads (Stoner).
  • The oldest 5-star fiction work I’ve read is Of Mice and Men (1937), the shortest is The Paper Menagerie (32 pages), and the longest is World Without End (1237 pages).
  • It’s interesting that Project Hail Mary is my favorite novel, and it was only the 5th novel I read as an adult. When will I find something I like even more? Or, is this an artifact of my being easier to thrill and impress back when I had read almost nothing?
  1. My TBR (to be read) list is >3800 items long, and that’s only counting one work per series for books in a series. To give you a sense of how little I’ve read, some famous authors I haven’t yet tried at all (as an adult) include the Brontës, Shakespeare, Mann, and Dumas. Even within my favorite genres (fantasy, sci-fi, historical fiction), I haven’t yet tried (as an adult): JRR Tolkien, CS Lewis, Roald Dahl, GRR Martin, Steven Erikson, Anne Rice, Frank Herbert, Robert Heinlein, Arthur C. Clarke, Jules Verne, William Gibson, Michael Crichton, Liu Cixin, Hilary Mantel, Colleen McCullough, Bernard Cornwell, James Clavell, Edward Rutherfurd, or Patrick O’Brian. [↩]
  2. Annoyingly, Goodreads doesn’t allow scoring with half-points, but I have written “4.5 stars” in the Goodreads review of each book I’m rating 4.5 stars. [↩]
  3. For page counts, I use figures from Goodreads. [↩]

Filed Under: Lists

Media diet for Q4 2024

December 31, 2024 by Luke

Music

Music I most enjoyed discovering this quarter:

  • Lusaint: “Wicked Game” (2021)
  • The Smile: “Zero Sum” (2024)
  • Foxing: Foxing (2024)
  • Jhariah: Trust Ceremony (2024)
  • Godspeed You! Black Emperor: No Title as of 13 February 2024 28,340 Dead (2024)
  • Xiu Xiu: 13″ Frank Beltrame Italian Stiletto with Bison Horn Grips (2024)
  • Colin Stetson: The Love It Took to Leave You (2024)
  • Ekaterina Shelehova: “Earth Melodies” (2021), “Awakening” (2023), “Savage Daughter” (2023), “My Mother Told Me” (2024)
  • Time is a Mountain: III (2021)
  • Crystal Antlers: EP (2008), Tentacles (2009)
  • Patricia Brennan: Breaking Stretch (2024)
  • SML: Small Medium Large (2024)
  • ØKSE: ØKSE (2024)
  • Ches Smith: Laugh Ash (2024)
  • Joey Duran: “The Meteorologist” (2024)

[Read more…]

Filed Under: Lists

Media diet for Q3 2024

September 30, 2024 by Luke

Music

Music I most enjoyed discovering this quarter:

  • Gregorio Allegri: “Miserere” (c. 1635)
  • Dimash & Chanté Moore: “Lose Control” (2024)
  • Clark: Playground in a Lake (2021)
  • The Last Dinner Party: “Call Me” (2024), Prelude to Ecstasy (2024)
  • Varijashree Venugopal: Vari (2024)
  • Ske: Insolubilia (2021)
  • Ni: Fol Naïs (2023)
  • The Octopus Porject: Headecagon (2010)
  • Foals: Total Life Forever (2010), What Went Down (2015)

[Read more…]

Filed Under: Lists

Media diet for Q2 2024

July 1, 2024 by Luke

Music

Music I most enjoyed discovering this quarter:

  • Vampire Weekend: Only God Was Above Us (2024)
  • Toby Talbot: Sneaker Wave (2004)
  • Eunuchs: Harbour Century (2024)
  • Chelsea Wolfe: She Reaches Out to She Reaches Out to She (2024)
  • Maruja: Knocknarea (2023)
  • Lara Fabian: “Caruso” (2000)
  • Long Fin Killie: Valentino (1996), Amelia (1997)
  • Bedrich Smetana: “Vltava [The Moldau]” (1879)
  • Water Damage: In E (2024)
  • Various: Télescopages Volume 2 (2008)
  • Raze the Maze: 7am Dream (2022)
  • Sydnie Christmas: “My Way” (2024), “Tomorrow” (2024)
  • Sachal Jazz & Wynton Marsalis: “Take Five” (2013)
  • Willow: Empathogen (2024)
  • Mabe Fratti: “Kravitz” (2024)

[Read more…]

Filed Under: Lists

Why I resigned from the Anthropic Board

June 12, 2024 by Luke

On May 28th, I resigned from the Anthropic Board of Directors (announced here).

Naturally, many people have asked why I resigned. In the wake of many recent safety-related resignations at OpenAI, some have wondered whether my own resignation was safety-related.

It was not. The main reason I resigned is that it became increasingly complicated over time for me to simultaneously be (a) an AI governance grantmaker at Open Philanthropy (my day job), where we support a wide variety of organizations including some who work on US AI policy, and (b) a Board member at a US-based frontier AI company (though I’ve never held any Anthropic equity).

I wish Anthropic the best of luck in its mission, and I continue to think Anthropic’s leadership team takes the challenges of AI safety, security, and public benefit very seriously.

Filed Under: News

Media diet for Q1 2024

April 1, 2024 by Luke

Music

Music I most enjoyed discovering this quarter:

  • John Surman: “Pebble Dance” (2024)
  • Cliff Eidelman: Magdalene (1988)
  • Hans Zimmer: Dune: Part Two (2024)
  • Mark Knopfler: “An American Hero” (1997)
  • George Fenton: Cry Freedom (1987)
  • Michel Legrand: Musicales Comédies (2009)
  • David Shire: The Taking of Pelham One Two Three (1974)
  • Mychael Danna: Kama Sutra (1996)
  • Various: Black Cat, White Cat (1998)
  • Kevin Penkin: Made in Abyss (2017), Made in Abyss 2 (2020), Made in Abyss 3 (2022)
  • Kenji Kawaii: Avalon (2001)
  • Le Cri du Caire: Le Cri du Caire (2023)
  • John Zorn: Parrhesiastes (2023)
  • Matthew Halsall: An Ever Changing View (2023)
  • David Maslanka: “An Ascent Into Heaven Where Pagan Dances…” (1981), Symphony No. 4 (1993), Concerto for Alto Saxophone and Wind Ensemble (1999),1 “Solvitur Ambulando” (2000), 11:11, A Dance at the Edge of the World (2001), Testament (2002), Traveler (2003), “Mother Earth” (2003), Symphony No. 6 (2004), “Coming Home” (2005), Give Us This Day mvt 2 (2006), Symphony No. 8 mvts 1 & 3 (2008), Quintet for Winds No. 4 mvt 1 (2008), “Nighthawks” (2009), Liberation (2010), Concerto for Saxophone Quartet and Wind Ensemble (2012), “Illumination” (2013), “On This Bright Morning” (2013) [playlist]
  • Heitor Villa-Lobos: Fantasia for saxophone, three horns, and strings (1948)
  • Pierre Max Dubois: Concerto for Alto Saxophone and String Orchestra (1959)
  • Darius Milhaud: Scaramouche, Suite for Saxophone and Orchestra (1939)
  • Henri Tomasi: Saxophone Concerto (1949)
  • Toshiyuki Honda: Concerto du vent (2005)
  • Jacques Ibert: Concertino da Camera (1935)
  • Takashi Yoshimatsu: Saxophone Concerto “Cyber-bird” [Opus 59] (1994)
  • Nico Muhly: “Storm Centre” (2009), “Can’t Wait” (2010), So Far So Good (2011), Viola Concerto, mvts 1 & 3 (2014)
  • Nonkeen: “Ceramic People” (2016)
  • Michael Gordon et al.: Cloud River Mountain, mvts 1 & 2 (2015), Road Trip, parts 1-5 & 8-9 (2017)
  • Julia Wolfe: Flower Power (2020)
  • Joby Talbot: “Hovercraft” (2006), Tide Harmonic [Eau] (2009), Fool’s Paradise (2012), Suite from Alice’s Adventures in Wonderland (2012) [playlist]
  • Miklos Rozsa: “Quo Vadis Prelude” (1951)
  • Dmitri Shostakovich: “The Youth of Maxim Overture” (1935), “The Gadfly Overture” (1955)
  • Michel Legrand: “Sword for Your Supper” (1973)
  • Dimash Qudaibergen: “Diva Dance” (2017), “Sinful Passion” (2018), “Olimpico” (2019), “SOS d’un terrien en détresse (2021 live)“ & “Stranger” (2021)
  • Angelina Jordan: “I Put a Spell on You” (2016), “Bohemian Rhapsody” (2020), “Love Don’t Let Me Go” & “Now I’m the Fool” (2023)
  • Emma Kok: “Voilà” & “Voila [duet]” & “Hallelujah” (2023)
  • Disturbed: “The Sound of Silence” (2016)
  • Diana Ankudinova: “Last Dance” (2018), “Wicked Game” (2019), “Can’t help falling in love“ & “Personal Jesus” (2021)
  • Teddy Swims: “Lose Control” (2023)
  • Indila: “Last Dance” (2013)
  • Asaf Avidan: “Different Pulses” (2012), “Lost Horse” (2020), “Reckoning Song” (2023 version)
  • Pentatonix: “Daft Punk” (2013), “Hallelujah” (2016)
  • MB14: “La Cup Worldwide Showcase 2018” (2018)
  • D-low: “Sing a Little Harmony” (2023)
  • Aurora: “Runaway” (2015)
  • Yebba: “My Mind“ (2014)
  • Jackie Evancho: “Nessun Dorma” (2011)
  • Heart: “Stairway to Heaven” (2012)
  • Solomia Lukyanets: “Time to Say Goodbye” (2015)
  • Jordan Smith: “Mary Did You Know” (2021) and live version (2023)
  • Bei Bei: “The Voice of China” (2020)
  • Marcelito Pomoy: “Time to Say Goodbye” (2020)
  • Piet Arion: “SOS d’un terrien en détresse” (2019)2
  • Cristina Ramos: “Call Me” (2019)
  • Chezelle Shahadat: “The Sound of Silence” (2019)
  • Tamara Weber-Fillion: “Knockin’ on Heaven’s Door” (2016)
  • Lord Huron: “The Night We Met” (2015)
  • Lara Fabian: “Je Suis Malade (live)“ (2016)
  • Yma Sumac: “Tumpa” (1954)
  • So Hyang: “Bridge Over Troubled Water” (2015), “Arirang Alone” (2015)
  • Chris Stapleton: “Nothing Compares to You” (2016), “The Star-Spangled Banner” (2023)
  • Chase Holfelder: “I Will Always Love You“ (2016)
  • Kristen Cruz: “I See Red” (2022)
  • Matt Corby: “Brother” (2020)
  • Paolo Nutini: “Iron Sky” (2014)
  • Malakai Bayoh: “Pie Jesu” (2023)
  • James Last: “The Lonely Shepherd” (1977)
  • Alex Shapiro: “Moment” (2016)
  • Omar Thomas: “Mother of a Revolution” (2019)
  • Ravi Shankar: Symphony (2010)
  • Shirish Korde: Svara-Yantra (2005)
  • John Tchicai: Moonstone Journey (1999)
  • Moondog: Snaketime Series (1957)
  • Denny Zeitlin: “Syzygy” (1977)
  • Albert Mangelsdorff: “Do You Like Pastrami” (1999)
  • Tom Harrell: “Vista” and “Brazilian Song” (1990)
  • Daniel Kobialka: “Prelude to Afternoon of a Faun” (1986)
  • Craig Harris: “The Veil” (2005)
  • Ernie Krivda: “The Glory Strut” (1980)
  • acloudyskye: What Do You Want! (2022)
  • Jerskin Fendrix: “Poor Things Finale and End Credits” (2023)
  • Distant Cowboy: “Core Memory” (2022)
  • Christine and the Queens: Paranoia, Angels, True Love (2023)
  • Sewerslvt: “Jvnko Still Loves You” (2020)
  • Raja Kirik: “Waru Doyong” (2023)
  • Myroslav Skoryk: “Melodia in A Minor” (1982)
  • Fabiano do Nascimento & Sam Gendel: The Room (2024)

I also watched many YouTube “reaction” videos for my two favorite vocal performances of all time: Ankudinova’s “Can’t help falling in love” and Dimash’s “S.O.S.” Lots of warranted shock, goosebumps, speechlessness, and weeping on display. A few examples: one, two, three, four, five, six, seven, eight, nine. YouTuber “Fairy Voice Mother” has excellent explainers on how each performance is achieved technically: Ankudinova, Dimash. You may also enjoy her reaction/analysis for Johnny’s Cash’s “Hurt.”

Another very impressive vocal performance I discovered this quarter is Will Ramos’ “To the Hellfire,” but I can’t exactly say I “enjoy” it, so I didn’t list it above. How many different species of demon do you hear?

[Read more…]

  1. Unsurprisingly I also like the arrangement for orchestra. [↩]
  2. Still cool even though the highest whistle notes appear to be manipulated. [↩]

Filed Under: Lists

Media diet for Q4 2023

January 1, 2024 by Luke

Music

Music I most enjoyed discovering this quarter:

  • Munich Radio Orchestra w/ James Morrison: “Mission Impossible Theme” (1994)
  • Peter Warlock: Capriol Suite (1926)
  • Gibran Alcocer: “Idea 1” & “Idea 9” & “Idea 10” & “Idea 22” & “Solas” (2022)
  • Astor Piazzolla: “Fuga y Misterio [arr. for cellos]” (comp. 1968), “Libertango [arr. for cellos]” (comp. 1974)
  • Thylacine: Vivaldi (and 74 musicians) (2023)
  • Yuja Wang: “Variations on the Turkish March” (2017)
  • David Bruce: “The Crescent Moon is a Dangerous Lunatic” (2009), Cymbeline (2013)
  • Rafael Krux: The Epic Baroque (2021)
  • Hania Rani: Ghosts (2023)
  • Noordpool Orchestra: Radiohead, A Jazz Symphony (2012)
  • Ara Malikian: “Dzovarev” and “Paranoid Android” and “L’estate” (2017)
  • Steve Hackman: Brahms X Radiohead (2013)
  • Multiphonic Quartett: “Mishima Closing” (2021), “Air” (2022), “Songs for Tony (1st movement)” (2022)
  • Howard Shore: The Lord of the Rings Symphony (2011)
  • Louie Ashley: “Knights of Cydonia” (2022)
  • Marnie Stern: The Comeback Kid (2023)
  • John Rutter: Suite for Strings (1973)
  • Oren Ambarchi: Shebang (2022)
  • Alfonso Peduto: Binary Data, Vol. 1 (2022)
  • Joseph Nicolas Pancrace Royer: “Le Vertigo” (1746)
  • Brad Mehldau: Jacob’s Ladder (2022)
  • Philip Glass: The Complete Piano Etudes (2014)
  • Bryce Dessner: Murder Ballades (2013), Concerto for Two Pianos (2018), “Alarms” & “Pulsing” (2021)
  • Katie Gately: Fawn / Brute (2023)
  • Odette: “Thunderstruck” (2020)
  • Alex Lahey: “Welcome to the Black Parade” (2019)
  • Prizes Roses Rosa: “Always Returning” (2022)
  • Connor Gallagher: “Shostakovich Symphony 5” (2015), “Shostakovich Symphony 10 mvt 2” (2016), “Shostakovich String Quartet 8” (2018), “Stravinsky’s Infernal Dance” (2018), “Adagio for Strings on Electric Guitar” (2019)
  • Hope Lies Within: “Der Erlkönig” (2012)
  • Andre Antunes: “Master of Puppets in the style of Muse” (2022), “Akhiyan Udeek Diyan” (2023)
  • Zequinha de Abreu: “Tico Tico No Fuba” (1917)
  • Tomaso Antonio Vitali: “Chaconne in G Minor” (~1740)
  • Neptunian Maximalism: Eons (2020)
  • Amen Seat: Amen Seat (2023)
  • Georg Muffat: “Violin Sonata in D Major” (1677)
  • Anatolijus Senderovas: Concerto in Do [Concerto in C] (2002)
  • Nikolai Korndorf: Symphony No. 3 (1989)
  • Paul Dresher: Concerto for Violin and Electro-Acoustic Band (1997), Concerto for Quadrachord & Orchestra (2012)
  • Urmas Sisask: Spiral Symphony (1999)
  • Mason Bates: Omnivorous Furniture (2004), Violin Concerto (2012)
  • Klaus Makela & Orchestre de Paris: The Rite of Spring & The Firebird (2023)
  • Arvo Part: Fratres (version for guitar & orchestra) (1977), “Cantique des degrés” (1999), “Littlemore Tractus” (2000)
  • Thomas Ades: “The Thieves” and “Mount Purgatory” (2020)
  • Steve Lehman: “39” (2023)
  • Darcy James Argue: Dynamic Maximum Tension (2023)
  • Allison Miller: Rivers in Our Veins (2023)
  • Lakecia Benjamin: Phoenix (2023)
  • Isaiah Collier: “Village Song” (2023)
  • Tyshawn Sorey: Continuing (2023)
  • Elliot Goldenthal: “Truffaldino’s Sausage Shop” & “Under Bustle Funk” & “Green Bird Descent” (2000)
  • Nino Rota: La Strada Suite (1966)
  • Patrick Williams: An American Concerto (1980)
  • Stjepan Sulek: Symphony No. 8 mvt 2 (1981)
  • Heikki Sarmanto: Suomi (1984)

[Read more…]

Filed Under: Lists

Media diet for Q3 2023

October 4, 2023 by Luke Leave a Comment

Music

Music I most enjoyed discovering this quarter:

  • Takeshi Inomata: Jazz Rock for Grand-Prix (1971)
  • Erik Hall: ten Holt’s Canto Ostinato (rel. 2023)
  • Mammal Hands: Shadow Work (2017), Gift from the Trees (2023)
  • Ben Lukas Boysen: “Medela” (2020)
  • Philip Glass: Symphony No. 12 (comp. 2019), Symphony No. 14, mvt. 3 (2021)
  • A Love Supreme Electric: A Love Supreme (2020) [i.e. disc 1 of this.]
  • Jaimie Branch: Fly or Die Fly or Die Fly or Die (2023)
  • Aaron Hibell: “Destroyer of Worlds” (2023)
  • Lautten Compagney: “Opening” (2010), “Anthem Part 1” (2019), “Larghetto” & “Il Bajazet” & “L’Inverno focoso” & “Summer Tempest” (2022)
  • Belgorod State Symphony Orchestra: Nyman’s “Memorial” (2017)
  • Topology: Perpetual Motion Machine (2003)
  • Paul Bailey Ensemble: Retrace Our Steps (2007), Alt-Classical (2010)
  • Hypnotic Brass Ensemble: Youngs’ “Soon It Will Be Fire” (2021)
  • Blue Cranes: Voices (2021)
  • Odesza: “The Last Goodbye” (2022)
  • London Philharmonic Orchestra: The 50 Greatest Pieces of Classical Music (2009)1
  • Alice Babs: “Jazz Fuga” (1963)
  • Florent Ghys: “Hommage à Kevin Volans” (2007), Television (2014)
  • Don Plonsey: Moving About… (2001)
  • Esmerine: Dalmak (2013)
  • Mouse on the Keys: An Anxious Object (2009)
  • Makaya McCrarven: In These Times (2022)
  • Yonatan Gat: American Quartet (2022)
  • Max Richter: Beethoven Opus 2020 (2020)
  • Emily Wells: Regards to the End (2022)
  • Brooklyn Raga Massive: In D (2020)
  • Johan Ullen: Infinite Bach (2021)
  • Nikolai Kapustin: Piano Concerto No. 2 (1974)
  • Lawrence: “Don’t Lose Sight” (2021)
  • Joe Parrish: “Shostakovich 10 Mvmt. II” (2020), The Rite of Spring (2021), “Dirty Boy (acoustic)” (2021),
  • Nono & Roie Shpigler: Appassionato [single] (2023)
  • Ludwig Goransson: Oppenheimer (2023)

This quarter, I was reminded that I often like orchestral arrangements of originally non-orchestral pieces (by a different composer). Here are some favorites, most of which I discovered for the first time this quarter [playlist]:

  • Leopold Stokowski (as arranger): Bach’s Toccata and Fugue in D Minor and “Sheep May Safely Graze” and “Jesu, Joy of Man’s Desiring,” Rachmaninov’s “The Bells of Moscow,” Clarke’s “The Prince of Denmark’s March,” Mozart’s “Turkish March,” Beethoven’s Moonlight Sonata mvt 1, Franz Schubert’s “Serenade,” Chopin’s “Funeral March” and “Minute Waltz” and Preludes (Opus 28) No. 24, Albeniz’s “Festival in Seville,” Handel’s “Dead March,” Purcel’s “Dido’s Lament,” Mussorgsky’s “St. John’s Night on the Bare Mountain,” Debussy’s “Clair de Lune”
  • Ferde Grofé (as arranger): Gershwin’s Rhapsody in Blue
  • Henry Wood (as arranger): Grieg’s “Funeral March in Memory of Rikard Nordraak,” Rachmaninoff’s Prelude in C-sharp minor
  • Maurice Ravel (as arranger): Mussorgsky’s Pictures at an Exhibition
  • Henri Büsser: Debussy’s Petite Suite
  • Gustav Mahler (as arranger): Schubert’s String Quartet No. 14
  • Steven Stucky (as arranger): Purcell’s Music for the Funeral of Queen Mary
  • Arnold Schoenberg (as arranger): Brahms’ Piano Quartet No. 1
  • Benjamin Britten (as arranger): Purcell’s Chacony in G Minor
  • Franz Liszt (as arranger): Schubert’s Wanderer Fantasy
  • Erwin Schulhoff (as arranger): Beethoven’s “Rage Over a Lost Penny”
  • Claude Debussy (as arranger): Satie’s Gymnopédies
  • Francis Poulenc (as arranger): Satie’s Gnossiennes No. 3
  • Gustav Holst (as arranger): Bach’s Fugue a la gigue in G Major [BWV 577]
  • Eugene Ormandy (as arranger): Bach’s “Sleepers Wake” [BWV 140]
  • Various arrangers: Brahms’ Hungarian Dances

[Read more…]

  1. Of course this is closer to a “most popular” list than a “greatest” list, but regardless, these pieces are great, and do seem to me like a great selection for introducing someone to classical music. [↩]

Filed Under: Lists

Media diet for Q2 2023

July 3, 2023 by Luke

Music

Music I most enjoyed discovering this quarter:

  • Mason Bates: Philharmonia Fantastique (2022)
  • Bebawinigi: Stupor (2022)
  • Anna Meredith: Concerto for Beatboxer & Orchestra (2010)
  • Ran Cap Duoi: *1 (2023)
  • Kaatayra: Inpariquipe (2021)
  • Alice Boman: Dream On (2020)
  • Tony Ann: Emotionally Blue (2023)
  • Medicine Singers: Medicine Singers (2022)
  • Jeremy Blake (arr. David Bruce): “Aquamarine” (2020)
  • Tuatara: Trading with the Enemy (1998)
  • Squid: O Monolith (2023)
  • Model/Actriz: Dogsbody (2023)
  • Monika Roscher: Failure in Wonderland (2012), Witchy Activities and the Maple Death (2023)

[Read more…]

Filed Under: Lists

Media diet for Q1 2023

April 2, 2023 by Luke

Music

Music I most enjoyed discovering this quarter:

  • I Like to Sleep: Sleeping Beauty (2022)
  • Quadratum [Unlucky Morpheus]: “The Dance of Eternity” (2021)
  • Mason Bates: Piano Concerto (2022)

[Read more…]

Filed Under: Lists

Media diet for Q4 2022

January 1, 2023 by Luke

Music

Music I most enjoyed discovering this quarter:

  • Siddhartha Kohsla: “Only Murders in the Building Main Theme” (2021)
  • Low & Spring Heel Jack: Bombscare (2000)
  • The Comet is Coming: Hyper-Dimensional Expansion Beam (2022)
  • Mazie: The Rainbow Cassette (2021)
  • The Grassy Knoll: III (1998)
  • P’taah: “Perfumed Silence” (2011)
  • Mulatu Astatke: Inspiration Information (2009)
  • Yussef Kamaal: “Strings of Light” (2016)
  • Shibusashirazu: Shibuboshi (2004), Shibuki (2007), Shibu-yotabi (2010)
  • Salaryman: Karoshi (1999),  The Electric Forest (2006)
  • Turing Machine: Zwei (2004)
  • Government: “Masses Bald as Love” (2022)
  • Alex Weston: The Novice (2021)
  • Ikarus: Plasma (2022)
  • Alexander Noice: Noice (2019)
  • Meute: Taumel (2022)
  • Cristobal Tapia de Veer & Kim Neundorf: White Lotus Season 2 (2022)
  • Ensemble 4’33”: Sergey Kuryokhin: The Spirit Lives (2016)
  • Serge Gainsbourg: “Bonnie and Clyde (Akse Remix)” (2012)

[Read more…]

Filed Under: Lists

Media diet for Q3 2022

October 1, 2022 by Luke

Music

Music I most enjoyed discovering this quarter:

  • Anteloper: Pink Dolphins (2022)
  • Labrinth: Euphoria (2019), “I’m Tired” and “Love Is Complicated” (2022)
  • Sirom: The Liquified Throne of Simplicity (2022)
  • Karrots: Karrots I (2020)
  • Bitch ‘n’ Monk: We Are Peering Over (2016)
  • Ran Cap Duoi: Dep Trai Chet Het (2018)
  • Jon Mueller: Tongues (2016)
  • Balungan: Kudu Bisa Kudu (2022)
  • Janel Leppin: Ensemble Volcanic Ash (2022)
  • Peruvian Sleep: “Shapeshifter” (2015)
  • Broun Fellinis: Real Moments (1995), Out Through the N Door (2000)
  • Mimika Orchestra: Divinities of the Earth and the Waters (2018)
  • Fun Da Mental: Erotic Terrorism (1998)
  • DJ Krush: Jaku (2004)
  • Viagra Boys: Street Worms (2018)
  • Jihye Lee: Daring Mind (2021)
  • Nik Bärtsch: Stoa (2006), Randori (2006), Holon (2008), “Modul 29_14” (2016)
  • Oren Ambarchi & others: Ghosted (2022)
  • Fleshquartet: Love Go (2000)
  • Jimsaku: “Aztec” (1997)
  • Eivind Aarset: Light Extracts (2001)
  • Tim Hagans: “Animation/Imagination” and “Hud Doyle” (1999)
  • Matthew Herbert: Goodbye Swingtime (2003)
  • Payton MacDonald & others: Void Patrol (2022)
  • Benny Omerzell & others: “Omersall, Kong & Sievaerd” and “Skagerrak” (2017)
  • Cinema Cinema: Man Bites Dog (2017)
  • Plaistow: Lacrimosa (2012)
  • Innercity Ensemble: II (2014), IV (2019)
  • Meute: “You & Me” (2018), “Peace” (2022)
  • Szun Waves: “Exploding Upwards” (2002)
  • Daniel Rossen: You Belong There (2022)
  • Meute: Tumult (2017), “You & Me” (2018)
  • High Castle Teleorkestra: The Egg That Never Opened (2022)
  • Trance Mission: Le Pendu (2020)

[Read more…]

Filed Under: Lists

Media diet for Q2 2022

July 3, 2022 by Luke

Music

Music I most enjoyed discovering this quarter:

  • Metropole Orkest & Leo Pellegrino: “Brass House / Moanin’ / Better Git It In Your Soul” (2017)
  • Emmet Cohen / Bruce Harris / Patrick Bartley: Live From Emmet’s Place Vol. 52 (2021)
  • Spiritualized: Everything Was Beautiful (2022)
  • Sault: Air (2022)
  • Arcade Fire: We (2022)
  • Congotronics International: Where’s the One? (2022)
  • The Smile: A Light for Attracting Attention (2022)
  • Amorphous Androgynous: The Isness (2002)
  • Transglobal Underground: Rejoice, Rejoice (1998)
  • Mark Pistel: “Colorful World” (1997)
  • Joe Rainey: Niineta (2022)
  • Loop Guru: Moksha: Peel To Reveal (1996), Loopus Interruptus (2001), Bathtime with Loop Guru (2003)
  • Directions: “Echoes (Continental Drift Version)” (1997)
  • William Parker: Mayan Space Station (2021)
  • Embryo: Auf Auf (2021)
  • Eclectic Maybe Band: Reflection in a Moebius Ring Mirror (2019), Again Alors? (2022)
  • Gnome: King (2022)
  • Poliça: “Alive” (2022)
  • Snarky Puppy: “Trinity” (2022)
  • Miroslav Vitous: Universal Syncopations (2003)
  • Vivaldi / Max Richter: The New Four Seasons (2022)1

[Read more…]

  1. I really enjoy this, but did we really need another Richter “recomposition” of this exact piece before Richter has provided the same treatment to other beloved works? Could he next recompose Beethoven’s 9th or Stravinsky’s Rite of Spring or something else? [↩]

Filed Under: Lists

Effective altruism as I see it

June 6, 2022 by Luke

Here’s the main way I think about effective altruism, personally:

  1. I was born into incredible privilege. I can satisfy all of my needs, and many of my wants, and still have plenty of money, time, and energy left over. So what will I do with those extra resources?
  2. I might as well use them to help others, because I wish everyone was as well-off as I am. Plus, figuring out how to help others effectively sounds intellectually interesting.
  3. With whatever portion of my resources I’m devoting to helping others, I want my help to be truly other-focused. In other words, I want to benefit others by their own lights, as much as possible (with whatever portion of resources I’ve devoted to helping others). This is very different from other approaches to helping others, such as helping in a way that makes me feel good (e.g. a cause I have a personal connection to, or “giving back” to a community that has benefited me), or helping specific kinds of people that I feel special empathy for (e.g. identifiable victims, people with whom I share particular characteristics, or people who face particular deprivations that are salient to me), or helping in a way that allows me to achieve particular virtues, or helping in ways that aren’t scope-sensitive (e.g. spending $1 million to save one life via bone marrow transplant rather than spending the same amount to save ~220 lives via malaria prevention).1 I might do those other things too, but I wouldn’t count them as coming from my budget for other-focused altruism. (See also: Harsanyi’s veil of ignorance and aggregation theorem.)
  4. Okay, so what can I do that will benefit others by their own lights, as much as possible (with the other-focused portion of my resources)? Here is where things get complicated, drawing from domains as diverse as ethics, welfare economics, consciousness studies, global health, macrohistory, AI, innovation economics, exploratory engineering, and so much more. There will be many legitimate debates, and I’ll never be certain that I’ve come to the right conclusions about how to help others as much as possible, but the goal of all this research will remain the same: to figure out how to benefit others as much as possible and then devote my other-focused resources toward doing that.

In other words, I’m pretty happy with the most canonical definition of effective altruism I know of, from MacAskill (2019), which defines effective altruism as:

(i) the use of evidence and careful reasoning to work out how to maximize the good with a given unit of resources, tentatively understanding ‘the good’ in impartial welfarist terms, and

(ii) the use of the findings from (i) to try to improve the world.

This notion of effective altruism doesn’t demand that you use all your resources to help others. It doesn’t even say that you should use your other-focused budget of resources to help others as much as possible.2 Instead, it merely describes an intellectual project (clause i) and a practical project (clause ii) that some people are excited about but most people aren’t.3

Effective altruism is radically different from many other suggestions for what it looks like to do good or help others.4 True, the portion of resources devoted to helping others may not differ hugely (though it may differ some5 ) between an effective altruist and a non-EA Christian or humanist or social justice activist, since the canonical notion of effective altruism doesn’t take a stance on what that portion should be.6 Instead, effective altruism differs from other approaches to helping others via one or more of its defining characteristics, namely its aspiration to be maximizing, impartial, welfarist, and evidence-based.7

For example, I think it’s difficult for an effective altruist to conclude that the following popular ideas for how to do good or help others are plausible contenders for helping others as much as possible (in an impartial, welfarist, evidence-based way):

  1. Providing basic necessities (food, shelter, health care, education) to people who are poor by wealthy-country standards, at a cost that’s ≥100x the cost per person of providing those necessities to people who are poor by global standards. (Not maximizing, not impartial.)
  2. Funding for the arts. (Not maximizing: there is already more great art than anyone can enjoy in a lifetime, and the provision of marginal artistic experience benefits others much less than e.g. providing the poorest people in the world with basic necessities.)
  3. Religious evangelism, e.g. to spare souls from hell. (Not evidence-based.)
  4. Funding advocacy against GMOs or nuclear power. (Not evidence-based.)
  5. Funding animal shelters rather than efforts against factory farming, which tortures and slaughters billions of animals annually.8 (Not maximizing.)
  6. (Many, many other examples.)

Of course, even assuming effective altruism’s relatively distinctive joint commitment to maximization, impartialism, welfarism, and evidence, there will still be a wide range of reasonable debates about which interventions help others as much as possible (in an impartial, welfarist, evidence-based way), just as there will always be a wide range of reasonable debates about any number of scientific questions (and that’s no objection to scientific epistemology).9

Moreover, these points don’t just follow from the canonical definition of effective altruism; they are also observed in the practice of people who call themselves “effective altruists.” For example, EAs are somewhat distinctive in how they debate the question of how best to help others (the debates are generally premised on maximization, welfarism, impartialism, and careful interpretation of whatever evidence is available), and they are very distinctive with regard to which causes they end up devoting the most money and labor to. For example, according to this estimate, the top four EA causes in 2019 by funding allocated were:10

  1. Global health ($185 million)
  2. Farm animal welfare ($55 million)
  3. (Existential) biosecurity ($41 million)11 — note this was before COVID-19, when biosecurity was a much less popular cause
  4. Potential (existential) risks from AI ($40 million)

Global health is a fairly popular cause among non-EAs, but farm animal welfare, (existential) biosecurity, and potential (existential) risks from AI are very idiosyncratic. Indeed, I suspect that EAs are responsible for ≥40% of all funding for each of farm animal welfare, potential existential risks from AI, and existential biosecurity.12

  1. My estimate of the cost of a bone marrow transplant is taken from Millman (2020). My estimate for the cost of saving lives via malaria prevention is $4,500, which is GiveWell’s estimate for the average cost-effectiveness of GiveWell-directed funding to Malaria Consortium in 2020, taken from this page on June 4th 2022. I might be misunderstanding the cost estimate in Millman (2020), though in any case I suspect that basic point will stand, that paying for bone marrow transplants will save much fewer lives per dollar than funding malaria prevention via donations to Malaria Consortium. [↩]
  2. See MacAskill (2019), section 2. [↩]
  3. You could call this a “watered down” or “weak” version of moral realist utilitarianism, but it is not a watered down or weak version of effective altruism (as suggested by Nielsen). It is the primary, canonical notion of effective altruism, crafted with input from a survey of effective altruism “thought leaders” from a few years ago. [↩]
  4. Contra Srinivasan and Nielsen. [↩]
  5. It’s hard to get comparable numbers on this (or any numbers at all), but my anecdotal sense is that highly engaged EAs are substantially more likely to choose a “direct work” EA career than similarly engaged members of most other morally-motivated communities are, though of course it’s not at all rare in other morally-motivated communities. EAs might also on average donate a bit more than most other morally-motivated communities, though it’s worth noting that e.g. the median EA (in this survey) donates much less than 10% of their income. If anyone has numbers for any of these claims, let me know!

    Some EAs embrace a more morally demanding version of EA, even though strong moral demandingness is not part of the canonical definition of EA. I applaud and respect these EAs and think they are morally superior to me, but my sense is that they are in the minority of EAs, and of course many other morally-motivated communities also have a minority of practitioners who embrace an especially morally demanding lifestyle. [↩]

  6. See again MacAskill (2019), section 2. [↩]
  7. MacAskill (2019) uses the phrase “science-aligned” rather than “evidence-based,” and notes that effective altruism’s impartialism and welfarism is “tentative.” [↩]
  8. For context, Lewis Bollard estimates that “US animal rescue shelters had a combined budget of $3.2B in 2021. Shelters house 6.3M animals/year, so that’s ~$500 spent per shelter animal (often for a short period of time). US farm animal advocacy orgs had a combined budget of ~$100M, while the US has 2.7B farm animals alive at any time, so that’s $0.04 spent per farm animal.” [↩]
  9. Indeed, after making a small number of moral assumptions, questions about which interventions will help others the most just are, in a broad sense, scientific questions. [↩]
  10. See the same post for estimates of how much EA labor goes to different causes; that picture is harder to describe succinctly so I’ve skipped it here. [↩]
  11. By “existential biosecurity” I just mean “Biosecurity and pandemic preparedness interventions focused on avoiding existential catastrophe from pathogens,” which is generally the sort of biosecurity work that EAs fund. [↩]
  12. This is harder to determine for the case of existential biosecurity, since existential biosecurity interventions overlap a lot with lower-stakes biosecurity interventions, and biosecurity in general has become a more popular cause since COVID-19. On farm animal welfare, Lewis Bollard estimates that EA funders were responsible for perhaps ~45% for farm animal advocacy work in 2021, though Leah Edgerton’s estimate of 25% for 2018 may have been correct (EA funding in this area has increased in recent years). [↩]

Filed Under: Musings

Media diet for Q1 2022

April 9, 2022 by Luke

Music

Music I most enjoyed discovering this quarter:

  • Laika & the Cosmonauts: Surfs You Right (1990), “Delayrium” (1995), “Disconnected” (1997)
  • Tarta Relena: “Me yelassan” (2021)
  • Godswounds: Death to the Babyboomers (2018)
  • Anna von Hausswolff: Live at Montreux Jazz Festival (2022)
  • Fontanelle: Vitamin F (2012)
  • Tigue: Peaks (2015)
  • Kashiwa Daisuke: Program Music III (2020)
  • Dakota Suite & Quentin Sirjacq: “Committing to Uncertainty” (2014)
  • Grandbrothers: All the Unknown (2021)
  • Gurrumul: Djarimirri (Child of the Rainbow) (2018)
  • The Styrenes: In C (2003)
  • Moonshake: First (1991), Secondhand Clothes (1992), Big Good Angel (1993)
  • King Cobb Steelie: “Quo Vadis” (1997)
  • Ben LaMar Gay: Open Arms to Us (2021)
  • Tsukasa Saitoh: “Elden Ring” and “The Final Battle” (2022)
  • Ghost Rhythms: Ghost Rhythms (2007), “Sept Cercles” (2012), Madeleine (2015), Imaginary Mountains (2020), Spectral Music (2021)
  • Fucked Up: Year of the Horse (2021)

[Read more…]

Filed Under: Lists

Media diet for Q4 2021

January 1, 2022 by Luke

Music

Spotify playlist for this quarter is here. Playlists for past quarters and years here.

Music I most enjoyed discovering this quarter:

  • Robert Een: Mystery Dances (2003)
  • Throwing Muses: Chains Changed (1987)
  • Nigel Kennedy: The Kennedy Experience (1999)
  • Barrows: Red Giant (2014)
  • Regular Music: Regular Music (1985), North South East West (1996)
  • The Lost Jockey: Professor Slack (1982)
  • Cartoon: Boot-Legged (1983)
  • Lil Ugly Mane: Volcanic Bird Enemy and the Voiced Concern (2021)
  • Springtime: Springtime (2021)
  • Urok: Urok (2019)
  • Yoko Kanno: Cowboy Bebop (1998)
  • Ken Thomson: Settle (2014)
  • Collocutor: Instead (2014)
  • Faust: “Knochentanz” (rec. 1974, rel. 2021)
  • Portico Quartet: Memory Streams (2019), Monument (2021)
  • JC & The Microtones: Cowpeople (1984)
  • President’s Breakfast: President’s Breakfast (1989)
  • Jonny Greenwood: “Arrival” (2021)
  • Ill Considered: Liminal Space (2021)
  • Konami Kukeiha Club: “Beginning” (1994)
  • Michael Lee Firkins: Michael Lee Firkins (1990)

[Read more…]

Filed Under: Lists

Media I’m looking forward to, Q1 2022 edition

January 1, 2022 by Luke

Added this quarter:

  • Kirby and the Forgotten Land (TBD 2022) [game]

Books

bold = especially excited

[Read more…]

Filed Under: Lists

Media diet for Q3 2021

October 1, 2021 by Luke

Music

Spotify playlist for this quarter is here. Playlists for past quarters and years here.

Music I most enjoyed discovering this quarter:

  • Nikolaj Hess: Spacelab & Strings (2021)
  • L’Rain: Fatigue (2021)
  • Caroline Shaw: Let the Soil Play Its Simple Part (2021)
  • Clown Core: “Diarrhea inferno welfare burrito” (2010), “Toilet” (2018), “Existence” (2020), 1234 (2021)
  • Can: Live in Stuttgart 1975 (rec. 1975, rel. 2021)
  • Iosonouncane: DIE (2015), IRA (2021)
  • Jaubi: Nafs at Peace (2021)
  • Haley: Pleasureland (2018)
  • Low: Hey What (2021)
  • Cristobal Tapia de Veer: The White Lotus (2021)
  • David Grisman: Mondo Mando (1981), Dawg Jazz / Dawg Grass (1983)
  • Tony Rice: Mar West (1980)
  • Lingua Ignota: “Man is Like a Spring Flower” (2021)
  • 15-60-75: Jimmy Bell’s Still in Town (1976)
  • Penguin Cafe Orchestra: When in Rome (1988), Concert Program (1995)

[Read more…]

Filed Under: Lists

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